scholarly journals BIM METHODOLOGY APPLIED TO ARCHITECTURAL HERITAGE PRESERVATION: CASE STUDY OF THE MEDINA AND DUNGEONS OF TETUÁN, MOROCCO

Author(s):  
GIACOMO SORINO ◽  
CARLO MANFREDI ◽  
ANTONIO JIMÉNEZ DELGADO
Author(s):  
V. I. Korenev

The paper studies the use of digital technologies and 3D models of cities in solving urban planning problems. The experience in creating the information system for ensuring urban planning and internet sites in Tomsk is demonstrated and the possibilities are shown for their use in graphic-analytic research. The 3D model of the Tomsk-city is proposed to design and explore the flood processes, land use non-observances, architectural design and modeling of the urban environment, and requirements for the architectural heritage preservation.


2018 ◽  
Vol 4 (8) ◽  
pp. 99 ◽  
Author(s):  
Danila Germanese ◽  
Giuseppe Leone ◽  
Davide Moroni ◽  
Maria Pascali ◽  
Marco Tampucci

This paper describes how Unmanned Aerial Vehicles (UAVs) may support the long-term monitoring of crack patterns in the context of architectural heritage preservation. In detail, this work includes: (i) a state of the art about the most used techniques in ancient structural monitoring; (ii) the description of the implemented methods, taking into account the requirements and constraints of the case study; (iii) the results of the experimentation carried out in the lab; and (iv) conclusions and future works.


2019 ◽  
Vol 11 (2) ◽  
pp. 316 ◽  
Author(s):  
Ignacio Ferrer-Pérez-Blanco ◽  
Antonio Gámiz-Gordo ◽  
Juan Francisco Reinoso-Gordo

Architectural heritage preservation and sustainability need advanced graphic techniques in order to document and understand the disposition/composition of plaster muqarnas, a fragile construction element. The muqarnas are key elements in the Nasrid architecture developed during the 14th century in the Alhambra complex, nowadays part of World Heritage. As a case study, this analysis focuses on the muqarnas pendentives of the Sala de la Barca in the Comares Palace. After examining both explanations and drawings published by architects Jones and Goury from 1842 to 1845, our research provides new drawings (plans and elevations) derived from laser scanner technology. Theoretically, though muqarnas are composed of simple geometrical shapes, these new drawings unveil important deformations hitherto unknown, and which have not been studied yet by other bibliographic references. Finally, we provide some considerations about the causes of these deformations and the monument sustainability across the time and the images’ capacity to show the muqarnas complex shapes in a reliable way.


Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 673-690
Author(s):  
Giorgio Gasco

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.


2021 ◽  
Author(s):  
Fatiha Imane Mahcar ◽  
Belkacem Takhi

Algeria has a rich urban and architectural heritage, which presents regional specificities. Once the ksour was a symbol of balance and perfect harmony with its environment, unfortunately today they no longer reflect their former function. The Ksourian architecture, including that of Laghouat is a prestigious heritage of high value; it is the testimony of genius knowledge and the capacity of their occupants to adapt to the difficult environment. The housing is considered the essential core of this architecture it represents the entire composition of the ksar, its design is inspired by the immediate environment and respects ancestral social values. It is characterized by a simple architecture and simple construction techniques which are based on the construction in load-bearing walls, the construction materials used are local materials of great resistance and less expensive. This study addresses the theme revaluation of heritage, particularly our case study ksar El-Haouita which has experienced a neglecting and depopulation due to several factors. The ksar El-Haouita is among the most famous ksour located in the south of Algeria and exactly in the region of Laghouat. It is built with simple materials and techniques of construction. The construction materials used are local materials like stones and lime found in the environmental surroundings of the ksar. The aim of this study is to identify the major causes of the degradation of ksar, also to preserve ksar El-Haouita through specific operations and to improve the tourist attractiveness of ksar El-Haouita in order to promote heritage, to convert it back into sustainable Saharan tourism. Our study based in the first place; on a theoretical underpinning which contains the notions that have a relation with our theme, the problematic and the envisaged objective, then a presentation of ksar followed by a morphological analysis accompanied by identification of the problems to identify the phenomena of damage and its disfigurement. The last step is to treat an aspect for the development of ksar, this aspect is devoted to the restitution of the defensive system (doors, ramparts, ramparts of houses and towers) of the ksar, through a diagnostic and several operations like (rehabilitation and reconstruction). The aim result of this study is to show that the revaluation of the ksar is a very vast operation and proposes interventions that allow the preservation of the ksar and also to understand the elements that help the success of interventions and to put some of the parameters considered as reference elements and basic principles for the operations on the ksar and among these operations it is (the case study, which is the restitution of the defensive system of ksar El-Haouita).


Author(s):  
Elizabeth C. Macknight

This chapter examines the interactions between nobles and various public bodies for the preservation of art, archives, and architectural heritage from the 1950s to the 2000s. It documents nobles’ communication with museum curators and archivists about the lending of items for exhibitions and about the donation or deposition of private archives for the State’s collections. Analysis of this correspondence sheds light on evolutions in twentieth-century attitudes toward patrimony, including the reasons that some items have been kept while others have been deliberately destroyed. The chapter shows how efforts to attract tourists to châteaux received increased stimulus and government support after the Second World War. Nobles in the twenty-first century remain closely involved in initiatives for heritage preservation via family networks and civic associations.


Author(s):  
Marco Vitali ◽  
Roberta Spallone ◽  
Francesco Carota

In this chapter are developed some considerations about the heuristic potentialities of parametric digital modeling as a tool for analyzing and interpreting architectural heritage. Observed that the parametric thinking in architecture could be recognized almost from the origin, new parametric modeling software allows to verify the design criteria of the past. On the basis of previous studies on Baroque vaulted atria, this chapter develops, using parametric modeling tools, a real vocabulary of shapes and their possible combinations, suggested by the architectural literature of the time and the survey of about seventy atria in Turin. This method has been tested on the case study of the lunettes dome in the atrium of Palazzo Carignano.


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