scholarly journals Review Lakon Sastrajendra Hayuningrat Pangruwating Diyu Wahana Eksplorasi Model Perancangan Lakon Dalam Rangka “Njajah Désa Milang Kori”

2019 ◽  
Vol 2 (2) ◽  
Author(s):  
B. Djoko Suseno
Keyword(s):  
Moral Responsibility ◽  
The World ◽  
The Times ◽  
Wayang Kulit

Njajah désa milang kori program is an activity of going around from one place to another in Bantul regency. This activity is one of the moral responsibility of the academic civitas of Pedalangan FSP ISI Yogyakarta for the world’s recognition of wayang kulit, which in fact began to have signs of fading in Bantul society. The move is intended as a vehicle to increase the appreciation of the community as well as improving the ability of dalang, both for lecturers and students majoring Pedalangan ISI Yogyakarta. The program is a place to experiment and explore new formats of wayang performances according to the demands of the era. One of these steps is reusing Lakon Alap-alapan Sukèsi by Ki Nartosabdo into the Ngayogyakarta tradition in a concise format. The questions are: (1) What elements are considered in the re-work; (2) Whether the results are stillfollowing the rules of the puppetry; and (3) whether the results of the work have met the criteria of the demands of the times. Through the study of balungan balungan plays and the concept of rap-rapet obtained the conclusion that: (1) Issues submitted are only the main points only; (2) Broadly speaking the plays still follow the pattern of pathet by reducing the jejer and the scene; (3) It meets the demands of the times, new in the aspect of the duration of time; and (4) have not been able to produce ashow that seems relaxed and less able to build a living reality. The results of this study are expected to intensify the re-evaluation so that the  purpose of developing the world of puppetry can be achieved. Program njajah désa milang kori adalah sebuah kegiatan mendalang berkeliling dari satu tempat ke tempat yang lain di Kabupaten Bantul. Kegiatan ini merupakan salah satu bentuk tanggung jawab moral civitas akademika jurusan Pedalangan FSP ISI Yogyakarta atas pengakuan dunia terhadap wayang kulit, yang pada kenyataannya mulai ada tanda-tanda memudar pamornya dalam masyarakat Bantul. Langkah tersebut dimaksudkan sebagai wahana peningkatan apresiasi masyarakat sekaligus peningkatan kemampuan mendalang, baik bagi dosen maupun mahasiswa jurusan Pedalangan ISI Yogyakarta. Program tersebut merupakan ajang bereksperimen dan mengekplorasi format baru pertunjukan wayang sesuai dengan tuntutan jamannya. Salah satu dari langkah tersebut adalah garap-ulang Lakon Alap-alapan Sukèsi oleh Ki Nartosabdo ke dalam tradisi Ngayogyakarta dalam format pakeliran ringkas. Yang menjadi pertanyaan adalah: (1) Unsur apa saja yang diperhatikan dalam garap-ulang tersebut; (2) Apakah hasil garap tersebut masih mengikuti kaidah-kaidah dalam pedalangan; dan (3) Apakah hasil garap tersebut sudah memenuhi kriteria tuntutan jaman. Melalui telaah pola balungan lakon dan konsep sambung-rapet diperoleh kesimpulan bahwa: (1) Permasalahan yang disampaikan hanyalah yang pokok-pokoksaja; (2) Secara garis besar lakon masih mengikuti pola pathet dengan mengurangi jejer dan adegan; (3) Hal yang memenuhi tuntutan jaman, baru dalam aspek durasi waktu; dan (4) Belum mampu menghasilkan pertunjukan yang terkesan santai dan kurang mampu membangun realitas yang hidup. Hasil penelitian ini diharapkan semakin menggiatkan telaah ulang sehingga tujuan pengembangan dunia pedalangandapat tercapai.

scholarly journals Beyond the Modern-Anti-Modern Dilemma: Gaudium et spes and Theological Method in a Postmodern Context

Horizons ◽  
2007 ◽  
Vol 34 (2) ◽  
pp. 292-305
Author(s):  
Lieven Boeve
Keyword(s):  
Theological Method ◽  
Gaudium Et Spes ◽  
Dramatic Character ◽  
The World ◽  
To Come ◽  
The Times ◽  
The Church

ABSTRACTThe Church has the duty in every age of examining the signs of the times and interpreting them in the light of the gospel, so that it can offer in a manner appropriate to each generation replies to the continual human questionings on the meaning of this life and the life to come and on how they are related. There is a need, then, to be aware of, and to understand, the world in which we live, together with its expectations, its desires and its frequently dramatic character (Gaudium et spes 4).

