scholarly journals MISE EN SCÈNE FILM NYAI KARYA GARIN NUGROHO

2020 ◽  
Vol 17 (2) ◽  
pp. 89-97
Author(s):  
Nur Annisa Savini ◽  
Surya Farid Sathotho ◽  
Philipus Nugroho Hari Wibowo

Nyai  (2016)  merupakan  sebuah  film  karya  Garin  Nugroho  yang  dibuat hanya  dengan  menggunakan  satu  kamera  dan  pengambilan  gambarnya  secara terus menerus tanpa henti (one take) untuk satu film secara penuh. Konsekuensi dari teknik tersebut menyebabkan Film Nyai tak ubahya seperti pementasan teater di atas panggung. Karya ini terinspirasi oleh beberapa karya sastra sekaligus.Untuk melakukan analisis terhadap Film Nyai, menggunakan konsep yang dikenal awal mulanya sebagai sebuah konsep pemanggungan di atas panggung  teater  dan  pada perkembangan  selanjutnya dikenal juga dalam dunia  sinematografi.  Pemahaman  mengenai  mise en scène  ini  sangat  penting untuk  pijakan  melakukan  analisis  terhadap  unsur-unsur  yang  ada  dalam  Film Nyai.Nyai merupakan film dengan idiom pertunjukan teater yang sangat kental. Blocking, Setting, Make Up benar-benar seperti pertunjukan teater di atas panggung. Sedangkan pergerakan, sudut pengambilan dan pemilihan lensa kamera dibuat semirip mungkin dengan pandangan manusia. Kata Kunci: mise en scène, film nyai, garin nugroho   Nyai (2016) is a film by Garin Nugroho which is made using only one camera and with long take technique for full film. As a consequence of this technique, Nyai is very as theater performance ona stage. This work is inspired by several literary works at once.To conduct an analysis of the Nyai, it uses a concept that was known in the beginning as a staging concept on the theater stage and later known in the world of cinematography. This understanding of mise en scène is very important for the basis of analyzing the elements in Nyai.Nyai is a film with a very strong theatrical idiom. Blocking, Setting, Make Up are really like theatre performances. Meanwhile, the movement, angle and selection of the camera lens are made as close as possible to human sight.Key words: mise en scène, nyai, garin nugroho  

2020 ◽  
pp. 135-145
Author(s):  
Alina Zabolotna

The article is devoted to the analysis of functional mechanisms of persuasive speech formulas, namely, linguoculturemes (ethnic, cultural stereotypes, mythologemes, and precedent phenomena) in the defensive speeches of Ukrainian lawyers in Galicia in the beginning of 20th century. The purpose of the paper is to investigate the interaction between historical, political and sociocultural factors and strategies of linguoculturemes’ usage. The phenomenon of the rhetorical scheme is analyzed from the standpoint of extralinguistic context. The rhetorical scheme is considered as a set of rhetorical communicative instruments by which the speaker relays his own rhetorical picture of the world in order to influence the common socio-cultural communicative space. Linguoculturemes are described as essential media of historical, political, and cultural discourse in persuasive speeches. The main strategies of communicative formulas in defensive speeches of Ukrainian barristers of Galicia are analyzed. The strategy of selection of linguoculturemes was in keeping with the traditions of the Austro-Hungarian judiciary but also the desire to establish Ukrainian national identity. All precedent phenomena were used due to the imperial model of the world and achievements of the Polish people. However, at the beginning of the twentieth century, under the imperial regime, attempts to form a rhetorical scheme of defensive speeches focused on Ukrainian values and statehood can be noticed. The article considers the essence of defensive speech as an example of the official communication linked to social context in two ways: the extralinguistic conditions affect the speech structure, and the speaker, in turn, selects certain communicative formulas (linguoculturemes) to establish the linguocultural identity. The future tendencies of Ukrainian judicial rhetoric are the improvement of the communicative skills of the lawyers-rhetoricians, the rejection of Russian legal stamps, and the reactivation of traditional Ukrainian linguoculturemes.


2017 ◽  
Vol 24 (1) ◽  
pp. 46-72
Author(s):  
Jacob Tootalian

Ben Jonson's early plays show a marked interest in prose as a counterpoint to the blank verse norm of the Renaissance stage. This essay presents a digital analysis of Jonson's early mixed-mode plays and his two later full-prose comedies. It examines this selection of the Jonsonian corpus using DocuScope, a piece of software that catalogs sentence-level features of texts according to a series of rhetorical categories, highlighting the distinctive linguistic patterns associated with Jonson's verse and prose. Verse tends to employ abstract, morally and emotionally charged language, while prose is more often characterized by expressions that are socially explicit, interrogative, and interactive. In the satirical economy of these plays, Jonson's characters usually adopt verse when they articulate censorious judgements, descending into prose when they wade into the intractable banter of the vicious world. Surprisingly, the prosaic signature that Jonson fashioned in his earlier drama persisted in the two later full-prose comedies. The essay presents readings of Every Man Out of his Humour and Bartholomew Fair, illustrating how the tension between verse and prose that motivated the satirical dynamics of the mixed-mode plays was released in the full-prose comedies. Jonson's final experiments with theatrical prose dramatize the exhaustion of the satirical impulse by submerging his characters almost entirely in the prosaic world of interactive engagement.


