scholarly journals Impostando la voz del pueblo. Poesía política de apariencia popular en la Nueva Granada (1717 – 1822)

2016 ◽  
Vol 13 (2) ◽  
pp. 66
Author(s):  
Guillermo Molina Morales
Keyword(s):  
Present Article ◽  
Colonial Literature ◽  
Political Poetry ◽  
Hybrid Production ◽  
The People ◽  
Political Message ◽  
Ciudad Letrada ◽  
Nueva Granada ◽  
The Voice

ResumenLa crítica tiende a estudiar de forma diferenciada las dos grandes vertientes de la poesía colonial en español: la poesía culta y la poesía popular. En el presente artículo, planteamos la existencia de una producción híbrida escrita por miembros de la “ciudad letrada” que utilizan recursos de la tradición popular para conseguir una mayor difusión de su mensaje político. En los cinco poemas estudiados, encontramos una multiplicidad de posibilidades para estos cruces, desde la reapropiación de una melodía tradicional hasta la utilización de formas cultas puestas en boca de indígenas. En la conclusión, enfatizamos el interés de este enfoque para otras regiones y épocas.Palabras clave: Poesía popular; ciudad letrada; literatura colonial; reapropiación; hibridez**********************************************************************Projecting the voice of the people. Political poetry of popular appearance in Nueva Granada (1717-1822) AbstractThe critique tends to study, in a differentiated manner, the two main strands of colonial poetry in Spanish: educated and popular poetry. In the present article we propose the existence of a hybrid production, written by members of the “Ciudad letrada”, who use resources from the popular tradition to get a greater dissemination of their political message. In the five poems studied, we find multiple possibilities for these intersections, from the re-appropiation of a traditional melody to the use of educated forms attributed to indigenes. In the conclusion, we emphasize how this approach may result interesting in the study of other regions and times.Key words: Popular poetry, literate city, colonial literature, re-appropiation, hibridization.      **********************************************************************Impostando a voz do povo. Poesia política de aparência popular na Nova Granada (1717-1822)ResumoA crítica tende a estudar de maneira particular, dois grandes vertentes da poesia colonial hispano falante: a poesia culta e a poesia popular. Em este artigo se fala de outra vertente, uma hibrida, produzida por membros da cidade letrada e com mensagens políticas, que aproveitava recursos da tradição popular para atingir grande difusão. São estudados cinco poemas, neles são achadas múltiplas estratégias, desde a reapropriaçao de melodias tradicionais até a utilização de formas cultas pelos indígenas. Assim se chama a atenção sobre este enfoque para considerar em outras regiões.Palavras chave: Poesia popular, cidade letrada, literatura colonial, reapropriação, hibridez

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

Flâneur or Choraster: A Review of the Travel Narrator In the Formation of the Tourist Experience

2019 ◽  
Vol 24 (4) ◽  
pp. 551-562
Author(s):  
Stephen Wearing ◽  
Stephen Schweinsberg ◽  
Patricia Johnson
Keyword(s):  
Present Article ◽  
Review Article ◽  
Media Representations ◽  
The Gaze ◽  
The People ◽  
Tourist Experience

Media representations of destinations play a powerful role in tourism appeal. The narrator assumes a role infused with knowledge and power, employing discourse to describe and interpret places and people to entice armchair audiences to not only travel vicariously alongside them, but to follow in their footsteps. This review article uses the English actor and writer Michael Palin to examine this phenomenon through the lens of the flâneur and choraster. Palin's travels have traditionally been viewed based on their ability to create space from the perspective of a representational voice of authority. In the present article, we wish to ask whether the power of the travel narrator for tourism is perhaps better expressed in their ability to develop a counter (or chora discourse), one where we are able to see space as locally contested. Palin's narrator expresses appreciation of his reliance on the people (chora) that inhabit the spaces he visits. His narrations of travel evidence how the flâneur perspective is influenced (and/or disrupted) by a chora in two ways—that which influences the perspective before travel and directs the gaze, and those that occupy and inscribe meaning on the spaces that are traveled to, that influences and/or forms experience.

