A Final Formality: Three Modernist Pavilion Houses of the early 1960s

2005 ◽  
Vol 2 ◽  
pp. 3-9
Author(s):  
Michael Dudding

The Beard, Alington, and Mackay houses represent the endpoint of a direction in New Zealand domestic architecture that was both internationalist and based within the realities of local house building in the mid-twentieth century. Imi Porsolt, while reviewing Stephanie Bonny and Marilyn Reynolds'book Living with 50 Architects in 1980, specifically points to the Alington house as the final formalisation of this purist trend. Porsolt's review provides an historical subtext to Living with 50 Architects that opposes the "altogether austere style" of the pavilion with the vernacularism of what is best described as the "elegant shed" tradition of New Zealand house design. More elegant than the elegant shed, these pavilions reveal something of a "blind spot" in New Zealand's architectural history – aside from the inclusion of the Beard and Alington houses in Living with 50 Architects,they have not appeared in any of the canon-forming historical surveys such as Mitchell and Chaplin's The Elegant Shed or Shaw's A History of New Zealand Architecture. The Mackay house also has not featured until its recent appearance in Lloyd Jenkins' At Home: A Century of New Zealand Design. This paper uses Porsolt's view as a useful starting point from which to consider the relationship that exists between the Beard, Alington, and Mackay houses, and their place in the development of New Zealand's domestic architecture during the 1960s.

Author(s):  
J. R. McNeill

This chapter discusses the emergence of environmental history, which developed in the context of the environmental concerns that began in the 1960s with worries about local industrial pollution, but which has since evolved into a full-scale global crisis of climate change. Environmental history is ‘the history of the relationship between human societies and the rest of nature’. It includes three chief areas of inquiry: the study of material environmental history, political and policy-related environmental history, and a form of environmental history which concerns what humans have thought, believed, written, and more rarely, painted, sculpted, sung, or danced that deals with the relationship between society and nature. Since 1980, environmental history has come to flourish in many corners of the world, and scholars everywhere have found models, approaches, and perspectives rather different from those developed for the US context.


2018 ◽  
Vol 112 (4) ◽  
pp. 553-582 ◽  
Author(s):  
Boyd van Dijk

AbstractThe relationship between human rights and humanitarian law is one of the most contentious topics in the history of international law. Most scholars studying their foundations argue that these two fields of law developed separately until the 1960s. This article, by contrast, reveals a much earlier cross-fertilization between these disciplines. It shows how “human rights thinking” played a critical generative role in transforming humanitarian law, thereby creating important legacies for today's understandings of international law in armed conflict.


2005 ◽  
Vol 5 (1) ◽  
pp. 3-10 ◽  
Author(s):  
Neil T Lunt ◽  
Ian G Trotman

Since the 1960s there has been a growing interest in evaluation shown by most Western countries. Alongside discussion of practical and theoretical issues of evaluation, such as methodological developments, best practice, and cross-cultural practice, there has also been increased interest in mapping the history of evaluation activity. Historical discussions are significant for three reasons; first, in providing a record for future generations of evaluators. Second, they provide a consideration of the domestic and international context that has shaped evaluation development, giving each country its distinct institutional make-up and brand of evaluation activity. Third, they assist a country's evaluation capacity development by building on its strengths and compensating for the weaknesses of its history. This article traces the emergence of evaluation within New Zealand using the metaphor of dramaturgy to introduce the settings and actors that we consider to have been constituent of what was played out in the New Zealand situation. Our remit is a broad one of attempting to describe and explain the range of evaluation activities, including program evaluation, organisational review, performance management, and process and policy evaluation. Within this article a broad overview only is possible. As an example of a more in-depth study, a comprehensive article could be prepared on the history of performance management in the public service. Our comments cover developments in the public sector, tertiary sector, and private and professional organisations. It is a companion paper to one on the history of evaluation in Australia, prepared by Colin A Sharp in a recent issue of this journal (Sharpe 2003).


