scholarly journals Potencjał innowacyjny miast w Polsce

2019 ◽  
Vol 34 ◽  
Author(s):  
Maciej Bartłomiej Turała

The article aims to put forward a method for measuring the innovation potential of cities as one of main drivers – alongside education and culture – of their development potential (Orankiewicz &Turała, 2019). The discussion which is carried out in the paper starts with the concept of territorial capital put forward by Camagni and Capello [2013] and refers to other approaches to measuring the innovation potential of cities (Marszał 2012; Siłka 2018). The main assumptions behind the method of measurement are briefly described in the second part of the article – the proposed measurement of innovation potential reflects four factors: (1) the capacity to generate knowledge and innovative solutions; (2) the capacity to disseminate research results; (3) the capacity to bridge the gap between academia and economic activity or, in other words, the capacity to commercialise research outcomes and (4) the robustness of economic activity in the most innovative sectors. Data on the above factors of innovation potential was collected for all urban communes in Poland (306 cities) for the period between 2013 and 2016. A set of rankings of Polish cities based on their innovation potential between 2013 and 2016 is then presented – the third part of the article discusses the differentiation of innovation potentials of cities by region as well as in different classes in terms of city size. The final part of the article concentrates on the significance of various drivers of the innovation potential of cities.

Author(s):  
Virginija Kargytė ◽  
Rando Värnik ◽  
Vilija Aleknevičienė

The European Commission expects that the development of bioeconomy across the EU will boost its rural and coastal economies. Although these areas have comparatively more spare biomass, at the same time they are associated with lower levels of entrepreneurship and R&D; activities. One can argue that more urbanized and industrialized regions with higher innovation potential will develop high value added bio-based industries, while rural and coastal economies will remain or become to a greater extent biomass providers. Therefore, the article aims to explore links between regional biomass availability, bioeconomy business cluster and innovation potential, as well as how the development of bioeconomy can evolve in different groups of regions. For this purpose, bioeconomy development factors including aspects of innovation economics are analysed in year of 2016 using data of 237 NUTS 3 level regions of Norden, Western and Central Europe. Research results reveal that analysed regions can not be simply separated into potential bioeconomy development ‘losers’ and ‘winners’, however, several groups of analysed regions have distinctly higher potential in certain bioeconomy fields.


Author(s):  
Daniel Martin Feige

Der Beitrag widmet sich der Frage historischer Folgeverhältnisse in der Kunst. Gegenüber dem Gedanken, dass es ein ursprüngliches Werk in der Reihe von Werken gibt, das späteren Werken seinen Sinn gibt, schlägt der Text vor, das Verhältnis umgekehrt zu denken: Im Lichte späterer Werke wird der Sinn früherer Werke neu ausgehandelt. Dazu geht der Text in drei Schritten vor. Im ersten Teil formuliert er unter der Überschrift ›Form‹ in kritischer Abgrenzung zu Danto und Eco mit Adorno den Gedanken, dass Kunstwerke eigensinnig konstituierte Gegenstände sind. Die im Gedanken der Neuverhandlung früherer Werke im Lichte späterer Werke vorausgesetzte Unbestimmtheit des Sinns von Kunstwerken wird im zweiten Teil unter dem Schlagwort ›Zeitlichkeit‹ anhand des Paradigmas der Improvisation erörtert. Der dritte und letzte Teil wendet diese improvisatorische Logik unter dem Label ›Neuaushandlung‹ dann dezidiert auf das Verhältnis von Vorbild und Nachbild an. The article proposes a new understanding of historical succession in the realm of art. In contrast to the idea that there is an original work in the series of works that gives meaning to the works that come later, the text proposes to think it exactly the other way round: in the light of later works, the meanings of earlier works are renegotiated. The text proceeds in three steps to develop this idea. Under the heading ›Form‹ it develops in the first part a critical reading of Danto’s and Eco’s notion of the constitution of the artworks and argues with Adorno that each powerful work develops its own language. In the second part, the vagueness of the meaning of works of art presupposed in the idea of renegotiating earlier works in the light of later works is discussed under the term ›Temporality‹ in terms of the logic of improvisation. The third and final part uses this improvisational logic under the label ›Renegotiation‹ to understand the relationship between model and afterimage in the realm of art.


Author(s):  
Flemming Mengel ◽  
Jeroen A. M. Van Gool ◽  
Eirik Krogstad And the 1997 field crew

NOTE: This article was published in a former series of GEUS Bulletin. Please use the original series name when citing this article, for example: Mengel, F., van Gool, J. A. M., & and the 1997 field crewE. K. (1998). Archaean and Palaeoproterozoic orogenic processes: Danish Lithosphere Centre studies of the Nagssugtoqidian orogen, West Greenland. Geology of Greenland Survey Bulletin, 180, 100-110. https://doi.org/10.34194/ggub.v180.5093 _______________ The Danish Lithosphere Centre (DLC) was established in 1994 and one of its principal objectives in the first five-year funding cycle is the study of Precambrian orogenic processes. This work initially focused on the thermal and tectonic evolution of the Nagssugtoqidian orogen of West Greenland. During the first two field seasons (1994 and 1995) most efforts were concentrated in the southern and central portions of the orogen. The 1997 field season was the third and final in the project in the Nagssugtoqidian orogen and emphasis was placed on the central and northern parts of the orogen in order to complete the lithostructural study of the inner Nordre Strømfjord area and to investigate the northern margin of the orogen (NNO in Fig. 1). This report is partly a review of selected research results obtained since publication of the last Review of Greenland activities (van Gool et al. 1996), and also partly a summary of field activities in Greenland during the summer of 1997.


