scholarly journals Youth Studies Comes of Age: Ken Roberts, Youth in Transition: Eastern Europe and the West; Ani Wierenga, Young People Making a Life

2009 ◽  
Vol 34 (3) ◽  
pp. 887-891 ◽  
Author(s):  
James Côté
Author(s):  
Marcin Piatkowski

The book is about one of the biggest economic success stories that one has hardly ever heard about. It is about a perennially backward, poor, and peripheral country, which over the last twenty-five years has unexpectedly become Europe’s and a global growth champion and joined the ranks of high-income countries during the life of just one generation. It is about the lessons learned from its remarkable experience for other countries in the world, the conditions that keep countries poor, and challenges that countries need face to grow and become high-income. It is also about a new growth model that this country—Poland—and its peers in Central and Eastern Europe and elsewhere need to adopt to continue to grow and catch up with the West for the first time ever. The book emphasizes the importance of the fundamental sources of growth—institutions, culture, ideas, and leaders—in economic development. It argues that a shift from an extractive society, where the few rule for the benefit of the few, to an inclusive society, where many rule for the benefit of many, was the key to Poland’s success. It asserts that a newly emerged inclusive society will support further convergence of Poland and Central and Eastern Europe with the West and help sustain the region’s Golden Age, but moving to the core of the European economy will require further reforms and changes in Poland’s developmental DNA.


Author(s):  
Lijuan Qian

This is a preprint of an article accepted for publication in Oxford Handbook of the Music of China (Oxford University Press ) The articulation of humanism is a recurrent theme in various Chinese literature and arts over the history. One of such well-known cases is the classic novel Journey to the West (Xi you ji) dates from the 16 th Century which stresses the issues of freedom, fighting with the authorities, the loss of belief, and the importance of self-direction. Various adapted versions from this novel popular over since then which hinted strong desire to humanism expression under China’s tight central governance. The recent interpretation of nationwide impacted products is an online novel The Wu Kong’s Biography (Wukong zhuan, written by Zeng Yu, pseudonym Jin Hezai, 2000) which adding the ambitions to challenge the authorities, an imaginary compensation of the young people in China (Liao, 2017). The great popularity of the novel leads to the release of its film version Wu Kong in 2017. Even the theme song of this movie “Equaling Heaven” (music and sung by Hua Chenyu, lyrics by Jin Hezai) brings a real hit in Chinese popular music scene. It was performed by Tibetan singer Zahi Bingzuo, the 2017 winner of The Voice of China in his final song-battle in that show (Qian, 2017: 57-8) and then Hua Chenyu in the TV talent show Singer (Geshou) in 2018. The humanism articulation of the song, same as in the novels and movie, shown well in the song: When I were young and wild, were worthy of it, who would give me a belief? …I could still smile before dawn… ignore the fate decided by the god and I would say the fate follows my heart. 1 Humanist articulations are part of a trend in Chinese pop song that dates back to the 1980s, when that genre first reappeared as an indigenous entertainment genre within China itself. As a transitional phrase during which multiple pre-existing and newly emerging social


2021 ◽  
Vol 57 (1) ◽  
pp. 271-282
Author(s):  
Laura Emmery

Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of Tito’s Yugoslavia.


Author(s):  
Johanna Granville

About forty years ago, the first major anti-Soviet uprising in Eastern Europe-the 1956 Hungarian revolt-took place. Western observers have long held an image of the Soviet Union as a crafty monolith that expertly, in the realpolitik tradition, intervened while the West was distracted by the Suez crisis. People also believed that Soviet repressive organs worked together efficiently to crack down on the Hungarian "counterrevolutionaries. " Newly released documents from five of Moscow's most important archives, including notes ofkey meetings of the presidium of the Communist Party of the Soviet Union (CPSU) taken by Vladimir Mal in, reveal that the Soviet Union in fact had difficulty working with its Hungarian allies.


2016 ◽  
Vol 4 (7) ◽  
pp. 2653-2656
Author(s):  
Nasrin Amirifard ◽  
Edris Sadeghi

2014 ◽  
Vol 33 (2) ◽  
pp. 19-35 ◽  
Author(s):  
Tadeusz Stryjakiewicz ◽  
Michał Męczyński ◽  
Krzysztof Stachowiak

Abstract Over the past two decades the cities in Central and Eastern Europe have witnessed a wide-ranging transformation in many aspects. The introduction of a market-oriented economy after half a century of socialism has brought about deep social, economic, cultural and political changes. The first stage of the changes, the 1990s, involved the patching up of structural holes left by the previous system. The post-socialist city had to face challenges of the future while carrying the ballast of the past. Rapid progress in catching up with the West transformed the city a great deal. Later on, the advent of the 21st century brought a new wave of development processes based, among other things, on creativity and innovation. Hence our contribution aims to explore the role of creativity and creative industries in the post-socialist urban transformation. The article consists of three basic parts. In the first we present the concept of a ‘creative post-socialist city’ and define the position of creative industries in it. We also indicate some similarities to and differences from the West European approaches to this issue. In the second part, examples from Central and Eastern Europe are used in an attempt to elucidate the concept of a ‘creative post-socialist city’ by identifying some basic features of creative actions /processes as well as a creative environment, both exogenous and endogenous. The former is embedded in different local networks, both formal (institutionalised) and informal, whereas the structure of the latter is strongly path-dependent. In the third part we critically discuss the role of local policies on the development of creative industries, pointing out some of their shortcomings and drawing up recommendations for future policy measures.


The Lancet ◽  
2017 ◽  
Vol 390 ◽  
pp. S42
Author(s):  
Mohammed Shaheen ◽  
Rita Karam ◽  
Ryan Brown ◽  
Peter Glick ◽  
Salwa Massad ◽  
...  

2021 ◽  
pp. 107780042110423
Author(s):  
Sam Stiegler

This article narrativizes a walking go-along interview I, a cis white queer man, completed with JS, a Black trans young woman, while walking to the Christopher Street Pier in the West Village of New York City. The narrative form of this piece works to think against white- and cis-normative senses of time-keeping and place-making by illuminating how our bodies and social positions were perceived in relationship to each other and the environs of the go-along. While the Pier has long been an important public and community space for trans and queer Black and Latinx communities, especially young people, it has concurrently faced waves of gentrification that have made this place inhospitable to these communities. Giving an account of this walking interview through this contested area attends to JS’s experience and perception of place, community, history, and safety, including the ways it aligns and is in tension with my own and others’ experiences and perceptions of the Pier and its surroundings.


2020 ◽  
Vol 18 (4) ◽  
pp. 203-219
Author(s):  
Jacek Wołoszyn

The changes occurring in countries of Central and Eastern Europe after 1945 deprived young people of their subjectivity, divested them of the possibility of legal activities outside the structures controlled by the rulers. Simultaneously, the activities taken by the latter threatened the values which were fundamental for the most of them. Some of young people attempted – more or less – to engage in active resistance, usually determined axiologically. It took, among other things, the form of refusal to participate in official youth organisations while staying in religious communities. Some also publicly expressed their oppositions in the form of participation in street demonstrations. Others joined the anti-communist underground or established their own underground groups. Young people’s anti-system attitudes were discussed on the examples of Belarus, Estonia, Czechoslovakia, Lithuania, Latvia, the German Democratic Republic and Ukraine.


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