Debatte: Transparenz

2013 ◽  
Vol 4 (1) ◽  
Author(s):  
Anita Möllering ◽  
Claus Leggewie

"Die Forderung nach Transparenz gehört zu den zentralen Schlagworten der politischen Gegenwart. Während Anita Möllering die Transparenz-Forderung im Sinne der Piraten-Partei aber vor allem an die politischen Akteure adressiert und auf demokratische Verfahren bezieht, diskutiert Claus Leggewie insbesondere die Kehrseiten dieser basisdemokratischen Forderung. Zentraler Widerspruch ist aus dieser Perspektive die Fixierung der Piraten-Partei auf den gläsernen Staat, während sich die Benutzer sozialer Medien der Intransparenz ihrer privat-kommerziellen Betreiber kaum kritisch stellen. </br></br>The call for transparency is one of the main slogans of the political present. While Anita Möllering, following the agenda of the “Piraten-Partei”, mostly addresses the demand for transparency to political actors and relates it to democratic procedures, Claus Leggewie discusses the downsides of this fundamentally democratic demand. From this point of view, the central conflict concerns the fixation of the “Piraten-Partei” on a transparent state, while the users of social media hardly reflect on the intransparency of its private commercial operators in a critical way. "

2017 ◽  
Vol 18 (7) ◽  
pp. 1641-1656 ◽  
Author(s):  
Uwe Volkmann

It is a long-established commonplace in any debate on immigration that immigrants should integrate into their receiving society. But integrate into what precisely? Into the labor market, into the legal order, into the political system, into a national culture whatever this might comprise? The Article tries to approach the question from the legal point of view and looks for hints or clues in the constitution which might help us with the answer. For this purpose, it explores the general theory of the constitution as it has been shaped by its professional interpreters as well as by political actors, the media and the public. The main intuition is that “constitution” is not only a written document, a text with a predefined, though maybe hidden meaning; instead, it is a social practice evolving over time and thereby reflecting the shared convictions of a political community of what is just and right. Talking about constitutional expectations toward immigrants then also tells us something about ourselves: about who we are and what kind of community we want to live in. As it turns out, we may not have a very clear idea of that.


PERSPEKTIF ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 36-46
Author(s):  
Bhakti Satrio Wicaksono

This article aims to find out what happened to digital democracy regarding the Dildo account case. This research uses descriptive qualitative research research methods. The type of observation method used is the non-participation observation method. The non-participant observation method is the method that researchers chose in conducting this research. The results of the study show that the view of digital democracy can be seen from two perspectives, namely the government and the people's point of view. Political parody basically offers a new way of engaging in the political world. The Dildo case shows that not everyone can freely express their opinion on social media. The freedom to voice opinions, especially through cyberspace, still cannot be said to be free. This can be seen with how when the Dildo account voices humor and national issues that are close to the public, it still gets contra opinions from other parties. The conclusion of the research is that political parody basically offers a new way of engaging in the political world. Dildo case shows that not everyone can freely express their opinion in social media. The existence of internet technology in terms of statehood can be a double-edged knife, especially on social media where information is spread so fast. Parody or current humor is treated wisely and is not necessarily considered a dangerous thing.


2021 ◽  
Author(s):  
Karolina Karas

This major research paper (MRP) examines the visual social semiotics of Canadian politicians’ Instagram accounts and their followers’ responses. As a qualitative study, it seeks to address the following questions: From the coded images in the data collection, which qualities do the Instagram followers prefer? From the coded images in the data collection, which qualities do the Instagram followers prefer the least? What do these qualities reveal about the political actors in the data collection? To answer these questions, I coded the most liked and least liked Instagram postings between April 1, 2014 and March 31, 2015 from two of Canada’s federal party leaders, Prime Minister Stephen Harper and Liberal leader Justin Trudeau. These images were coded through a visual social semiotics analysis under the following categories in my codebook: community outreach, competence, empathy, excitement, ideology, personal, symbols of nationalism, celebrity, and miscellaneous. This codebook was constructed from a literature review encompassing the public’s values of politicians in traditional media. The findings of this MRP expand on visual social semiotic theory in the social media context and build on research about audience perceptions of politicians. The results suggest that photo composition and the presentations of values in an image are important considerations for politicians. Based on the findings, this study is relevant to how professional communicators can construct a persuasive image and story in the political context on a social media platform.


2021 ◽  
Vol 20 (1) ◽  
Author(s):  
Vannyora Okditazeini

This study aims to elaborate on how the pattern of democracy shifts along with the development of technology and communication. This shift can be seen from the use of broadcast media as a channel of aspirations to the use of new media known as post-broadcasting democracy. This post-broadcasting democratic pattern will be seen on the #2019gantippresi fanpage community and will analyze the activities carried out by members in the group. This paper is a netnographic study by integrating the concepts of mediated politics, post-broadcasting democracy, and political fans. The results of the study show that this shift in the pattern of democracy creates a new phenomenon, namely political fans. This can be seen in: first, the activities carried out by political fans on social media foster a political constellation with high mobility. Second, post-broadcasting democratic publics become interactive publics. Third, political fans produce texts which in turn become cultural productions in mediated politics. Fourth, the activities of these political fans indirectly influence public opinion regarding the political actors they admire. The author observes that the phenomenon of political fans as seen on the #2019gantippresi fanspage can be a new strategy for political actors in growing fanatical sympathizers by utilizing technological and communication developments. 