Author(s):  
Jenny Te Paa-Daniel

In 1992 the Anglican Church in Aotearoa New Zealand and Polynesia, which owed its origin ultimately to the work of Samuel Marsden and other missionaries, undertook a globally unprecedented project to redeem its inglorious colonial past, especially with respect to its treatment of indigenous Maori Anglicans. In this chapter Te Paa Daniel, an indigenous Anglican laywoman, explores the history of her Provincial Church in the Antipodes, outlining the facts of history, including the relationship with the Treaty of Waitangi, the period under Selwyn’s leadership, as experienced and understood from the perspective of Maori Anglicans. The chapter thus brings into view the events that informed and influenced the radical and globally unprecedented Constitutional Revision of 1992 which saw the creation of the partnership between different cultural jurisdictions (tikanga).


Author(s):  
Francine Fragoso de Miranda Silva ◽  
Cláudia Regina Flores ◽  
Rosilene Beatriz Machado

ResumoEste artigo tem por objetivo identificar e analisar práticas matemáticas inscritas em cadernos escolares de uma escola mista estadual do município de Antônio Carlos (SC), nas décadas de 1930 e 1940, com enfoque dado para as frações. São utilizadas as teorizações de Michel Foucault para nortear os preceitos teórico-metodológicos. Os resultados da pesquisa indicam práticas matemáticas desenvolvidas nessa escola obedecendo aos programas oficiais catarinenses da época, com soluções rápidas e sucintas e voltadas às tarefas de seu cotidiano. Também se observam que elas estão inseridas num contexto histórico, compreendido entre a Reforma Francisco Campos, de 1931, e o início do Movimento da Matemática Moderna, nos anos de 1960, no qual a fração recebe uma nova abordagem, distanciando-se da relação entre número e medida e aproximando-se da noção de parte-todo.Palavras-chave: Práticas matemáticas, Cadernos escolares, Frações, História da educação matemática.AbstractThis article aims to identify and analyze mathematical practices registered in school notebooks of a mixed state school in the city of Antônio Carlos (SC), in the 1930s and 1940s, focused on fractions. Michel Foucault's theorizations are used to guide theoretical and methodological precepts. The results of the research show mathematical practices developed in these schools obeying the Santa Catarina official programs of the time, with quick and succinct solutions and focused on their daily tasks. It is also observed that they are inserted in a historical context, between the Francisco Campos Reform, of 1931, and the beginning of the Modern Mathematics Movement, in the 1960s, in which the fraction receives a new approach, moving away from the relationship between number and measure and approaching the notion of part-whole.Keywords: Mathematical practices, School notebooks, Fractions, History of mathematics education.ResumenEste artículo tiene como objetivo identificar y analizar las prácticas matemáticas registradas en los cuadernos escolares de una escuela estatal mixta en la ciudad de Antônio Carlos (SC), en la década de 1930 y 1940, con un enfoque en las fracciones. Las teorizaciones de Michel Foucault se utilizan para guiar los preceptos teóricos y metodológicos. Los resultados de la investigación muestran prácticas matemáticas desarrolladas en estas escuelas que obedecen los programas oficiales de Santa Catarina de la época, con soluciones rápidas y sucintas y centradas en sus tareas diarias. También se observa que se insertan en un contexto histórico, entre la Reforma Francisco Campos, de 1931, y el comienzo del Movimiento de Matemáticas Modernas, en la década de 1960, en el que la fracción recibe un nuevo enfoque, alejándose de la relación entre numerar y medir y acercándose a la noción de parte-todo.Palabras clave: Prácticas matemáticas, Cuadernos escolares, Fracciones, Historia de la educación matemática


