The Formation and Development of Goryoin Diaspora Literature in Former Soviet Territories - Focused on 『Seonbong』/『Lenin Gichi』/『Goryo Ilbo』 -

2020 ◽  
Vol 82 ◽  
pp. 45-83
Author(s):  
Hwan-Gi Kim
Keyword(s):  
Think India ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 507-511
Author(s):  
S.SOPHIA CHRISTINA

Diaspora Theory has affected the literature of every language of the globe with its multiple characteristics. This literature is commonly referred to as Diasporic or Expatriate Literature. Diasporic Literature is a very broad idea and a paragliding term that involves all those literary works published by writers outside their home nation, but these works are linked to indigenous culture and background. All those authors can be considered as diasporic authors in this broad context, who write outside their nation but through their work stayed linked to their homeland. Diasporic literature has its origins in the sense of loss and alienation resulting from migration and expatriation. Diasporic literature generally deals with alienation, displacement, existential rootlessness, nostalgia, identity quest. Migrants suffer from the pain of being away from their homes, their motherland memories, the anguish of leaving behind everything familiar agonizes migrants ' minds. The diasporic Indians, too, are not breaking their ancestral land connection. There is a search for continuity and an astral impulse, an attempt to search for their origins. Settlement in alien territory leads to dislocation for them. Dislocation can be seen as a rupture with the ancient identity. By debating characteristics of expatriate or diasporic literature, the article tried to examine the reflection of Diaspora Theory and its multiple aspects in literature. The Indian contribution to diasporic literature was also evaluated in English.


Author(s):  
Wendi Li

A recurring theme in Canadian diaspora literature is the problematization of cultural identity in the children of immigrants as they navigate between Western influences and their cultural heritage. My paper examines the different portrayals of second generation Chineseness in SKY Lee’s Disappearing Moon Cafe (1990) and Wayson Choy’s The Jade Peony (1995) through close reading. Although both these texts depict diaspora-matured Chinese Canadians as incorporating Western values into Chinese tradition, the elder generation’s response to this hybridity is configured differently. Through opposing representations of second generation characters’ use of the English language, Lee depicts early Chinese-Canadian Vancouver as more accommodating to amalgamated culture, while Choy’s Chinatown is hostile to Western influence. Linguistic proficiency is central to the plot of Disappearing Moon Cafe, where “Westernized” Chinese youth are depicted as masters of the English language and Western politics. This enables them to fight against repressive laws and ultimately gains them the approval of the elders, whereas the same bilingualism and biculturalism is condemned as dangerous in The Jade Peony. My paper analyzes white xenophobia in each text as the root cause of this difference in treatment; in an era where anti-Chinese sentiment is again rising, it is valuable to be aware of the far-ranging impacts of this hostility.


LEKSIKA ◽  
2020 ◽  
Vol 14 (2) ◽  
pp. 83
Author(s):  
Nur Asiyah

Identity is significant issue in the world. Pakistani-American Muslim women faced the problems of identity because they got different treatment in the society. This study reveals how do Pakistani-American Muslim women negotiate their identity and the result of negotiation? This research was done under descriptive qualitative research. The data of the research are the words, phrases, and sentences from diasporic literature entitled Saffron Dreams by Shaila Abdullah that published in 2009.  To analyze the data, this study used postcolonial theory based on Bhabha’s hybridity and Tomey’s identity negotiation concept. Based on the research, it is found that Pakistan American Muslim women negotiate their identity by mindful negotiation namely adapting American culture and shaping hybrid identity. They change their fashion style by putting off their veils. They replace Arabic name into American style to hide their religious identity. In building the house they American building with Arabian nuance. On the other hand, in assimilating the culture to get a job, Pakistani American Muslim women must fight harder because of the striking differences in culture and the idealism they believe in.


Author(s):  
Jonathan Paquin ◽  
Stephen M. Saideman

Foreign intervention in ethnic conflicts has received significant attention in the last 20 years. Scholars have initially considered the sources for these interventions through instrumental and affective factors, though a better classification involves grouping these motives between domestic and international factors. The former category assumes that a third state’s internal politics best explain motives of intervention, and that domestic groups within the state have the greatest impact on foreign policy decision making. Theories based on domestic explanations assume that domestic politics greatly matter in the formulation of states’ decisions to intervene or not in ethnic conflicts elsewhere. As for the external explanations, scholars share a common assertion that the international environment is the central determinant explaining third state intervention. These explanations focus on the impact of institutions and international norms on the international relations of ethnic conflicts. In addition to these approaches, this area of research still contains many issues left unaddressed, such as how interference from outside might affect an ethnic conflict, and what forms of analysis might be used to study foreign interventions. Scholars have applied both quantitative and qualitative techniques, and the diaspora literature stands out for relying almost exclusively on case studies and on very notable cases. Otherwise, the rest of the work in this field follows the current standards by using a mixture of case studies and quantitative analyses depending on the questions in play.


2005 ◽  
Vol 22 (1) ◽  
pp. 128-130
Author(s):  
Alireza Asgharzadeh

Most critics of modern Persian literature would agree that the emergentIranian diaspora literature is both rearticulating and challenging traditionalPersian narratives of identity, nationality, nation-state, and homeland.Another Sea, Another Shore is an admirable attempt to bring together in asingle volume representative samples of this diaspora literature, rooted in atleast 25 years of exilic experiences.The editors, Shouleh Vatanabadi and Mohammad Mehdi Khorrami,have done a superb job in selecting the stories as well as in translating themin a fluid, straightforward language. The book contains 21 stories groupedunder three headings that roughly divide narratives into initial experiencesof migrating/travelling, exilic experience, and more settled diasporic articulations.Represented in the volume are narratives of such well-establishedwriters as Reza Baraheni, Hushang Golshiri, Nasim Khaksar, and DariushKargar, as well as those of such new writers as Kader Abdolah, TaherehAlavi, and Marjan Riahi, among others.The constant themes of shattered dreams, unfulfilled hopes, disconnectedborders, ruptured identities, unfamiliar and defamiliarized spacesrunning through each story testify to the fact that this migration of a generationof exiled Iranians was no ordinary migration. It was not just aboutleaving one’s home behind; it was, more importantly, about not being ableto return. And this inability was powerful enough to drive some exiles andtheir loved ones back home to the shores of insanity – and even death. In“Anxieties from Across the Water,” Pari Mansouri masterfully depicts thispainful saga when a mother concludes that “the pain of separation will killme in the end” (p. 7). And it does.Among the collected stories, Mehri Yalfani’s “Without Roots” perhapsbest captures the essence of what one may call an Iranian diasporic experience.In this powerful piece, Yalfani demonstrates a complex web of relationships,conflicts, and interactions that migration creates, such as the onesbetween home and host cultures, old and young generations, males andfemales, as well as those emerging from class issues, racism, and processesof resocialization and identity formation. The old generation of Iranian ...


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