Author(s):  
Eedan R. Amit-Danhi

Digital visualizations have seen an exponential rise in use by politicians, candidates, and other political actors. Digital visualizations are an informative and engaging genre, but when applied by political candidates, they may also be used to persuade or mislead. However, the ways in which different actors utilize them have yet to receive systematic scholarly attention. Informed by a comprehensive theoretical framework related to political power, digital visualizations, and social media campaigns, I perform grounded qualitative content analysis of all cost-of-living visualizations posted to Facebook during the 2015 Israeli election period, by both peripheral and primary political actors. I define two main argumentation strategies ( Progress Makers & Hinderers and Re-Visualized Economy) reliant on different narrative, visual, and information-oriented strategies by different actors. An overview of the findings reveals digital visualizations as a meeting ground between the political power of actors, the rhetorical power of emotionality, and the cultural-political power of numbers. I conclude with a reflection on re-visualization as a means of expanding a fourth type of power, discursive power, wherein visualizations are used as a tool for resistance by weaker actors, against the narrative of reality promoted by stronger actors, relying on the rhetorical affordances of the digital political visualization genre to increase their political power. Digital visualizations thus offer a uniquely agile tool for political actors of all types to utilize in gaining discursive power in the competition over election narratives in the digital arena of social media.


2015 ◽  
Vol 43 (5) ◽  
pp. 545-566 ◽  
Author(s):  
Benjamin Nyblade ◽  
Angela O’Mahony ◽  
Aim Sinpeng

Traditional techniques used to study political engagement—interviews, ethnographic research, surveys—rely on collection of data at a single or a few points in time and/or from a small sample of political actors. They lead to a tendency in the literature to focus on “snapshots” of political engagement (as in the analysis of a single survey) or draw from a very limited set of sources (as in most small group ethnographic work and interviewing). Studying political engagement through analysis of social media data allows scholars to better understand the political engagement of millions of people by examining individuals’ views on politics in their own voices. While social media analysis has important limitations, it provides the opportunity to see detailed “video” of political engagement over time that provides an important complement to traditional methods. We illustrate this point by drawing on social media data analysis of the protests and election in Thailand from October 2013 through February 2014.


2020 ◽  
Vol 4 (1) ◽  
pp. 55-68
Author(s):  
Devi Rahma Fatmala ◽  
Amanda Amelia ◽  
Fitri Agustina Trianingsih

Today’s political discourse can’t be disattached from the usage of social media. There are plenty of political actors using it to campaign their issues and attack their political rival in order to influence public opinion. One of the instruments used by the political actor in using the social media is bot accounts. Bot accounts are an automated online account where all or substantially all of the actions or posts of that account are not the result of a person. The usage of bot accounts are viewed as harmful for democracy by many experts on law and democracy. However, a lot of states have no regulation regarding the usage of bot accounts, including Indonesia. This article is intended to bring legal review on the usage of bot accounts to influence public opinion in Indonesia. Using deliberative democratic theory, this article views that the usage of bot accounts could prevent the objective achievement of democracy based on UUD 1945. The authors recommend the regulation of bot accounts through the revision of UU No. 19 Tahun 2019 about Informasi dan Transaksi Elektronik with bringing up various important argumentations regarding the law implementation. Keywords : Bot Accounts; Social Media; Public Opinion; Democracy; Legal Review.


2021 ◽  
Author(s):  
Karolina Karas

This major research paper (MRP) examines the visual social semiotics of Canadian politicians’ Instagram accounts and their followers’ responses. As a qualitative study, it seeks to address the following questions: From the coded images in the data collection, which qualities do the Instagram followers prefer? From the coded images in the data collection, which qualities do the Instagram followers prefer the least? What do these qualities reveal about the political actors in the data collection? To answer these questions, I coded the most liked and least liked Instagram postings between April 1, 2014 and March 31, 2015 from two of Canada’s federal party leaders, Prime Minister Stephen Harper and Liberal leader Justin Trudeau. These images were coded through a visual social semiotics analysis under the following categories in my codebook: community outreach, competence, empathy, excitement, ideology, personal, symbols of nationalism, celebrity, and miscellaneous. This codebook was constructed from a literature review encompassing the public’s values of politicians in traditional media. The findings of this MRP expand on visual social semiotic theory in the social media context and build on research about audience perceptions of politicians. The results suggest that photo composition and the presentations of values in an image are important considerations for politicians. Based on the findings, this study is relevant to how professional communicators can construct a persuasive image and story in the political context on a social media platform.