Author(s):  
Douglas J. Davies

This tripartite chapter calls for a creative approach that engages diverse themes while striving for satisfying resolutions of disciplinary tensions between anthropology and theology. It calls for this even if these resolutions are not achieved. The first part, entitled “Intrapersonal and Interpersonal Dialogue,” is heavily autobiographical, and offers a case study of reflexivity, excusing its indulgence in biographical reflection on account of its intention to pinpoint the very particular and contextual nature of idea development. The second part, headed “Further Conversation Pieces,” picks up just such ideas open to anthropological–theological conversation, including a cautionary gloss on the over-easy use of anthropology and theology as discrete terms. The third and final part, described as “Disciplinary Quandaries,” takes some of these formal classifications of disciplines further and also brings together some personal and institutional factors surrounding both anthropological and theological practice.


Religions ◽  
2021 ◽  
Vol 12 (4) ◽  
pp. 232
Author(s):  
Christina M. Gschwandtner

What is the nature (or “Wesen”) of the liturgical phenomenon? It has become immensely popular to describe liturgical or ritual practice as a kind of “holy play,” whether as metaphor, as productive analogy for pragmatic or theological purposes, or even as making an ontological claim about what liturgy “is” in its essence. The present article seeks to complicate the association of the phenomena of liturgy and of play. The first part traces the origins of the notion of play and the development of its application to ritual in the most influential sources from Kant to Gadamer. The second part highlights its prevalence in the contemporary discussion and elucidates how it is being used. The third part provides a phenomenological analysis to demonstrate important differences between the two phenomena and to question the contention that liturgy is a form of play. The final part tries to ascertain the broader practical and theological aims being served by the association of the two phenomena and—via a return to the question of the nature of the liturgical phenomenon in a more theological mode—suggests that these aims might be accomplished more productively in ways that avoid the downsides of identifying ritual or liturgy with play.


1987 ◽  
Vol 49 (2) ◽  
pp. 251-273 ◽  
Author(s):  
Joseph H. Carens

Many poor and oppressed people wish to leave their countries of origin in the third world to come to affluent Western societies. This essay argues that there is little justification for keeping them out. The essay draws on three contemporary approaches to political theory — the Rawlsian, the Nozickean, and the utilitarian — to construct arguments for open borders. The fact that all three theories converge upon the same results on this issue, despite their significant disagreements on others, strengthens the case for open borders and reveals its roots in our deep commitment to respect all human beings as free and equal moral persons. The final part of the essay considers communitarian objections to this conclusion, especially those of Michael Walzer.


2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.


Author(s):  
Libuše Spáčilová

In the first part, the study presents a brief characteristics of the development of the Modern High German language after 1650 from the point of view how other languages influenced its vocabulary and analyses numerous loan words. The second part deals with the origins and the first activities of the General German Language Society (from 1885 on) which became the leader in the field of the institutionalised ideological fight against foreign words in the central German language area. The third part introduces the research results of the affiliate societies which were founded in Moravia, one of the part of the Lands of the Bohemian Crown. Both the information in the journal of the General German Language Society and archive documents in three Moravian archives (in Brno, Jihlava and Nový Jičín – the only Moravian cities where affiliate societies were founded) show that their existence was rather a peripheral issue in these cities. As opposed to this, affiliated societies were very active in the cities of northern Bohemia. At the end of the study, the author considers the reasons which caused this kind of situation in Moravia.


2021 ◽  
pp. 213-232
Author(s):  
Brad Hooker

This paper starts by juxtaposing the normative ethics in the final part of Parfit’s final book, On What Matters, volume iii (2017), with the normative ethics in his earlier books, Reasons and Persons (1984) and On What Matters, volume i (2011). The paper then addresses three questions. The first is, where does the reflective-equilibrium methodology that Parfit endorsed in the first volume of On What Matters lead? The second is, is the Act-involving Act Consequentialism that Parfit considers in the final volume of On What Matters as plausible as Rossian deontology? The third is, how is the new argument that Parfit puts forward for Rule Consequentialism supposed to work?


Author(s):  
Jesper Rangvid

Chapter 1 contains an overview of the book. Part I introduces key concepts, definitions, and stylized facts regarding long–run economic growth and stock returns.Part II analyses the relation between economic growth and stock returns in the long run. Part III examines the shorter-horizon relation between economic growth and stock returns: the relation over the business cycle. Part IV explains how to make reasonable projections for economic activity, both for the short and the long run. Part V deals with expected future stock returns. The final part, a short one including one chapter only, explains how one can use the insights from the book when making investments.


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