Development of the University of Texas at Arlington Aerodynamics Research Center

1988 ◽  
Author(s):  
DONALD WILSON
Keyword(s):  
Research Center ◽  
University Of Texas ◽  
The University

The Recusant Collection at the Humanities Research Center at the University of Texas at Austin

1997 ◽  
Vol 23 (3) ◽  
pp. 281-284
Author(s):  
Beth M. Russell
Keyword(s):  
Roman Catholic ◽  
Church History ◽  
Research Center ◽  
University Of Texas ◽  
The University

The Ransom Center's collection of Roman Catholic Recusant Literature (1558–1829) consists of close to 4,500 books and pamphlets printed in England during periods when Catholicism was proscribed. The collection includes volumes of church history, devotional works, and Bibles.

British Theatre Collections in the Harry Ransom Humanities Research Center

1998 ◽  
Vol 39 (1) ◽  
pp. 63-72
Author(s):  
Melissa Miller
Keyword(s):  
Twentieth Century ◽  
Research Center ◽  
Twentieth Century Literature ◽  
Theatre Arts ◽  
University Of Texas ◽  
Secondary Purpose ◽  
Art Collection ◽  
The 1950S ◽  
The University ◽  
Century Literature

The Harry Ransom Humanities Research Center at the University of Texas at Austin has become, since the 1950s, well-known for its holdings in twentieth century literature. I offer here a brief description of the holdings in British theatre in the Theatre Arts Collection and the Manuscripts and Archives division of the Ransom Center. My secondary purpose is to suggest: and encourage corollary research in other Ransom Center holdings, such as its Art Collection and Photography and Film Collection. A listing of selected holdings follows this overview below, together with information on fellowships for researchers.

scholarly journals The Topos of the Mound in Samuel Beckett’s Writing

2014 ◽  
Vol 21 (1) ◽  
pp. 41-60
Author(s):  
Reza Habibi
Keyword(s):  
Maternal Death ◽  
Research Center ◽  
Collaborative Project ◽  
University Of Texas ◽  
Work In Progress ◽  
Manuscript Project ◽  
The University ◽  
Mother Earth

Abstract This essay aims to bring to the fore the varied and broad valences of the ‘mound’ in Beckett’s oeuvre. In my reading, the mound functions as a profuse, multi-purpose symbol, that coalesces into a variety of topoi indicative of Mother Earth, that figure in the thighs, the nipples, the pubis/pubic area and bones, ruins, ants, birth, fetus, and elemental maternal death. I embarked upon the present study before the commencement of the Beckett Digital Manuscript Project, a collaborative project between the Centre for Manuscript Genetics at the University of Antwerp, the Beckett International Foundation, the University of Reading and Harry Ransom Humanities Research Center, the University of Texas at Austin. Valorising the author’s editing, additions, notes and comments provided by the upcoming digitalized manuscripts of Beckett in 2014 and 2015, I expect to contribute to the work in progress, and to the corpus of Beckett studies in general, especially those approaching his bilingual works. It is my contention that the frequency of certain terms, the diagrams that Beckett included in some of his letters (as is the case of the mound in Happy Days), shed significant light on the nature of his symbolism.

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