scholarly journals Anthony De Mello - A Missionary of the Twentieth Century

2022 ◽  
Vol 5 (1) ◽  
pp. 45
Author(s):  
Ene Ionel

We live in a troubled, restless, confused world. The old landmarks have disappeared, are being challenged or replaced with all sorts of surrogates. There is talk of horizontalizing values, which is nothing more than relativizing and replacing them. What has shaped humanity for centuries and brought civilization, known as Europeanism, is increasingly criticized, judged, removed. Christianity is no longer lived, as the most wonderful way of life, as the most wonderful invitation to a loving partnership with God, but as a system of outdated values, because people perceive it according to the manifestations of some or others of those who say Christians and not after what he is. In this world, a missionary, like Anthony de Mello, seems outdated, yet his deeds and some of his teachings retain the beauty and depth that we discover in the ranks of Holy Scripture or in the writings of the Holy Fathers. Of course, reading his entire work, anyone will be able to say that Tony de Mello, as his friends called him, is syncretistic, heretical, and so on. But, remembering the exhortations given to the young people by St. Basil the Great, we can only collect the nectar of the flowers, even if some of them are of thistles or thistles. Far from capturing the whole spiritual charge of Father Anthony de Mello's work, our lines will be an invitation to read.

2019 ◽  
Vol 12 (1) ◽  
pp. 47-61
Author(s):  
Stacy Ann Creech

From pre-Columbian times through to the twentieth century, Dominican children's literature has struggled to define itself due to pressures from outside forces such as imperialism and colonialism. This paper examines the socio-political contexts within Dominican history that determined the kind of literature available to children, which almost exclusively depicted a specific construction of indigeneity, European or Anglo-American characters and settings, in an effort to efface the country's African roots. After the Educational Reform of 1993 was instituted, however, there has been a promising change in the field, as Dominican writers are engaged in producing literature for young people that includes more accurate representations of Blackness and multiculturalism.


Author(s):  
Admink Admink

Прослідковуються урбанізаційні та дезурбанізаційні процеси в моді ХХ ст. Звернено увагу на недостатню вивченість питань естетичних та культурологічних аспектів формування моди як видовища в контексті образного простору культури повсякдення. Визначено видовищні виміри модної діяльності як комунікативної сцени. Наголошено на необхідності актуалізації народних мотивів свята, творчості в гурті, певної стилізації у митців та дизайнерів моди мистецтва ностальгійного, втраченого світу з метою осягнення фольклорної, глибинної стихії моди як екомунікативного простору культури повсякдення. Ключові слова: міф, мода, етнокультура, етнос, свято, площа Ключові слова: міф, мода, етнокультура, етнос, свято, площа. According to E. Moren ethnic cultural influences take place in urbanized environment and turn it into "island ontology".Everyday life ethnic culture is differentiated, specified as a certain type of spectacle. However, all that powerful cosmologism, which used to exist as an open-air theater in settlements, near rivers, grasslands, roads, is disappearing. The everyday life culture loses imperatives, patterns, and cosmological designs, where, for example, the “plahta” contains rhombuses, squares, and rectangles - images of the earth, and the top of the costume symbolizes the sky. Yes, the symbolic marriage of earth and sky was a prerequisite for marrying young people. The article deals with traces of the urbanization and deurbanization processes in the twentieth century fashion.Key words: ethnic culture, culture of everyday life, ethnics, holidays, variety show, knockabout comedy, square.


2018 ◽  
Vol 17 (4) ◽  
pp. 677-690 ◽  
Author(s):  
Mischa Honeck

If World War I has interested historians of the United States considerably less than other major wars, it is also true that children rank among the most neglected actors in the literature that exists on the topic. This essay challenges this limited understanding of the roles children and adolescents played in this transformative period by highlighting their importance in three different realms. It shows how childhood emerged as a contested resource in prewar debates over militarist versus pacifist education; examines the affective power of images of children—American as well as foreign—in U.S. wartime propaganda; and maps various social arenas in which the young engaged with the war on their own account. While constructions of childhood and youth as universally valid physical and developmental categories gained greater currency in the early twentieth century, investigations of young people in wartime reveal how much the realities of childhood and youth differed according to gender, class, race, region, and age.


