scholarly journals The red castle of Castellorizo: the island’s strategic significance and the castle’s historical representations

2014 ◽  
Author(s):  
M. Zotos
Keyword(s):  
Historical Representations

Russian Museum of Emperor Alexander III as a place of memory

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky
Keyword(s):  
Comparative Analysis ◽  
Historical Consciousness ◽  
Russian Society ◽  
Museum Collection ◽  
Works Of Art ◽  
History Of ◽  
The Creation ◽  
Historical Representations

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.

Historical Representations and Recent Changes

2018 ◽  
Author(s):  
Jürgen Schaflechner
Keyword(s):  
Comparative Analysis ◽  
South Asia ◽  
Oral Histories ◽  
Detailed History ◽  
Modern Times ◽  
History Of ◽  
Historical Representations ◽  
The Rich ◽  
Many Sources ◽  
Over Time

Chapter 3 introduces the tradition of ritual journeys and sacred geographies in South Asia, then hones in on a detailed history of the grueling and elaborate pilgrimage attached to the shrine of Hinglaj. Before the construction of the Makran Coastal Highway the journey to the Goddess’s remote abode in the desert of Balochistan frequently presented a lethally dangerous undertaking for her devotees, the hardships of which have been described by many sources in Bengali, Gujarati, Hindi, Sindhi, and Urdu. This chapter draws heavily from original sources, including travelogues and novels, which are supplanted with local oral histories in order to weave a historical tapestry that displays the rich array of practices and beliefs surrounding the pilgrimage and how they have changed over time. The comparative analysis demonstrates how certain motifs, such as austerity (Skt. tapasyā), remain important themes within the whole Hinglaj genre even in modern times while others have been lost in the contemporary era.

scholarly journals Testing the effect of historical representations on collective identity and action

PLoS ONE ◽  
2020 ◽  
Vol 15 (4) ◽  
pp. e0231051
Author(s):  
Damilola Makanju ◽  
Andrew G. Livingstone ◽  
Joseph Sweetman
Keyword(s):  
Collective Identity ◽  
Historical Representations

When history perpetuates stereotypes and narratives: The burden of historical representations on well-being

2021 ◽  
Author(s):  
Raymond Boateng
Keyword(s):  
Social Identity ◽  
Well Being ◽  
Self Esteem ◽  
Social Identification ◽  
Potential Impact ◽  
Historical Representations ◽  
The Relationship ◽  
Harmful Effects

Previous research outlined that historical representations of different groups underlie stereotypes and prejudice. Considering the gap in the literature on historical representations and their potential impact on the well-being of Africans, we hypothesised that historical representations of Africans and perceptions of these representations among Africans (N = 225 in Europe relate to well-being outcomes in that population. Furthermore, we predicted that the relationship between historical representations and well-being is mediated by stereotype confirmation concerns and social identification. Consistent with our predictions, historical representations were associated with poorer well-being. Particularly, historical representations were related to increased anxiety and low self-esteem through their relationship with stereotype confirmation concerns. Social identity mitigated the harmful effects of historical representations on self-esteem. However, social identity did not mediate the association between historical representations and anxiety. Our findings highlight the effects of historical representations on well-being.

Crutched Pharaoh, Seated Hunter

2021 ◽  
Vol 57 (1) ◽  
Author(s):  
Emily Smith-Sangster
Keyword(s):  
Physical Condition ◽  
New Kingdom ◽  
True Nature ◽  
Physical Body ◽  
Artistic Representations ◽  
Historical Representations ◽  
Walking Aid

Academic and popular sources alike regularly refer to Tutankhamun as “disabled” at the time of his death, citing artistic representations from the items in his tomb to back up such claims. This group of objects has been said to depict the young king seated while hunting and using a staff as a walking aid seemingly highlighting the presence of a leg-based disability. This narrative of the image depicting the truth of Tutankhamun’s physical condition has publicly become accepted as fact with images of the seated king even being used in the advertising for the touring exhibit “Tutankhamun: Treasures of the Golden Pharaoh” to suggest Tutankhamun’s “fragile constitution.” A comparison of these depictions to historical representations of kings hunting and using staffs of authority, however, suggests that these depictions of Tutankhamun were part of a traditional iconography utilized by Tutankhamun’s artists, not to highlight his disability, but instead to situate his image within the artwork of kings of the Old, Middle, and New Kingdoms. This study, thus, works to dispel the pervasive myth of the existence of artistic representations of a disabled Tutankhamun, while providing a basis for understanding the true nature of the representation of disability in Egyptian art. Furthermore, this work urges Egyptologists to avoid relying on physical remains to “decipher” mortuary artwork. Such a change in method can only lead to a better understanding of the purpose of the depicted body within the mortuary context and its role as separate but complementary to the physical body in New Kingdom thought.

XXIV. A Description of an antient Picture in Windsor Castle, representing the Embarkation of King Henry VIII. at Dover, May 31, 1520; preparatory to his Interview with the French King Francis I. By John Topham, Esq. F.R.S. F.S.A.

Archaeologia ◽  
1782 ◽  
Vol 6 ◽  
pp. 179-220
Author(s):  
John Topham
Keyword(s):  
Vice President ◽  
The Other ◽  
Henry Viii ◽  
Historical Representations ◽  
Francis I

The general advantages which arise to the Antiquary and Historian from the preservation of auch authentic historical representations as are coeval with the transactions they record, and the reasons which occasioned the interview between the two kings of England and France, as well as the manner in which that scene of pomp and magnificence was conducted and carried into execution, have been already so ably and elaborately demonstrated by our late worthy Vice President, Sir Joseph Ayloffe, Bart. in his “Historical description of an antient pic-“ture in Windsor Castle representing the interview between “king Henry VIII. and the French king Francis I. between “Guînes and Ardres, in the year 1520,” printed in the works of this Society [a] ; that it will now only be necessary to refer to that learned description upon those heads, and confine our present observations to the matters arising from a view of the picture before us, distinctly from the other painting ; and for that purpose, to bring to the recollection of the Society, that after every regulation had been made, and preliminary settled by Cardinal Wolsey for this interview taking place in June 1520, king Henry VIII. removed from his palace at Greenwich on the 21st of May on his way towards the sea ; the first day he went to Otford, then to Leeds Castle, then to Charing, and from thence on the 25th he reached Canterbury, where he proposed to keep the approaching festival of Whitsuntide [b].”

Men Walk in Parallel!

2019 ◽  
pp. 249-262
Author(s):  
C. Kemal Nance
Keyword(s):  
United States ◽  
African American ◽  
Black Male ◽  
African American Men ◽  
Academic Work ◽  
The United States ◽  
Gender And Sexuality ◽  
Male Body ◽  
African Dance ◽  
Historical Representations

C. Kemal Nance reflects on the ways in which African American men utilize dance vocabularies in artistic and academic work. He reveals his findings through his own experiences as an African dance performer, as well as through a series of interviews with Baba Chuck Davis. Centering an analysis of gender and sexuality, Nance explores the scripted nature of these discourses while addressing the ideological implications of historical representations of the black male body, masculinity, and heteronormativity in the field of African dance in the United States.

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