Аmbiguous Temporality of Utopia

2021 ◽  
Vol 32 (4) ◽  
pp. 109
Author(s):  
Svetlana Neretina
Keyword(s):  
Private Property ◽  
Modern World ◽  
Thomas More ◽  
Creative Task ◽  
The Public ◽  
Theoretical Position ◽  
The World ◽  
Long Time ◽  
The Times ◽  
The Ideal

The article rejects the reading of Thomas More's Utopia as, first, a statement of More's own views on the ideal state and, accordingly, his definition not only as a humanist, but as a communist, and, secondly, an attempt is made to present the humanistic foundations of his ideas and ways of expressing them. These ways of expression are connected with the tropological way of his thinking, expressed through satire and irony, with an eye to ancient examples, which was characteristic of the philosophy, poetics and politics of humanism, one of the tasks of which was to try to build a new society (especially relevant in the period of geographical discoveries), architecture, an unprecedented ratio of natural objects (archimboldeski). The models for "Utopia" were the works of Plato, Lucian, and Cicero. It is written in the spirit of the times, with criticism of state structures, private property, the distinction between the private and the public, and openness to all ideas. Intellectual disorientation of readers is a specific creative task of More writer, his test of their ability to quickly change the optics, to consider history as an alternative world, radically different from our own, but connected with it. Thanks to an extremely pronounced intellectual tension, it goes beyond the limits of time, like the works of Plato, Aristotle, Augustine, Marx... Utopia can be represented as a dystopia, if we take into account the performative nature of the latter, which contributes to the instantaneous translation of words into action, realizing the world of utopia. Dystopia is the answer to utopia with a change of sign: about the same thing, changing the optics, you can say "yes" and "no". This means that in the modern world, indeed, and for a long time, virtual consciousness becomes little different from the real one, and imagination replaces the theoretical position, acquiring its form, turning theory into fiction. A hypothesis is put forward about the presence of many utopian countries in" Utopia": Achorians, Polylerites, Macarians, Anemolians.

Thinking honeyeater: nectar maps for the Northern Territory, Australia

2000 ◽  
Vol 6 (1) ◽  
pp. 61 ◽  
Author(s):  
John C. Z. Woinarski ◽  
Greg Connors ◽  
Don C. Franklin
Keyword(s):  
Northern Territory ◽  
Dry Season ◽  
Spatial And Temporal Variation ◽  
Wet Season ◽  
Nectar Production ◽  
The World ◽  
Eucalypt Forests ◽  
The Times ◽  
Species Specific ◽  
Nectar Availability

We create monthly maps of nectar availability for the 1.4 x 106 km2 jurisdiction of the Northern Territory, Australia. These are based on a combination of vegetation mapping and a series of indices of plant species specific nectar scoring. The maps reveal complex spatial and temporal variation in nectar availability, but most notably a greater nectar resource in the monsoon-influenced north than in the arid south, and a peak in nectar availability in the dry season. The latter is associated with the extensive tropical eucalypt forests (especially those co-dominated by Eucalyptus miniata and E. tetrodonta). In contrast, wet season nectar availability in these forests is limited, but riparian and swampland forests, typically dominated by Melaleuca species, provide rich but spatially restricted nectar resources. The extensive and rich nectar resources available in eucalypt forests in the dry season supplement the diets of many species which are not primarily nectarivorous. This resource helps shape the singularity of northern Australian eucalypt forests relative to other extensive forests elsewhere in the world. Nectarivores remain in the system through a combination of movements across a number of scales, habitat shifting, and diet shifting. The latter is aided by the peaking of invertebrate and fruit resources at the times of minimum nectar production; a shuffling in resource availability brought about by the extreme climatic seasonality.

scholarly journals Historiographical traditions and modern imperatives for the restoration of global history

2006 ◽  
Vol 1 (1) ◽  
pp. 3-39 ◽  
Author(s):  
Patrick O’Brien
Keyword(s):  
Global History ◽  
The West ◽  
The Past ◽  
Globalizing World ◽  
The World ◽  
The Times

This essay has been written to serve as a prolegomenon for a new journal in Global History. It opens with a brief depiction of the two major approaches to the field (through connexions and comparisons) and moves on to survey first European and then other historiographical traditions in writing ‘centric’ histories up to the times of the Imperial Meridian 1783–1825, when Europe’s geopolitical power over all other parts of the world became hegemonic. Thereafter, and for the past two centuries, all historiographical traditions converged either to celebrate or react to the rise of the ‘West’. The case for the restoration of Global History rests upon its potential to construct negotiable meta-narratives, based upon serious scholarship that will become cosmopolitan in outlook and meet the needs of our globalizing world.