2021 ◽  
Author(s):  
Freeden Blume Blume Oeur

While originally referring to the use of material objects to convey abstract ideas, “object lesson” took on a second meaning at the turn of the twentieth century. This particular connotation—denoting a person and leader as moral exemplar—reveals fault lines between the thinking of W. E. B. Du Bois and G. Stanley Hall on young people. Through his own adoption of the German ideals of sturm und drang and bildungsroman, as well as “aftershadowing”—a recalibration of ideas and reflections on his own family genealogy, childhood, and intellectual lineages—Du Bois made ideological claims that were a counter-narrative to Hall’s recapitulation theory.


Author(s):  
Victoria L. Evans

Since every stage of Ron Kirby and Carey Scott's relationship is marked by alterations in their domestic environments, Chapter 6 ("Back to the Future: Modernist Architecture and All That Heaven Allows") explores some of the conflicting social and cultural connotations that have been encoded into their respective dwellings. For instance, Ron's progressive renovation of the Old Mill recapitulates the history of twentieth-century Modernist architecture in reverse. The final incarnation of this structure evokes Le Corbusier's Machine Age villas of the 1920s rather than Frank Lloyd Wright's more organic mid-century Modernist aesthetic, which dissents from the dominant 1950s American view of the ideal home by suggesting a less materialistic way of life. By contrast, Carey's suburban Colonial Revival residence represents the negation of the freedom from traditional conventions that Ron's living space ultimately implies.


2020 ◽  
pp. 16-57
Author(s):  
Erika Hanna

Chapter 1 explores the practices and semiotics of photograph albums. Across the twentieth century, making photograph albums moved from an elite to a popular form, and was especially popular among single young people. Familial and personal histories were curated through selecting photographs, arranging them on the page, and fixing their meaning through captioning. In order to unpack these themes in detail, the chapter focuses on photograph albums depicting three ‘ordinary’ Irish lives. These photograph collections can provide us with a host of information about Ireland in the early years of the twentieth century: about how people used a visual language to narrate their lives; received, assimilated, or resisted social and political discourses; and revealed or concealed family secrets. Each of the subjects made particular choices about the stories they told in their albums, drawing on photographic modes drawn from Kodak convention and the visual rhetoric of Ireland.


2020 ◽  
Author(s):  
Mihail Kolesov

The main task of the author is to give a broad picture of the main processes of the revolutionary movement in several countries of Latin America of the XX century continental historical context. The author used primarily the original (Spanish) sources, among which a special place belongs to works by the famous French writer Régis Debray (Regis Debray). The book is intended for a wide audience, mainly for young people, for which the dramatic twentieth century already belongs to the annals of history.


2004 ◽  
Vol 19 (3) ◽  
pp. 343-345
Author(s):  
MARY JO MAYNES

During the course of the nineteenth century, the parameters defining ‘youth’, marking its beginning and its end, were becoming more precise and more institutionally defined for both girls and boys in Europe. More than any other phenomenon or institution, elementary schooling (and leaving school) contributed to a certain ‘normalization’ of the life cycle for young people. By the end of the nineteenth century, most girls as well as boys attended school at least intermittently until at least age 12 or 13; at school-leaving a new phase of life began. Throughout much of Europe a select minority of middle-class and upper-class young women joined their brothers at universities, as higher education became first a possibility and then a routine for them in the last decades of the nineteenth and the first decades of the twentieth century.


2005 ◽  
Vol 29 (4) ◽  
pp. 625-648 ◽  
Author(s):  
Jordan Stanger-Ross ◽  
Christina Collins ◽  
Mark J. Stern

Employing the Integrated Public Use Microdata Series of the University of Minnesota, we chronicle the changing timing and duration of transitions to adulthood in the twentieth century. Successive generations of young Americans reinvented the transition to adulthood to accommodate shifts in the economy and the American state. The patterned choices of young people delineate three eras of social history in the twentieth century: the era of reciprocity (1900–1950), the era of dependence (1950–70s), and the era of autonomy (1970s-2000). We also explain why African Americans differed from the general trend; they developed distinctive transitions to adulthood in response to persistent inequality.


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