scholarly journals PERJALANAN KREATIF KELOMPOK KANTOR TEATER JAKARTA “SEBUAH KELAHIRAN YANG SAKIT”

2020 ◽  
Vol 2 (2) ◽  
pp. 234
Author(s):  
Wanda Rahmad Putra

ABSTRAK Tulisan ini adalah studi pendahuluan atas fenomena Kantor Teater Jakarta (KTJ), sebuah kelompok teater yang menolak keberadaan sutradara dalam setiap proses kreatifnya. Penelitian ini menggunakan metode penelitian kualitatif untuk merekam perjalanan kreatif KTJ dalam perspektif teori habitus Pierre Bourdieu. Studi ini menggambarkan awal perjalanan kreatif KTJ yang penuh dengan 'pengalaman rasa sakit', sering mengalami keterbatasan ruang dan penolakan dari masyarakat, dan juga sering menghadapi para petugas keamanan yang kerap mengebiri kreativitas mereka. Keterbatasan ruang, keglamoran dan eksklusivitas gedung dan pertunjukan teater di Indonesia membuat mereka merumuskan konsep 'teater portabel'. KTJ menghadapi eksklusivitas keglamoran itu dengan 'melemparkan tubuh aktor keluar dari panggung' dan membuat panggung teater mereka sendiri di jalanan. Melalui cara ini KTJ dapat pentas di mana pun mereka ingin.Kata Kunci : Kantor Teater Jakarta, menolak sutradara, glamoritas, eksklusifisme, teater jalanan, habitus This paper is a preliminary study of the phenomenon of the Kantor Teater Jakarta (KTJ), a theatre group that rejects the existence of a director in every creative process. This study uses qualitative research methods to record KTJ's creative journey in the perspective of Pierre Bourdieu's habitus theory. This study describes the beginning of KTJ's creative journey that is full of 'painexperiences', often experiences limited space and opposition from the community, and also often confronts ecurity officers who often castrate their creativity. Space limitations, glamorous, and exclusivity of theatre and performances in Indonesia made them formulate the concept of 'portabletheatre'. KTJ faces this glamorous exclusivity by 'throwing the actors bodies out of the stage' and making their own theatre on the streets. In this way KTJ can perform wherever they want. Keywords: Kantor Teater Jakarta, theatre group, rejecting directors, street theatre, habitus.

2018 ◽  
Vol 13 (1) ◽  
pp. 1-10
Author(s):  
Mirna Nurmala

Adanya asumsi bahwa bambu merupakan material dasar yang murah dan tidak memiliki harga jual,memicu kegelisahan beberapa kalangan untuk berinovasi menggunakan bambu sebagai bahan dasar. Salah satunya adalah Indonesian Bamboo Community yang dipimpin oleh Adang Muhidin yang mencoba berinovasi dengan membuat alat musik konvensional berbahan dasar bambu. Tulisan ini akan membahas proseskreatif yang dilakukan oleh sebuah komunitas bambu dengan metode penelitian kualitatif, yaitu penelitian yang menekankan pada kualitas atau hal terpenting dari sifat suatu benda, yang didalamnya tidak hanyameliputi pertunjukan musik saja tapi bagaimana membuat alat musik yang berbahan dasar bambu. ABSTRACTThe assumption that bamboo is a material cost basis and does not have a selling price, triggers anxiety in some quarters to innovate using bamboo as raw material. One of them is the Indonesian Bamboo Community led by Adang Muhidin who tried to innovate by creating a conventional musical instrument made from bamboo. This paper will discuss the creative process undertaken by a community of bamboo with qualitative research methods, the research emphasizes on the quality or the most important thing of the nature of an object, in which not only includes music performances alone but how to make a musical instrument made from bamboo.


2021 ◽  
Vol 4 (2) ◽  
pp. 149-162
Author(s):  
Nur Ahmad Salman Herbowo ◽  
Khairil Anwar ◽  
Ferdinal Ferdinal

The republishing activities of Kaba books carried out by the publisher Kristal Multimedia cannot be separated from the publisher Pustaka Indonesia, one of the earliest publishers managed by local communities in Bukittinggi during the Dutch colonial administration. Sixteen of the eighteen Kaba books that were printed were republished from the publisher Pustaka Indonesia. This research uses the republishing of Kaba books by Kristal Multimedia publisher as its material object. The formal object is doxa which the publisher of Kristal Multimedia expresses. The purpose of this study is to determine the background that causes the publishers of Kristal Multimedia to continue operating and is serious about republishing Kaba books. The research method used is qualitative research methods with interview data collection techniques and the use of documents. The theory used in this research is the arena of cultural production proposed by Pierre Bourdieu, focus the discussion of doxa, heterodoxa and orthodoxa. Doxa expressed by Kristal Multimedia publisher is heterodoxa, contradicting the doksa expressed by the publisher Pustaka Indonesia as a publisher that also produces school and religious textbooks. Kristal Multimedia Publisher focuses on all its publications in Minangkabau cultural books, such as the Kaba book.


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