scholarly journals Speaking for the People in Early Modern England*

2019 ◽  
Vol 244 (1) ◽  
pp. 51-88 ◽  
Author(s):  
David Coast
Keyword(s):  
Early Modern ◽  
Political Thought ◽  
Early Modern England ◽  
English Civil War ◽  
Common People ◽  
Wide Audience ◽  
The People ◽  
The Reformation ◽  
The Common ◽  
The Voice

Abstract The voice of the people is assumed to have carried little authority in early modern England. Elites often caricatured the common people as an ignorant multitude and demanded their obedience, deference and silence. Hostility to the popular voice was an important element of contemporary political thought. However, evidence for a very different set of views can be found in numerous polemical tracts written between the Reformation and the English Civil War. These tracts claimed to speak for the people, and sought to represent their alleged grievances to the monarch or parliament. They subverted the rules of petitioning by speaking for ‘the people’ as a whole and appealing to a wide audience, making demands for the redress of grievances that left little room for the royal prerogative. In doing so, they contradicted stereotypes about the multitude, arguing that the people were rational, patriotic and potentially better informed about the threats to the kingdom than the monarch themselves. ‘Public opinion’ was used to confer legitimacy on political and religious demands long before the mass subscription petitioning campaigns of the 1640s.

The Voice of the People? Musicians as Political Actors

2008 ◽  
Vol 4 (1) ◽  
pp. 5-23 ◽  
Author(s):  
Seth Hague ◽  
John Street ◽  
Heather Savigny
Keyword(s):  
Political Actors ◽  
The People ◽  
The Voice

The use of acting techniques in career development

2021 ◽  
Author(s):  
Mariya Aleksandrovna Akimenkova
Keyword(s):  
Career Development ◽  
Performing Arts ◽  
Educational Institutions ◽  
Psychotherapeutic Interventions ◽  
The People ◽  
Circle Of Friends ◽  
Main Activity ◽  
The Voice ◽  
And Training

The article shows that in career development, the use of acting techniques opens up new opportunities. The author traces the development of the Russian acting school, created by K.S. Stanislavsky and later revised and supplemented by his students, in the modern socio-economic situation. The article demonstrates that despite the fact that for many years this school was aimed exclusively at educating and training people who want to connect their lives with the theater, it had a significant impact on amateurs as well. Passion for the performing arts was traced among people of a wide variety of professions, which contributed to the creation of numerous amateur theaters. This tendency was especially evident in educational institutions. Pupils and students under the guidance of an experienced director tried to take steps in the stage space, received grateful responses, but continued to be content with the role of an amateur actor, without encroaching on the laurels of a professional. Nevertheless, after that, their main activity, regardless of the direction, moved to a completely different level. Without any psychotherapeutic interventions, the attitude to oneself, to the people around, and to situations changed, the speech apparatus and the timbre of the voice were transformed, phobias and depressive tendencies disappeared. As a result, participants in amateur theaters acquired a new circle of friends and promotions, or they radically changed their field of activity, opening completely new prospects for themselves. The article examines these possibilities in the framework of the modern situation, when the entire range of theater and acting means may be in demand by representatives of other professions.

scholarly journals The voices that Ezekiel hears

2010 ◽  
Vol 196 (2) ◽  
pp. 101-101 ◽  
Author(s):  
George Stein
Keyword(s):  
Son Of Man ◽  
The People ◽  
The Voice ◽  
Command Hallucinations ◽  
The Way

Like any prophet, Ezekiel hears the voice of God and it is his prophetic task to relay God's message onto the people. He hears the voice of God more often (93 times) than any other prophet, and the way God addresses him as ‘son of man’ or ‘mortal’ is also unique. Ezekiel experiences a variety of other auditory phenomena, including command hallucinations which are not described in any other prophet, 3:3 ‘He said to me; mortal eat this scroll that I give to you and fill your stomach with it. Then I ate it; and in my mouth it was as sweet as honey.’

scholarly journals Artelas a Form of Manifistation of Nationality in Musical Culture