scholarly journals The problem of evil in Hinduism

2010 ◽  
Vol 21 (1) ◽  
pp. 209-224
Author(s):  
Zoran Kindjic
Keyword(s):  
Physical World ◽  
Problem Of Evil ◽  
Dark Side ◽  
Moral Order ◽  
Educational Purpose ◽  
The World ◽  
The Problem Of Evil ◽  
The Times ◽  
Unity Of Opposites

After having pointed to the different religious concepts of the origin of evil, the author focuses on the discussion of Hinduism as a typical paradigm of monism. Since the Indian deities are actually manifestations of the eternal arch principle, they contain within themselves the unity of opposites, i.e. they have both light and dark side. Evil which affects an individual is interpreted as sinning against the universal cosmic and moral order. The doctrine that man's destiny is determined by one's deeds in the previous incarnations is almost widely accepted in India. The idea of karma at the same time provides the cosmic justice and releases God from the responsibility for evil in the world. The impersonal law of karma also has the educational purpose. The whole world derived from the brahman and under the process of evolution. Through the numerous lives and the different experiences, suffering from the consequences of one's own behavior, an individual learn from the spiritual lessons. In the times of the cosmic crises, when evil prevails in the world, Vishnu incarnates in the figure of avatar to win over evil and to restore the blocked evolution. Although evil is defeated, it still cannot be entirely uprooted from the physical world. The salvation for man is possible only after dissolving personal ego and having enlightened oneself, transcends to the sphere of dualism.

scholarly journals Designing Wayang Kulit Purwa with Gatotkaca as the Character in Game

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Nunnun Bonafix
Keyword(s):  
Digital Media ◽  
Rapid Development ◽  
Modern Society ◽  
Young Generation ◽  
Experience Design ◽  
Solid Foundation ◽  
The Times ◽  
Wayang Kulit ◽  
The Impact ◽  
Modern Era

Young generation nowadays has lack of knowledge on the culture of shadow puppet (wayang kulit) which is a heritage that has a high value of art and philosophy. This is caused by the impact of foreign cultures rapidly entering Indonesia. The rapid development of the information technology through internet & game has led to globalization that seems to be not limited to space and time. The speed of information and foreign cultures cannot be stopped. The culture of shadow puppet (wayang kulit) is getting eroded and is not much known by the modern society nowadays. This is an irony to a big nation which has a rich heritage, so it is our obligation as a citizen to maintain and preserve it. Based on the formulae of AIGA 2015 that defines (time + content + context) / time = experience design, the game of wayang kulit (shadow puppet) Gatotkaca put forbattled different experience to users in exploring the information and entertainment in those media. Having the spirit of moderate Postmodernism, the design plan called User Interface which combines the modern and classic traditional elements will encourage new experience to the users (Experience Design). The design recognizes times and trends, and it keeps changing as the development of the times. The design can be a pace setter to next individuals who are called to maintain and preserve national cultures, in general, and wayang kulit purwa, in particular, through digital media. The development in the modern era will not change the identity of shadow puppet (wayang kulit) culture since it has solid foundation.

scholarly journals Metodologi Penafsiran Kontekstual; Analisis Gagasan dan Prinsip Kunci Penafsiran Kontekstual Abdullah Saeed

2016 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
M.K. Ridwan
Keyword(s):  
Historical Context ◽  
Primary Source ◽  
Central Position ◽  
Original Text ◽  
Dominance Model ◽  
Textual Interpretation ◽  
The World ◽  
The Times ◽  
Qur'anic Exegesis ◽  
Methodological Aspects

Qur’anic exegesis occupies a central position in the development of the intellectual traditions of Muslims. As a primary source, the Qur’an for centuries have beenexplored and understood using a variety of approaches and methods to satisfy every need of the times. The dominance model of textual interpretation in the tradition of interpretation of the Qur’an throughout the history of Islam, has been moving Abdullah Saeed a Professor of Islamic Studies University of Melbourne, to offer an alternative model of “contextual interpretation” as a model approach in interpreting the Qur’an that more sensitive to context. Because textual interpretation models tend to ignore the socio-historical context period of revelation as well as the context of the interpretation of the period. This paper specifically focused to analyze methodological aspects of thought’s Abdullah Saeed in conducting the contextualize interpretation of the Qur’an. In General, Saeed offers four contextual interpretation of operational steps, that is: 1) identify initial considerations by understanding the interpreter subjectivity, language and construct meaning, and the world of the Qur’an (encounter with the world of the text); 2) start the task of interpretation by means of identifying the meaning of the original text and convinced of the authenticity and reliability of the text (critical analysis of texts independently); 3) identify the meaning of the text by exploring each context (meaning for the first recipient); 4) hooking the interpretation of the text with the current context (process ofcontextualize, meaning for the present).

scholarly journals Eksistensi Pondok Pesantren Salafiah Sa’adatuddaren di Era Modernisasi Pendidikan

