scholarly journals Efficacia dell’arte, strategie di rete e approccio trasformativo a paesaggio e patrimonio alpino

ARCHALP ◽  
2019 ◽  
Vol 2 NS (Issue 2 Ns, July 2019) ◽  
pp. 123-133
Author(s):  
Gianluca d’Incà Levis
Keyword(s):  
Contemporary Art ◽  
The State ◽  
Architectural Heritage ◽  
Aesthetic Value ◽  
Industrial Archaeology ◽  
Artistic Production ◽  
The Past ◽  
Innovation Culture ◽  
Simple Economic ◽  
Alpine Landscape

Ever since 2011, Dolomiti Contemporanee (DC) has been operating on the contemporary identity of the mountain, and on the state of the Landscape, as well as the cultural, historic, and architectural Heritage inside the region of UNESCO’s Dolomites. Its research takes shape in the reactivation of large, issue-heavy industrial archaeology sites and compounds: former factories, former social villages, iconic architectural creations, with a great historical or aesthetic value, abandoned and underutilized, immersed in the powerful nature of the Dolomitic region. DC works on the redefinition of the mountain’s identity, building re-innovative and thematic critical images. In this sense, we refuse to recognize as an acceptable identity for the Alpine landscape the hotchpotch of stereotypical reductions which deliver a bland and reified vision of it, one that almost always involves plain and simple economic and touristic exploitation of the asset, to the detriment of its real potential’s nourishment. DC’s practice puts at the centre the need for re-enhancement and functional re-use of a few exceptional sites, which must be re-processed and re-activated. It is a responsible necessity of care and an opportunity for the regeneration of extraordinary underdeveloped sources of potential at the same time. Contemporary art, innovation culture, network strategies, those are some of the “techniques” through which such sites, so important in the past and now lifeless, are tackled, and morphed into cultural and artistic production centres, finally operative again, engines able to represent and provide new value to the territory.

scholarly journals Modern and Contemporary Art in the Russian Museum Context

2020 ◽  
Vol 8 (3) ◽  
pp. 63-74
Author(s):  
Marina V. Biryukova
Keyword(s):  
Contemporary Art ◽  
Large Scale ◽  
The State ◽  
Aesthetic Value ◽  
Traditional Art ◽  
Museum Exhibitions ◽  
The Media ◽  
The Aesthetic ◽  
In The Beginning ◽  
Everyday Context

The article considers contemporary and modern art in Russia as reflected in museum curatorial projects. The concepts of large-scale museum exhibitions are based on certain categories that correspond to following qualities: the connection with the centuries-old tradition, myth-making, ludic aspects and internationality – openness to the perception of other cultures. The article analyses exhibition projects in the beginning of the twentieth century, in which contemporary art is demonstrated in the space of tradition, the media context, the everyday context and the context of cultural myths and symbols. The problem of determination of the aesthetic value of contemporary art is stressed in the space of the museum, and represented artworks receive a bigger expressiveness in the neighborhood of works of traditional art. Exhibition curators effectively use aesthetic and formal contrasts; sometimes classical artworks themselves suggest new ways of understanding meanings, hypothetically included in contemporary art – as seen in the projects at the Hermitage, the State Russian Museum and the State Tretyakov Gallery, where curators can unite or contrast tradition and modernity.

scholarly journals Venecijanski Bijenale na putovima autorskih koncepcija (2003. – 2017.)

Ars Adriatica ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 364
Author(s):  
Vinko Srhoj
Keyword(s):  
Contemporary Art ◽  
The State ◽  
Artistic Production ◽  
Art Scene ◽  
Present Trend ◽  
The Cost ◽  
Global Art ◽  
Artistic Quality ◽  
Venice Biennale

This retrospective overview of the oldest exhibition of contemporary art, the Venice Biennale, focuses on the artistic concepts of its selectors from the 50th exhibition in 2003 until the latest, 57th, which took place in 2017. The central thematic exhibitions of the Biennale have become the benchmark for evaluating the entire artistic production of the two-year interval, the main trends on the global art scene, and the spirit of the time. Analysing the selectors’ concepts, the author has indicated some of their qualities and deficiencies and assessed the state of theoretical superstructure of curatorial concepts at the time and their comparability with the actual, converging or diverging state of artistic production. His conclusion is that the Biennale has been losing momentum and flow, and that the selectors’ concepts are often imposed at the cost of artistic quality. The exhibition of Damien Hirst (2017) has confirmed the already present trend in which the collateral exhibitions taking place during the Biennale tend to overshadow the Biennale itself and shift the focus on the more compact and artistically more appealing exhibitions of individuals, art groups, or phenomena.

Collective Memory: Between Values and Historical Knowledge

2020 ◽  
pp. 124-142
Author(s):  
VICTOR BURLACHUK
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Collective Memory ◽  
Rapid Change ◽  
Modern Society ◽  
The State ◽  
Main Element ◽  
Rapid Decline ◽  
The Past ◽  
The Future

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.

A Short Life of Kierkegaard

2013 ◽  
Author(s):  
Walter Lowrie ◽  
Alastair Hannay
Keyword(s):  
Old Testament ◽  
Soren Kierkegaard ◽  
The State ◽  
Young Girl ◽  
Love Affair ◽  
Short Life ◽  
The Past ◽  
Modern Thought ◽  
Hans Christian Andersen

A small, insignificant-looking intellectual with absurdly long legs, Søren Kierkegaard (1813–1855) was a veritable Hans Christian Andersen caricature of a man. A strange combination of witty cosmopolite and melancholy introvert, he spent years writing under a series of fantastical pseudonyms, lavishing all the splendor of his mind on a seldom-appreciative world. He had a tragic love affair with a young girl, was dominated by an unforgettable Old Testament father, fought a sensational literary duel with a popular satiric magazine, and died in the midst of a violent quarrel with the state church for which he had once studied theology. Yet this iconoclast produced a number of brilliant books that have profoundly influenced modern thought. This classic biography presents a charming and warmly appreciative introduction to the life and work of the great Danish writer. It tells the story of Kierkegaard's emotionally turbulent life with a keen sense of drama and an acute understanding of how his life shaped his thought. The result is a wonderfully informative and entertaining portrait of one of the most important thinkers of the past two centuries.