2021 ◽  
pp. 29-32
Author(s):  
Galina G. Poddubnaya
Keyword(s):  
Present Article ◽  
Folk Art ◽  
Musical Culture ◽  
The People

The musical culture of the people, being inside the integral space of folk art, quite fully reflects the peculiarities of the mentality of the people and manifests its self-identification. The present article analyses artels as a form of being of a nationality in musical culture, which involves the mutual enrichment of collective and individual principles of musical folk art.

scholarly journals Understanding Currents and Theories in Indian and African Postcolonial Literature: Themes, Tropes and Discourse in the Wider Context of Postcolonialism

2020 ◽  
Vol 25 (2) ◽  
pp. 379-393
Author(s):  
Shivani Ekkanath
Keyword(s):  
Postcolonial Studies ◽  
Postcolonial Literature ◽  
Special Focus ◽  
Colonial Literature ◽  
Literary Works ◽  
Post Colonial ◽  
Diasporic Identity ◽  
The Voice ◽  
Diaspora And Transnationalism

The postcolonial narratives we see today are a study in contrast and tell a different tale from their colonial predecessors as minorities and individuals finally have found the voice and position to tell their stories. Histories written about our culture and societies have now found a new purpose and voice. The stories we have passed down from generation to generation through both oral and written histories, continue to morph and change with the tide of time as they re-centre our cultural narratives and shared experiences. As a result, the study of diaspora and transnationalism have altered the way in which we view identity in different forms of multimedia and literature. In this paper, the primary question which will be examined is, how and to what extent does Indian post-colonial literature figure in the formation of identity in contemporary art and literature in the context of ongoing postcolonial ideas and currents? by means of famous and notable postcolonial literary works and theories of Indian authors and theoreticians, with a special focus on the question and notion of identity. This paper works on drawing parallels between themes in Indian and African postcolonial literary works, especially themes such as power, hegemony, east meets west, among others. In this paper, European transnationalism will also be analysed as a case study to better understand postcolonialism in different contexts. The paper will seek to explore some of the gaps in the study of diasporic identity and postcolonial studies and explore some of the changes and key milestones in the evolution of the discourse over the decades.

scholarly journals Mocking the just God? A theological critique of President Mnangagwa’s use of the name of God to justify his rule in Zimbabwe

2021 ◽  
Vol 42 (1) ◽  
Author(s):  
Suspicion Mudzanire ◽  
Collium Banda
Keyword(s):  
Religion And Politics ◽  
Systematic Theology ◽  
Military Coup ◽  
Political Systems ◽  
The People ◽  
Attributes Of God ◽  
Robert Mugabe ◽  
Theological Critique ◽  
The Voice ◽  
The Church

Zimbabwe’s President Emmerson Mnangagwa justified his unconstitutional ascendency to power after a military coup that dethroned former President Robert Mugabe in 2017 by claiming that ‘the voice of the people is the voice of God’. He repeated the claim in 2018 when Nelson Chamisa refused to recognise him as the legitimately elected president of the country after accusing him of rigging the 2018 elections. Mnangagwa’s use of God’s name to authenticate his rule raises the question: as one of the foundational attributes of God is justice, what does it mean for political leaders openly claiming to be ordained into office by him? This leads to a further question: Has Mnangagwa’s rule satisfied the demands that come with claiming to be ordained by God to rule, and what should be the church’s response towards Mnangagwa’s rule in view of God’s justice? This article uses God’s attribute of justice to critically evaluate Mnangagwa’s claim that ‘the voice of the people is the voice of God’. The claim is described and placed within Mnangagwa’s claims and insinuations to be a Christian. His current rule, which is characterised by violent repression and corruption is examined and evaluated. God’s attribute of justice is presented and highlighted in how it challenges Mnangagwa to reform his rule to align it with God’s nature of justice.Intradisciplinary and/or interdisciplinary implications: The article combines insights from religion and politics, the mission of the church in a context of political oppression and systematic theology to highlight the need for the Zimbabwean churches to judge all political systems according to the adherence to God’s justice. It also provides some theological tools by which churches can protect themselves from being co-opted by unjust and oppressive regimes that violate God’s justice.

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