"Elements of resistance in the Palestinian poetry "Free Verse: عناصر المقاومة في الشعر الفلسطيني "الحر"

2017 ◽  
Vol 1 (2) ◽  
Author(s):  
Ezzat Mulla Ibrahimi - Hamid Jandallah - Azada Azadi
Keyword(s):  
Descriptive Study ◽  
Contemporary Poetry ◽  
Symbolic Language ◽  
Modern Poetry ◽  
Free Verse ◽  
The World ◽  
Freedom Fighters ◽  
Resistance Movement ◽  
The Voice

Palestinian contemporary poetry is actually the voice of a nation who tries to reveal its positions against the enemy via poems. The poet is the describer of poverty, oppression, tyranny, subjugation and terror calling for resistance and fighting against the occupiers. Longing for going back to his homeland, he writes of his love for the country. Calling everyone to rise for a revolution, the poet is proud of his glorious Arab history while being outraged by his lost identity. In this analytical-descriptive study, it was tried to extract the main elements of resistance in the “modern” Palestinian poetry. The findings of the study show that the “modern” poetry abounds with concepts such as calling for resistance, extoling the distinguished positions of martyrs and praising the freedom fighters of the world. Utilizing different techniques such as, symbolic language, mythology, masking and calling, al-Manasra is one of the Palestinian poets who have tried to express his empathy with the Palestinian resistance movement.

scholarly journals The Linguistic Features of Intertextuality in Jordan's Free Verse Poetry: Ayman Al-Otoum as a Case Study

2016 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Nisreen Al-Khawaldeh ◽  
Bassil Mashaqba ◽  
Anas Huneety ◽  
Abu Muhareb Amer
Keyword(s):  
Positive Impact ◽  
Modern Poetry ◽  
Free Verse ◽  
Linguistic Features ◽  
Translation Practice ◽  
The World ◽  
Modern Arabic ◽  
Free Verse Poetry

Intertextuality appears to be of crucial significance to better comprehend texts (Ahmadian and Yazdani, 2013).This research addresses intertextuality as an important technique manifested in modern Arabic poetry trying to investigate its conception, identify a sample of these salient embedded texts, and analyze them and their positive impact on enriching the text and illuminating some related issues such as ideology and perception of the world of experience in the Jordanian modern poetry, with special attention devoted to the recent poetry of Ayman Al-Otoum. Models representing this phenomenon in his poetry has been collected and compared with much assertion on the importance of this technique in enriching both levels: the idea and rhyme. The outcomes would be of a great importance to raise people’s awareness of the extensive impact of culture, religion, society on language, the tissue of the interrelated texts, enrich understanding of the language and enhance the translation practice and the quality of the translation output.Keywords: Intertextuality, intertextual elements, allusion, Arabic Free Verse Poetry, Ayman Al-Otoum’s poetry

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

“Stay with me. Talk to me”: reader interaction strategies in modern poetry

2020 ◽  
Vol 7 (2) ◽  
pp. 419-436
Author(s):  
Olga Igorevna Severskaya
Keyword(s):  
Discourse Analysis ◽  
High Impact ◽  
Modern Poetry ◽  
Self Presentation ◽  
Communication Plan ◽  
Communicative Strategies ◽  
The World ◽  
Poetic Text ◽  
Communicative Context

The article is devoted to the consideration of a poetic text as a communicative phenomenon with a high impact potential. The author defines the features of poetic communication, which is both mass and interpersonal, and its main goal, which is the poet’s desire to communicate author’s vision of the world and thereby change the picture of the reader’s world, achieving empathy from it. Based on the understanding of the speech strategy as a cognitive communication plan, a program for generating and perceiving speech, the author talks about the fundamental reversibility of text-generating and interpretative strategies and offers own classification of strategies and tactics that are most often used in modern poetry. In this classification, the main communicative strategies of self-presentation and rapprochement with the reader are associated with auxiliary discursive strategies of actualizing, dramatizing and dialogizing the text and programming interpretations by tactics for highlighting objects and situations using sound “gestures”, pointing to the referent, framing, directly introducing the reader into the communicative context, attracting the recipient’s attention through appeals and pragmatic instructions, interrogation, and some others. Particular attention is paid to the multimodality of interactions and its specific manifestations in poetic discourse. The study is based on the material of Russian poetry of the 1980- 2000s using the methods of intent and discourse analysis.