2019 ◽  
Vol 19 (1) ◽  
pp. 77-90
Author(s):  
Marwazi Marwazi ◽  
Abul Khoir
Keyword(s):  
Education System ◽  
Boarding School ◽  
Learning Model ◽  
Work Related ◽  
The World ◽  
Data Source ◽  
Education And Employment ◽  
The Times ◽  
Modern Era ◽  
Sophisticated Technology

In the modern era, competition in various lines of life is getting tougher, education has not escaped the demands of the modern era so that the term education modernization appears. Modernization of education wants a learning model with sophisticated technology, focusing its expertise to be able to talk a lot in the field of work. Related to this, Salafiah Islamic Boarding School which is identical with its old, old education system is considered to be no longer relevant to the development of the times demanded to be able to maintain its existence with renewal efforts which certainly does not leave its characteristics as Salafiah Islamic Boarding School. This research took place in the Salafiah Sa'a Islamic Boarding School, Seberang, Jambi City. This study aims to determine the existence of the Salafiah Islamic Boarding School in the modernization era of education, what constraints faced by the Salafiah Islamic Boarding School in the modernization era of education, and what efforts have been made by the Islamic Boarding School in the era of education. education. The method used in this research is qualitative. The types of data used are primary and secondary. The data source is the informant associated with the existence of the Salafiah Sa' adatuddaren Islamic Boarding School in the era of education modernization, which was collected through observation, interviews and documentation. The findings of this study indicate that in the current era of education modernization, the Salafiah Islamic Boarding School 'adatuddaren still exists even though the number has indeed decreased but not too significantly. The efforts made by the Salafiah Sa'a adatuddaren Islamic Boarding School to maintain its existence in the era of education modernization are good enough, only it needs to be continuously evaluated by looking at existing obstacles, and the demands and demands of the times both in the world of education and employment.

scholarly journals Resiliensi Pendidikan Diniyah dalam Menghadapi Covid-19 selama Bulan Ramadhan 2021

At- Tarbawi ◽  
2021 ◽  
Vol 8 (1) ◽  
pp. 43-54
Author(s):  
Jalaluddin Jalaluddin
Keyword(s):  
Research Method ◽  
Boarding Schools ◽  
Qualitative Approach ◽  
Educational Institutions ◽  
Literature Study ◽  
Sustainable Education ◽  
The World ◽  
The Times

Diniyah education has been implemented by all educational institutions in Indonesia, starting from the lowest level, namely SD/MI to SMA/MA. Initially this diniyah education was implemented in Islamic boarding schools during the month of Ramadan. The aim is to foster morals, character, and strengthen worship for students during the month of Ramadan. The purpose of this study was to identify the role of diniyah education carried out in the world of education during the Covid-19 pandemic. This research method is a literature study method with a qualitative approach. The results showed that the role of diniyah education can be measured through 4 things, namely increasing student religiosity, developing sustainable education and in accordance with the development of the times, being patient with calamities, and increasing husnuzon attitudes in students.

scholarly journals Motywy sportowe w polskiej sztuce międzywojennej — rekonesans

2017 ◽  
Vol 22 ◽  
pp. 75-89
Author(s):  
Michał Mazurkiewicz
Keyword(s):  
Physical Activity ◽  
Human Activity ◽  
Positive Influence ◽  
Great Strength ◽  
Cultural Phenomenon ◽  
Art And Literature ◽  
The World ◽  
History Of ◽  
Polish Art ◽  
The Times

Sports Motifs in Interwar Polish Art — a ReconnaissanceSport is an important cultural phenomenon permeating many spheres of human activity. It has a great strength of influence and is constantly present in art and literature, also in Poland. Artists, especially the ones being lovers of sport, have always been fascinated with the potential existing in different kinds of games. After regaining independence in 1918, physical activity enjoyed great popularity in the awaken­ing Polish state. Sport was seen as achance of broadly understood renaissance of the nation; in addi­tion, its role in preparing the army to fight in the times of still real threats was appreciated. A positive influence of sport on youth was also seen. It also entered the world of art. The aim of this paper is to present Polish artists inspired by sport, also including laureates of the Art Competitions at the Summer Olympics, like for example poet Kazimierz Wierzyński, painter Władysław Skoczylas or sculptor Józef Klukowski. The author analyses both their motivations and the artistic output. The examination is preceded by an introduction showing the beginnings of Polish art inspired by sport and entertainment, whose elements one will find for example in the case of Leon Wyczółkowski or Wojciech Kossak, as well as the beginnings of sports literature. The history of the presence of sport in Polish art and literature is quite rich. The research enquired exploration of the history of Polish antebellum sport, looking over the works of artists interested in sport, as well as familiarising oneself with numerous publications devoted to this phenomenon.

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