Author(s):  
Bohdan Tsymbal

The paper explores the initial activity of Kyiv publishing house “Vik” and Vasyl Domanytsky’s participation in its work. The history of the publishing house has not been properly studied yet. The vast majority of sources used by the scholars contain many inconsistencies, and the existing research works don’t pay attention to the causes of the differences, but rather exacerbate the problem due to uncritical attitude to the sources. The author, therefore, focuses on three issues: 1) the time when the publishing house was founded; 2) its employees; 3) Domanytskyi’s participation in its work. Researchers date the origins of the publishing house differently, within a wide period of 1894–1897. Most of them rely on a limited range of printed sources that may contain some mistakes. Based on the crossed analysis of the ‘main’ (popular) sources with the involvement of those less popular among specialists, the author identified the causes of differences in the works of the scholars and made an attempt to explain the causes of such inaccuracies. The new archival materials not only confirmed the results of studying the printed sources but also helped to establish the earliest documented date directly related to the work of the publishing house. This date may be reasonably taken as a starting point of its history. Studying the archival documents of the censorship department allows making some assumptions about the staff of the publishing house, which although remains insufficiently studied. The list of personalities is still limited to the five most famous members of the publishing circle. The findings also help to clarify the terminus post quem of Vasyl Domanytskyi’s involvement in the work of the publishing house. The results obtained are important not only for the further study of the history of Ukrainian book printing but also for highlighting the relationship of publishers with the censorship in the Russian Empire and the work of the Kyiv “Moloda Hromada” circle. The paper explores the initial activity of Kyiv publishing house “Vik” and Vasyl Domanytsky’s participation in its work. The history of the publishing house has not been properly studied yet. The vast majority of sources used by the scholars contain many inconsistencies, and the existing research works don’t pay attention to the causes of the differences, but rather exacerbate the problem due to uncritical attitude to the sources. The author, therefore, focuses on three issues: 1) the time when the publishing house was founded; 2) its employees; 3) Domanytskyi’s participation in its work. Researchers date the origins of the publishing house differently, within a wide period of 1894–1897. Most of them rely on a limited range of printed sources that may contain some mistakes. Based on the crossed analysis of the ‘main’ (popular) sources with the involvement of those less popular among specialists, the author identified the causes of differences in the works of the scholars and made an attempt to explain the causes of such inaccuracies. The new archival materials not only confirmed the results of studying the printed sources but also helped to establish the earliest documented date directly related to the work of the publishing house. This date may be reasonably taken as a starting point of its history. Studying the archival documents of the censorship department allows making some assumptions about the staff of the publishing house, which although remains insufficiently studied. The list of personalities is still limited to the five most famous members of the publishing circle. The findings also help to clarify the terminus post quem of Vasyl Domanytskyi’s involvement in the work of the publishing house. The results obtained are important not only for the further study of the history of Ukrainian book printing but also for highlighting the relationship of publishers with the censorship in the Russian Empire and the work of the Kyiv “Moloda Hromada” circle.


Troublemakers ◽  
2019 ◽  
pp. 1-10
Author(s):  
Kathryn Schumaker

The introductionexplains how and why student protest became common in the United States in the late 1960s and places these protests in the context of shifts in the history of education and in broader social movements, including the civil rights movement, the Chicano Movement, and black power activism. The introduction also situates students’ rights within the context of children’s rights more broadly, explaining the legal principles that justified age discrimination and excluded children and students from the basic protections of American constitutional law. The introduction identifies the two decades between the 1960s and 1980s as a constitutional moment that revolutionized the relationship of students to the state. It also connects students’ rights litigation to the issue of school desegregation and the legacy of Brown v. Board of Education.


2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.


Author(s):  
Dillon Mahoney

This chapter traces the development of Kenya’s tourism and handicraft industries from their roots in 20th century British colonialism to provide some of the broader history of Kenya’s tourism and co-operative development, their emergence in Mombasa, and their relationships with local governments. I draw on archival as well as ethnographic data collected just before the 2002 demolition of Mombasa’s roadside kiosks, which form the starting point for the larger longitudinal study. I focus on the array of experiences of Mombasa’s roadside traders of diverse backgrounds as they struggle with the privatization and segregation of urban residential and commercial space both before and after the demolitions. The economy was radically altered as the roadsides were “cleaned” and a new wave of economic formalization characterized the relationship between small-scale businesspeople and the state. For many entrepreneurs invested in the global crafts trade, this was the final straw that pushed them toward new technologies, jumping scales into global markets, and investing in export and wholesale businesses that were not spatially dependent upon a connection to the city center.


Author(s):  
Victoria Grace Walden

This chapter examines the relationship between Hammer Films and British cinema. The history of British cinema has been characterised by a strong dedication to realism, in its many forms. From the documentaries of the 1930s with a focus on social responsibility to the gritty kitchen sink dramas of the 1960s, and even the naturalistic aesthetic of television police dramas, the British moving-image industries have a strong heritage of realism. If this is the case, Hammer horror, despite its international fame as a specifically British brand of filmmaking, does not seem characteristic of British national cinema at all. On one hand, Hammer's horrors are clearly fantastical; on the other hand, they amalgamate infrequent and abrupt moments of gore with a 'neat unpretentious realism'. Moreover, the films were lambasted in the press for not exhibiting 'good taste' or restraint. The chapter then assesses to what extent Hammer horror can be understood as British.


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