Administrasi sarana dan prasarana

2020 ◽  
Author(s):  
Melia sri devi
Keyword(s):  
Data Collection ◽  
Data Reduction ◽  
Descriptive Study ◽  
Educational Facilities ◽  
The World

Abstract — In the world of education,lthere are several components of educationthat are very instrumental in supportinglearning activities both directly andindirectly. One of the most importantcomponents is educational facilities andinfrastruncture. Administration ofeducational facilities and infrastructure isa very supportive thing for achieving thegoals of education. The teaching andlearning process will be more succesful ifeducational facilities and infrastucture areadequate. Education infrastructure andfacilities must always be complete. Thegovernment must always strive tocontinuously aquip aducational facilitiesand infrastructure for all levels and levelsof education. this article aims to determinethe administration of educational facilitiesand infrastructure in Indonesia along withthe obstacles faced and the efforts taken toovercome these obstacles. This research isa descriptive study with a qualitativeapproach. Data collection is done by themethod of observation, interviews anddocumentation. The data analysistechnique in this study is an interactiveanalysis consisting of data reduction, datapresentation and conclusion drawing.Check the validity of the data using sourcetriangulation and method triangulation.

Pamela

2008 ◽  
Author(s):  
Samuel Richardson
Keyword(s):  
Young Girl ◽  
Original Text ◽  
Literary Marketplace ◽  
Defining Moment ◽  
Modern Novel ◽  
The World ◽  
The Voice

‘Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Families, and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.’ (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world ‘into two different Parties, Pamelists and Antipamelists’, even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant’s long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse. Based on the original text of 1740, from which Richardson later retreated in a series of defensive revisions, this edition makes available the version of Pamela that aroused such widespread controversy on its first appearance.

Contemplating Compilations

2017 ◽  
Author(s):  
Joseph Pate ◽  
Brian Kumm
Keyword(s):  
Music Making ◽  
Van Manen ◽  
The World ◽  
The Creation ◽  
Pass Through ◽  
Sound Objects ◽  
Meaningful Experiences ◽  
The Voice ◽  
Max Van Manen

Through this chapter the crafting of compilations is explored as an act, art, and expression of music making, illuminating the listeners’ and compilers’ positions as cocreators of meaning, function, and purpose. Music becomes repositioned and repurposed as found or sound objects that pass through Gaston Bachelard’s triptych of resonance, repercussion, and reverberations, a process of music speaking to so as to speak for individuals’ deeply personal and significantly meaningful experiences. The chapter addresses the question, “What motivates someone to partake in this personally meaningful, vulnerable, and artistic endeavor?” Using Josef Pieper’s conceptions of leisure as celebration, an orientation toward the wonderful, and an act of affirmation, the chapter concludes that the creation and crafting of compilations (e.g., mix tape) affords poetic spaces for connection, enchantment, felt-aliveness, or what Max van Manen called an “incantative, evocative speaking, a primal telling, [whose] aim [is] to involve the voice in an original singing of the world.”

scholarly journals Living in dual liminal states: Navigating the loss of my father and my clinical career during a pandemic

2021 ◽  
Vol 20 (1-2) ◽  
pp. 138-141
Author(s):  
Jennifer Currin-McCulloch
Keyword(s):  
Palliative Care ◽  
Social Interaction ◽  
Social Worker ◽  
Rites Of Passage ◽  
Developmental Transitions ◽  
The World ◽  
Professional Conflicts ◽  
The Voice ◽  
Insight Into

Drawing from Van Gennep and Caffee’s conceptualization of liminality, this autoethnographic narrative portrays the author’s rites of passage into academia and through the death of her father. These fundamental developmental transitions and losses emerged concomitantly within the backdrop of a pandemic, further cloaking the world in grief and disequilibrium. Incorporating the voice of the personal as professional, the author portrays her existential struggles in relinquishing her cherished role as a palliative care social worker and living through her dad’s final months during a time of restricted social interaction. Interwoven throughout the narrative appear stories of strife, hope, grief, and professional epiphanies of purpose and insider privilege. The paper embraces both personal and professional conflicts and provides insight into the ways in which the unique setting of a pandemic can provide clarity for navigating the liminal states of separation, transition, and incorporation.

scholarly journals Grammar writing for a grammar-reading audience

2006 ◽  
Vol 30 (2) ◽  
pp. 351-365 ◽  
Author(s):  
Michael Noonan
Keyword(s):  
Descriptive Study ◽  
Endangered Languages ◽  
The World ◽  
The Many ◽  
User Friendly

Thousands of languages are currently in danger of extinction without having been adequately documented by linguists. This fact represents a tragedy for communities in which endangered languages are spoken, for linguistics as a discipline and for all of humanity. One major role of the field of linguistics is to describe languages accurately and thoroughly for the benefit of all concerned. This paper presents the results of an informal survey of major users of grammatical descriptions and gives lists of dos and don’ts for those contemplating a descriptive study of one of the many endangered languages of the world. Concrete suggestions are provided that will help grammar writers produce user-friendly, thorough and useful grammatical descriptions.

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