scholarly journals «Ma sono anche artisti». La casa Clerici di Asnago e Vender a Chiesa in Valmalenco, 1940-41

ARCHALP ◽  
2020 ◽  
Author(s):  
Stefano Poli
Keyword(s):  
20Th Century ◽  
The Other ◽  
The Public ◽  
The 1950S ◽  
The One ◽  
Small Building ◽  
Public Architecture

"This article investigates the critical fortune of the Clerici house, a small building built by the architects Asnago and Vender in Chiesa, in Valmalenco, between 1940 and 1941. Despite its location on the outskirts and its apparent remoteness, this type of architecture immediately found the widespread favor of the public, rightly entering the domain of emblematic modern architectures of that season, as well as of the personal poetic of the authors. The analysis of the house’s project filed for the application for planning permission seeks to investigate the critical judgements expressed by the main critics of Asnago’s and Vender’s work on the one hand, and to verify the possible influence of the debate on the rural and alpine house in the first half on the 20th century and of the technical and specialized public architecture between the 1930s and the 1950s on the other. Finally, the peculiar poetic of the architects, eulogized in the project of the house, is illustrated through the comparison with other styles of architecture and with some furnishings by Asnago and Vender in the years prior to the construction of the Clerici house."

As Autodefesas Unidas da Colômbia (AUC) e sua Estratégia Paramilitar no Fim do Século XX: Origem, Organização e Ideologia l The United Self-Defenses of Colombia (AUC) and its Paramilitary Strategy at the End of the 20th Century: Origin, Organization and Ideology

2021 ◽  
Vol 10 (1) ◽  
pp. e58909
Author(s):  
Flávia Foresto Porto da Costa
Keyword(s):  
Cold War ◽  
Public Opinion ◽  
20Th Century ◽  
Armed Conflict ◽  
The Other ◽  
The Public ◽  
Self Defense ◽  
Other Hand ◽  
Drug Traffickers ◽  
The One

Criadas em 1994 como uma confederação de exércitos privados colombianos, as Autodefesas Unidas da Colômbia (AUC) marcaram uma expansão do paramilitarismo e um recrudescimento do conflito armado naquele país, tendo sido atuantes até seu processo de desmobilização, em 2002. Buscando compreender as origens, a organização e os discursos desse fenômeno paramilitar, o presente trabalho realiza uma pesquisa bibliográfica e documental que inclui, entre outros, os documentos originais das AUC e entrevistas com suas principais lideranças. Verifica-se que as AUC constituíram, por um lado, uma continuidade em relação ao paramilitarismo das doutrinas contrainsurgentes da Guerra Fria e aos grupos de civis armados financiados por narcotraficantes e proprietários de terra do final dos anos 70, e, por outro, um ponto de inflexão da estratégia paramilitar na Colômbia, quando esses exércitos buscam se projetar como atores políticos e independentes diante da opinião pública, buscando imitar pelo avesso a retórica e as estruturas guerrilheiras.Palavras-Chave: Paramilitarismo; Contrainsurgência; Colômbia.ABSTRACTCreated in 1994 as a confederation of Colombian private armies, the United Self-Defense Forces of Colombia (AUC) marked an expansion of paramilitary and a renewed armed conflict in that country, having been active until its demobilization process in 2002. Seeking to understand the origins, the organization and the speeches of this paramilitary phenomenon, the present work conducts a bibliographic and documentary research that includes, among others, the original documents of the AUC and interviews with its main leaders. It appears that the AUC constituted, on the one hand, a continuity in relation to the paramilitarism of counterinsurgent Cold War doctrines and groups of armed civilians financed by drug traffickers and landowners in the late 1970s, and, on the other hand, a point inflection of the paramilitary strategy in Colombia, when these armies seek to project themselves as political and independent actors before the public opinion, trying to imitate the rhetoric and guerrilla structures inside out.Keywords: Paramilitarism; Counterinsurgency; Colombia. Recebido em: 04/04/2021 | Aceito em: 09/06/2021. 

Enchantingly Modern: Whispers of the Occult in Popular Psychic Healing Practices of Early 20th-century Bengal

2020 ◽  
pp. 0972558X2097564
Author(s):  
Runa Das Chaudhuri
Keyword(s):  
20Th Century ◽  
Public Discourse ◽  
The Other ◽  
Early 20Th Century ◽  
The Public ◽  
The One

Early 20th-century Bengal witnessed the budding of a constituency of spiritually inclined psychic healers who provided miraculous treatment to ailing patients through practices widely referred to as sammohan. Practicing healers seemed to recklessly borrow from Western healing therapies of mesmerism and hypnotism, on the one hand, and simultaneously appear, on the other, to vigorously harp, albeit covertly on the mystical kernel of indigenous occult tantric knowledge. This, I argue, had the marks of an unsure modernity, which produced its own enchantment ironically in the public discourse by retaining the mystical essence of occultism under the shell of popular healing. This article explores whether practices of sammohan placed between the medically sober and the erotically intoxicated provide a way to unravel the complexities of the “Bengali modern.” It also investigates whether the occult turn of psychic healing constituted an enormous, complex, and internally complicated phenomenon yet posited simultaneously a coherent response to the dilemmas of modernity.