2021 ◽  
Vol 4 (2) ◽  
pp. 441-453
Author(s):  
Ashari Sakti Alim ◽  
Dian Eka Rahmawati

Abstract This paper wants to analyze how Anies Baswedan conveyed his political communication on Twitter social media. In this contemporary era, one of the most dominant political communications is social media, where political communication plays an important role because it can have an impact on political participation, political socialization. In the political field the role of social media is very important because it contributes as openness and transparency, Anies Baswedan is one of the political actors who play social media Twitter to convey political communication while increasing its popularity. In accordance with its previous political promises of integrated transportation and ok oce program. Anies is not uncommon to convey and show the development of political promises that have been running on his Twitter social media. in disseminating information through social media Twitter has proven to be very effective because many users around the world. This study uses descriptive qualitative research methods and analyzes using the help of NVIVO12 Plus software applications. The results of this study revealed that Anies Baswedan's political communication on Twitter social media was very focused on public services in DKI Jakarta. Political communication from Anies Baswedan also received a lot of responses from his followers on his Twitter account. This can be seen from the number of retweets and mentions done to Anies Baswedan. Anies Baswedan was also quite active in conveying his political communication through Twitter social media such as notifying work programs, political branding, giving political talks that were light in nature and also related to public services in DKI Jakarta. Keywords : Political Communication, Anies Baswedan, Social Media, Twitter Abstrak Tulisan ini ingin menganalisis bagaimana Anies Baswedan dalam menyampaikan komunikasi politiknya di sosial media Twitter. Pada era kontemporer ini salah satu komunikasi politik yang paling dominan adalah media sosial, dimana komunikasi politik sangat memegang peranan penting karena bisa berdampak untuk partisipasi politik, sosialisasi politik. Dalam bidang politik peran media sosial media sangat penting karena berkontribusi sebagai keterbukaan dan transparansi, Anies Baswedan adalah salah satu aktor politik yang bermain sosial media Twitter untuk menyampaikan komunikasi politik sekaligus menaikan popularitasnya. Sesuai dengan janji politiknya terdahulu yaitu transportasi terintegrasi dan program oke oce. Anies tak jarang menyampaikan dan memperlihatkan perkembangan janji politiknya yang telah berjalan di sosial media Twitter miliknya. dalam penyebaran informasi melalui sosial media Twitter sudah terbukti sangat efektif karena banyak penggunanya diseluruh dunia. Penelitian ini menggunakan metode penelitian kualitatif deskriptif dan melakukan analisis dengan menggunakan bantuan aplikasi perangkat lunak NVIVO12 Plus. Hasil dari ini penelitian ini mengungkapkan bahwa komunikasi politik Anies Baswedan di sosial media Twitter sangat befokus pada pelayanan publik di DKI Jakarta. Komunikasi politik dari Anies Baswedan juga mendapatkan banyak respon dari pengikutnya di akun Twitter hal ini dapat dilihat dari jumlah Retweet dan mentions yng dilakukan kepada Anies Baswedan. Anies Baswedan juga cukup aktif dalam menyampaikan komunikasi politiknya melalui sosial media Twitter seperti memberitahukan program kerja, Branding politik, memberikan perbincangan politik yang sifatnya ringan dan juga terkait dengan pelayanan publik di DKI Jakarta. Kata Kunci : Komunikasi Politik, Anies Baswedan, Sosial Media, Twitter


2017 ◽  
Vol 8 (2) ◽  
pp. 199
Author(s):  
Farhat Sajjad ◽  
Mehwish Malghnai ◽  
Durdana Khosa

As language is central to all social processes and practices, so it is considered as the most effective tool for (re)shaping and (re)constructing the social realities and political identities as they are negotiated, (re)constructed and thus projected in the broader social and cultural contexts. Since the advent of new media technologies, particularly social media, the forms and modes of political identity construction and (re)presentations are also transformed. As debated earlier that language enables its users, specifically political actors, to exhibit the political ideologies and identities effectively, so the political actors frequently exploit these platforms to achieve their pre-defined political agendas. Within the same context the political rhetoric, specifically the ones that is generated and exhibited on social media network sites, offers a new visibility for the researchers to explore and predict how ideologies and perceptions can be achieved, advocated, altered and rebuilt through discursive discourse strategies on these networking sites. Providing the power of social media for political participation, political engagement and political activism, there is a need to design such framework that can offer a different lens for the analysis of critical yet sensitive issue of political identity (re)presentation beyond the textual level. To address the above debated issue a new theoretical framework is presented in this paper that enables to analyse the text with special reference to the context in which the political identities are negotiated, (re)constructed and (re)presented. This framework is designed by collaborating the approaches of CDA, Political Identity theory, Social Media theory and Political Discourse theory that enables to explore the interrelationship between the “language in use” and the context in which it is created and consumed. 


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