scholarly journals Review of Another Aesthetics is Possible: Arts of Rebellion in the Fourth World War by Jennifer Ponce de León (Duke University Press)

Lateral ◽  
2021 ◽  
Vol 10 (2) ◽  
Author(s):  
Michael Dango

In Another Aesthetics is Possible, Jennifer Ponce de León looks at recent aesthetic practices in Argentina, Mexico, and the United States that shift the commonsense of history, space, and violence in order to usher in an anticapitalist and anticolonial world. With an expansive archive and a method that combines interviews, journalism, and close formal readings of art–activist practices, Ponce de León demonstrates the importance of aesthetics—and of aesthetic criticism—for making another world possible.

2020 ◽  
Vol 26 (1) ◽  
pp. 64-74
Author(s):  
Hristov Manush

AbstractThe main objective of the study is to trace the perceptions of the task of an aviation component to provide direct aviation support to both ground and naval forces. Part of the study is devoted to tracing the combat experience gained during the assignment by the Bulgarian Air Force in the final combat operations against the Wehrmacht during the Second World War 1944-1945. The state of the conceptions at the present stage regarding the accomplishment of the task in conducting defensive and offensive battles and operations is also considered. Emphasis is also placed on the development of the perceptions of the task in the armies of the United States and Russia.


Author(s):  
Benjamin Mangrum

This chapter argues that ongoing concerns about the rise of totalitarianism led writers and intellectuals in the United States to oppose social-democratic institutions after the Second World War. Familiar accounts about opposition to these institutions center on conservative politics. In contrast, this chapter argues that liberal thinkers invoked forms of aestheticism to combat what they perceived as the possible rise of totalitarianism in the United States. In order to document this under-explored trend in American political culture, this chapter establishes connections across writing by Lionel Trilling, Vladimir Nabokov, Hannah Arendt, Friedrich Hayek, the New Critics, and the American reception of Friedrich Nietzsche. These figures in postwar cultural life invoked aestheticism in the arenas of literature, philosophy, political action, and economics as a prophylactic to the perceived intrusions of an activist-managerial state.


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