State of Fashion: Searching for the New Luxury

APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen
Keyword(s):  
Twentieth Century ◽  
Daily Life ◽  
Life Cycles ◽  
The Other ◽  
Century Model ◽  
Cocktail Party ◽  
The Public ◽  
Other Hand ◽  
The One

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.

scholarly journals The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

scholarly journals A Public Safety Compliance Model of Safety Behaviors in the Age of the COVID-19 Pandemic

2021 ◽  
Vol 58 ◽  
pp. 004695802110313
Author(s):  
Mohammad Al-Bsheish ◽  
Mu’taman Jarrar ◽  
Amanda Scarbrough
Keyword(s):  
Public Safety ◽  
The Other ◽  
Safety Behaviors ◽  
Economic Sectors ◽  
The Public ◽  
Safety Compliance ◽  
Heavy Burden ◽  
Compliance Model ◽  
Entire World ◽  
The One

The outbreak of COVID-19 has placed a heavy burden on society, threatening the future of the entire world as the pandemic has hit health systems and economic sectors hard. Where time moves fast, continuing curfews and lockdown is impossible. This paper assembles three main safety behaviors, social distancing, wearing a facemask, and hygiene in one model (PSC Triangle) to be practiced by the public. Integrating public safety compliance with these behaviors is the main recommendation to slow the spread of COVID-19. Although some concerns and challenges face these practices, the shifting of public behaviors to be more safety-centered is appropriate and available as an urgent desire exists to return to normal life on the one hand and the medical effort to find effective cure or vaccine that has not yet succeeded on the other hand. Recommendations to enhance public safety compliance are provided.

Informed Consent: Ezenwa–Ohaeto between Past and Future Uses of Pidgin

Matatu ◽  
2006 ◽  
Vol 33 (1) ◽  
pp. 115-134 ◽  
Author(s):  
Chantal Zabus
Keyword(s):  
Informed Consent ◽  
First Language ◽  
West African ◽  
The Other ◽  
Wole Soyinka ◽  
The West ◽  
West African Coast ◽  
African Coast ◽  
The 1950S ◽  
The One

The essay shows how Ezenwa–Ohaeto's poetry in pidgin, particularly in his collection (1988), emblematizes a linguistic interface between, on the one hand, the pseudo-pidgin of Onitsha Market pamphleteers of the 1950s and 1960s (including in its gendered guise as in Cyprian Ekwensi) and, on the other, its quasicreolized form in contemporary news and television and radio dramas as well as a potential first language. While locating Nigerian Pidgin or EnPi in the wider context of the emergence of pidgins on the West African Coast, the essay also draws on examples from Joyce Cary, Frank Aig–Imoukhuede, Ogali A. Ogali, Ola Rotimi, Wole Soyinka, and Tunde Fatunde among others. It is not by default but out of choice and with their 'informed consent' that EnPi writers such as Ezenwa–Ohaeto contributed to the unfinished plot of the pidgin–creole continuum.

scholarly journals Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models

2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos
Keyword(s):  
User Experience ◽  
Three Dimensional ◽  
3D Models ◽  
Essential Elements ◽  
The Other ◽  
Social Distancing ◽  
The Public ◽  
Affective Experiences ◽  
The One ◽  
Digital Engagement

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.

The Body in Theory

1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard
Keyword(s):  
Queer Theory ◽  
20Th Century ◽  
The Body ◽  
The Other ◽  
Industrial Capitalism ◽  
Late 20Th Century ◽  
The Social ◽  
Theoretical Investigations ◽  
The One ◽  
Do So

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.

Spiritual Crisis of the Beginning of the 20th Century: From Philosophical to Religious Interpretations

2021 ◽  
pp. 79-88
Author(s):  
Alexander V. Koltsov ◽  
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
The Other ◽  
German Philosophy ◽  
Religious Consciousness ◽  
Religious Context ◽  
Spiritual Crisis ◽  
History Of ◽  
History Of Culture ◽  
The One

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.

Scenarios as Tools of the Scientific Imagination: The Case of Climate Projections

2021 ◽  
Vol 29 (1) ◽  
pp. 36-61
Author(s):  
Michael Poznic ◽  
Rafaela Hillerbrand
Keyword(s):  
Scientific Community ◽  
Climate Science ◽  
The Other ◽  
Climate Projections ◽  
Public Realm ◽  
The Public ◽  
Other Hand ◽  
The Difference ◽  
The One ◽  
Scientific Imagination

Climatologists have recently introduced a distinction between projections as scenario-based model results on the one hand and predictions on the other hand. The interpretation and usage of both terms is, however, not univocal. It is stated that the ambiguities of the interpretations may cause problems in the communication of climate science within the scientific community and to the public realm. This paper suggests an account of scenarios as props in games of make-belive. With this account, we explain the difference between projections that should be make-believed and other model results that should be believed.

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