“The Past, Present, and Future of Accounting History”: A Comment on the State of Accounting History

2020 ◽  
Vol 47 (1) ◽  
pp. 89-95 ◽  
Author(s):  
Garry D. Carnegie
Keyword(s):  
English Language ◽  
Research Field ◽  
The State ◽  
International Accounting ◽  
Scholarly Research ◽  
Recent Contribution ◽  
Global Society ◽  
Accounting History ◽  
The Past

ABSTRACT This response to the recent contribution by Matthews (2019) entitled “The Past, Present, and Future of Accounting History” specifically deals with the issues associated with concentrating on counting publication numbers in examining the state of a scholarly research field at the start of the 2020s. It outlines several pitfalls with the narrowly focused publications count analysis, in selected English language journals only, as provided by Matthews. The commentary is based on three key arguments: (1) accounting history research and publication is far more than a “numbers game”; (2) trends in the quality of the research undertaken and published are paramount; and (3) international publication and accumulated knowledge in accounting history are indeed more than a collection of English language publications. The author seeks to contribute to discussion and debate between accounting historians and other researchers for the benefit and development of the international accounting history community and global society.

Statehood and the State-Like in International Law

2019 ◽  
Author(s):  
Rowan Nicholson
Keyword(s):  
Hong Kong ◽  
International Law ◽  
The State ◽  
Alternative Methods ◽  
Important Conclusion ◽  
Territorial Integrity ◽  
The Past ◽  
Imperial China ◽  
Peremptory Norms ◽  
Legal Sense

If the term were given its literal meaning, international law would be law between ‘nations’. It is often described instead as being primarily between states. But this conceals the diversity of the nations or state-like entities that have personality in international law or that have had it historically. This book reconceptualizes statehood by positioning it within that wider family of state-like entities. An important conclusion of the book is that states themselves have diverse legal underpinnings. Practice in cases such as Somalia and broader principles indicate that international law provides not one but two alternative methods of qualifying as a state: subject to exceptions connected with territorial integrity and peremptory norms, an entity can be a state either on the ground that it meets criteria of effectiveness or on the ground that it is recognized by all other states. Another conclusion is that states, in the strict legal sense in which the word is used today, have never been the only state-like entities with personality in international law. Others from the past and present include imperial China in the period when it was unreceptive to Western norms; pre-colonial African chiefdoms; ‘states-in-context’, an example of which may be Palestine, which have the attributes of statehood relative to states that recognize them; and entities such as Hong Kong.

Traditional and Customary Law: Adat

2018 ◽  
Author(s):  
Simon Butt ◽  
Tim Lindsey
Keyword(s):  
Judicial Review ◽  
Rural Areas ◽  
Small Proportion ◽  
Local Governments ◽  
The State ◽  
Customary Law ◽  
Constitutional Court ◽  
The Past ◽  
Statutory Protection ◽  
Traditional Communities

Many Indonesians—primarily those living in rural areas—still follow customary law (adat). The precise rules and processes of that adat differ significantly from place to place, even within short distances. This chapter shows that for many decades, adat has been subservient to national law. State-made law overrode it, leaving it applicable only in a very small proportion of cases where no national law applied, where judges could apply it as ‘living law’. Even in these cases, many judges ignored adat or distorted it when deciding cases. The 1945 Constitution was amended in 2000 to require the state to formally recognize and respect customary law, as practised in traditional communities. The Constitutional Court has given effect to this in various judicial review cases, as have some statutes enacted in the past decade or so. However, this constitutional and statutory ‘protection’ has been impeded in practice by requirements for traditional communities to be formally ‘recognized’ by their local governments, many of whom have been unresponsive to calls for recognition.

The Oxford Handbook of American Women's and Gender History

2018 ◽  
Keyword(s):  
Women Of Color ◽  
Historical Record ◽  
Historical Evidence ◽  
Gender History ◽  
Artistic Production ◽  
The Past ◽  
History Of ◽  
Cultural Power ◽  
And Gender ◽  
Free Women

The Oxford Handbook of American Women’s and Gender History boldly interprets the history of diverse women and how ideas about gender shaped their access to political and cultural power in North America over six centuries. In twenty-nine chapters, the Handbook showcases women’s and gender history as an integrated field with its own interpretation of the past, focused on how gender influenced people’s lives as they participated in migration, colonialism, trade, warfare, artistic production, and community building. Organized chronologically and thematically, the Handbook’s six sections allow readers to consider historical continuities of gendered power as well as individual innovations and ruptures in gender systems. Theoretically cutting edge, each chapter bursts with fascinating historical characters, from young Chicanas transforming urban culture, to free women of color forging abolitionist doctrines, to Asian migrant women defending the legitimacy of their marriages, to working-class activists mobilizing international movements, to transwomen fleeing incarceration. Together, their lives constitute the history of a continent. Leading scholars from multiple generations demonstrate the power of innovative research to excavate a history hidden in plain sight. Scrutinizing silences in the historical record, from the inattention to enslaved women’s opinions to the suppression of Indian women’s involvement in border diplomacy, the authors challenge the nature of historical evidence and remap what counts in our interpretation of the past. They demonstrate a way to extend this more capacious vision of history forward, setting an intellectual agenda informed by intersectionality and transnationalism, and new understandings of sexuality.

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