scholarly journals ‘‘Why She Disappeared’’ (A Study of Illeism in Poetic Discourse)

2020 ◽  
Vol 7 (2) ◽  
pp. 447-453
Author(s):  
Alek Alek ◽  
Abdul Gafur Marzuki ◽  
Didin Nuruddin Hidayat ◽  
Farhana Amalya Islamiati ◽  
Aning Rustanti Raharjo

The paper in hand is an attempt to apply discourse analysis approach to analyze the use of illeism in poetic eloquence. Illeism is used in third-person self-reference forms for representing the views of someone else as distinctive technique of interpretation. Through this means, it creates illusion of the speaker linguistically and thematically trying to distance themselves in the narrative. The paper is an analysis of Taylor Swift’s poem “Why She Disappeared” for her sixth studio album ‘Reputation’. The study explores qualitatively poetry elements in accordance to highlight the implication of illeism through signifiers. It utilizes a literary approach and the poem as the corpus of the study. The aims of the study are to address the way illeism functioning within the poem and the interpretation of the third-person self-reference in the poem. It is found that the poem presents the use of illeism in threefold: (1) it is used to distance oneself from traumatic occurrences; (2) it is used to refer to past-self indirectly; (3) it is used to give self-motivation. The third-person terms mentioned in the poem contribute to the actions that the speaker is employing through the discourse. Further study is needed to explore more about illeism in a variety of discourse.

2002 ◽  
Vol 52 (2) ◽  
pp. 278-284
Author(s):  
Timothy Johnson

AbstractThis article proposes a solution for identifying two problematic antecedents in two separate verses of the Hebrew Bible. I suggest that these antecedents are implied nouns instead of specific nouns standing in the text. The first example of this occurs in Job lx 2b where the third person singular feminine suffix refers to an implied noun that is associated with a nearby participle. The second more controversial example is found in Prov. iii 6a. Here the LXX, whose antecedent is an implied noun, serves as the necessary guide for opening the way to understanding the MT, where another implied noun is used. In each verse, clarity of interpretation is gained, with the latter analysis resulting in a more severe break from traditional views.


Author(s):  
Bradley McDonnell

In lieu of an abstract, here is a brief excerpt:In light of recent proposals that question the unidirectionality of grammaticalization and the necessity of phonetic erosion (or more broadly autonomy), the third person pronominal suffix -nye in Besemah, a little-known Malay language of southwest Sumatra, presents an interesting puzzle. In the majority of constructions -nye attaches directly to the root and has undergone phonetic erosion (i.e., -nye > -e): anak-nye > anak-e ‘their child’. In deverbal noun constructions suffixed with -an, or circumfixed with peN- -an, however, the -nye is separated from the root and surfaces as a separate phonological word (i.e., -nye > anye): langkah-an-nye > langkah-an anye ‘his stride’ (from the root langkah ‘to step’). One might expect that the most phonetically robust and prosodically independent form (anye) is the oldest, but there is strong evidence going back to Proto-Austronesian that it is not. Therefore, what do we make of a case where a suffix by all other accounts is grammaticalizing, but in some constructions is phonetically strengthened and phonologically less bound (i.e., suffix > word)? Arguably, such a case should be added to the growing list of examples of degrammaticalization because -nye is apparently climbing up the cline. However, what is more interesting than this taxonomy is determining the conditions, pressures, and/or motivations by which this change emerged. It turns out that this unexpected alternation between –e, –nye, and anye can be attributed to a morphophonological (or more specifically morpho-prosodic) preference in Besemah for no more than one suffix per word. This preference alongside restrictions on phonological words and routinization has resulted in a number of unusual patterns, most importantly the alternations resulting from the suffix -nye attaching to other suffixes. 


2021 ◽  
Vol 12 ◽  
Author(s):  
Caizhen Yue ◽  
Yihong Long ◽  
Chaomei Ni ◽  
Chunhua Peng ◽  
Tong Yue

Mental time travel is one of the most remarkable achievements of mankind. On the one hand, people perceive past self, present self, and future self as a continuous unity; on the other hand, people have the ability to distinguish among the three types of temporal selves because there are different representations of them. In this study, we used an adapted temporal self-reference paradigm to explore the processing mechanism of different temporal selves. Temporal self-reference was performed from the first-person perspective in Experiment 1 and from the third-person perspective in Experiment 2. The results indicated that people showed a more positive bias toward future self compared with past self and present self no matter in the first-person perspective or third-person perspective. There was no difference in recognition rate among past self, present self, and future self. Compared with the first-person perspective, present self-processing in the third-person perspective was more abstract and generalized, which may reflect that the third-person perspective has the same distancing function as time. This study can deepen understandings on temporal self-appraisals from different perspectives.


Author(s):  
Matthias Hofer

Abstract. This was a study on the perceived enjoyment of different movie genres. In an online experiment, 176 students were randomly divided into two groups (n = 88) and asked to estimate how much they, their closest friends, and young people in general enjoyed either serious or light-hearted movies. These self–other differences in perceived enjoyment of serious or light-hearted movies were also assessed as a function of differing individual motivations underlying entertainment media consumption. The results showed a clear third-person effect for light-hearted movies and a first-person effect for serious movies. The third-person effect for light-hearted movies was moderated by level of hedonic motivation, as participants with high hedonic motivations did not perceive their own and others’ enjoyment of light-hearted films differently. However, eudaimonic motivations did not moderate first-person perceptions in the case of serious films.


2020 ◽  
Author(s):  
Xiaoyang Yu

The human brain and the human language are precisely constructed together by evolution/genes, so that in the objective world, a human brain can tell a story to another brain in human language which describes an imagined multiplayer game; in this story, one player of the game represents the human brain itself. It’s possible that the human kind doesn’t really have a subjective world (doesn’t really have conscious experience). An individual has no control even over her choices. Her choices are controlled by the neural substrate. The neural substrate is controlled by the physical laws. So, her choices are controlled by the physical laws. So, she is powerless to do anything other than what she actually does. This is the view of fatalism. Specifically, this is the view of a totally global fatalism, where people have no control even over their choices, from the third-person perspective. And I just argued for fatalism by appeal to causal determinism. Psychologically, a third-person perspective and a new, dedicated personality state are required to bear the totally global fatalism, to avoid severe cognitive dissonance with our default first-person perspective and our original personality state.


Philologus ◽  
2020 ◽  
Vol 164 (1) ◽  
pp. 83-106
Author(s):  
Klaas Bentein

AbstractMuch attention has been paid to ‘deictic shifts’ in Ancient Greek literary texts. In this article I show that similar phenomena can be found in documentary texts. Contracts in particular display unexpected shifts from the first to the third person or vice versa. Rather than constituting a narrative technique, I argue that such shifts should be related to the existence of two major types of stylization, called the ‘objective’ and the ‘subjective’ style. In objectively styled contracts, subjective intrusions may occur as a result of the scribe temporarily assuming himself to be the deictic center, whereas in subjectively styled contracts objective intrusions may occur as a result of the contracting parties dictating to the scribe, and the scribe not modifying the personal references. There are also a couple of texts which display more extensive deictic alter­nations, which suggests that generic confusion between the two major types of stylization may have played a role.


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