2017 ◽  
Vol 6 (2) ◽  
pp. 5256
Author(s):  
Daryoush Shafiei ◽  
Prof. Basavaiah*

In mulberry (Morus spp.), the process of selection of promising hybrids from F1 population requires the screening of a large number of progenies and a long period. To develop a simple and faster approach for screening, studies were conducted using F1 seeds of two crosses. The details of screening studies conducted in relation to seed-size and seedling-size are reported separately in two parts. In this part, the F1 seeds were size-graded as small, medium and large seeds; their progenies were raised separately and screened in nursery. There was a considerable degree of variation in size of seeds and medium-size class seeds were in high percentage in both the crosses. The length, width and weight of seeds were also varied between the seed size classes significantly in both the crosses. The seed size classes differ with high significance in shoot length and Root collar diameter and also differ significantly in root length and weight of seedlings. The positive correlation between the seed size and growth of seedlings, seed size and germination, seed size and seedling survival in nursery indicated that size-grading of seeds and rejection of small seeds in the beginning of screening process may help to increase the efficiency of screening by increasing the chances of getting superior hybrids from limited progenies. However, confirmation on the performance of large seedlings from small seed size class may help to draw conclusion. Hence, the studies are continued with size- grading of seedlings in the next part of screening study.


Author(s):  
Mark Grimshaw-Aagaard

Mark Grimshaw-Aagaard addresses the role of sound in the creation of presence in virtual and actual worlds. He argues that imagination is a central part of the generation and selection of perceptual hypotheses—models of the world in which we can act—that emerge from what Grimshaw-Aagaard calls the “exo-environment” (the sensory input) and the “endo-environment” (the cognitive input). Grimshaw-Aagaard further divides the exo-environment into a primarily auditory and a primarily visual dimension and he deals with the actual world of his own apartment and the virtual world of first-person-shooter computer games in order to exemplify how we perceptually construct an environment that allows for the creation of presence.


2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Florian Follert ◽  
Lukas Richau ◽  
Eike Emrich ◽  
Christian Pierdzioch

AbstractVarious scandals have shaken public confidence in football's global governing body, Fédération Internationale de Football Association (FIFA). It is evident that decision-making within such a collective provides incentives for corruption. We apply the Buchanan-Tullock model that is known from Public Choice theory to study collective decision-making within FIFA. On the basis of this theoretical model, we develop specific proposals that can contribute to combating corruption. Three core aspects are discussed: the selection of the World Cup host, transparency in the allocation of budgets, and clear guidelines for FIFA officials and bodies with regard to their rights and accountability. Our insights can contribute to a better understanding of collective decision making in heterogenous groups.


Water ◽  
2021 ◽  
Vol 13 (4) ◽  
pp. 459
Author(s):  
Ignacio Cazcarro ◽  
Albert E. Steenge

This article originates from the theoretical and empirical characterization of factors in the World Trade Model (WTM). It first illustrates the usefulness of this type of model for water research to address policy questions related to virtual water trade, water constraints and water scarcity. It also illustrates the importance of certain key decisions regarding the heterogeneity of water and its relation to the technologies being employed and the prices obtained. With regard to WTM, the global economic input–output model in which multiple technologies can produce a “homogeneous output”, it was recently shown that two different mechanisms should be distinguished by which multiple technologies can arise, i.e., from “technology-specific” or from “shared” factors, which implies a mechanism-specific set of prices, quantities and rents. We discuss and extend these characterizations, notably in relation to the real-world characterization of water as a factor (for which we use the terms technology specific, fully shared and “mixed”). We propose that the presence of these separate mechanisms results in the models being sensitive to relatively small variations in specific numerical values. To address this sensitivity, we suggest a specific role for specific (sub)models or key choices to counter unrealistic model outcomes. To support our proposal we present a selection of simulations for aggregated world regions, and show how key results concerning quantities, prices and rents can be subject to considerable change depending on the precise definitions of resource endowments and the technology-specificity of the factors. For instance, depending on the adopted water heterogeneity level, outcomes can vary from relatively low-cost solutions to higher cost ones and can even reach infeasibility. In the main model discussed here (WTM) factor prices are exogenous, which also contributes to the overall numerical sensitivity of the model. All this affects to a large extent our interpretation of the water challenges, which preferably need to be assessed in integrated frameworks, to account for the main socioeconomic variables, technologies and resources.


2003 ◽  
Vol 92 (3_suppl) ◽  
pp. 1091-1096 ◽  
Author(s):  
Nobuhiko Fujihara ◽  
Asako Miura

The influences of task type on search of the World Wide Web using search engines without limitation of search domain were investigated. 9 graduate and undergraduate students studying psychology (1 woman and 8 men, M age = 25.0 yr., SD = 2.1) participated. Their performance to manipulate the search engines on a closed task with only one answer were compared with their performance on an open task with several possible answers. Analysis showed that the number of actions was larger for the closed task ( M = 91) than for the open task ( M = 46.1). Behaviors such as selection of keywords (averages were 7.9% of all actions for the closed task and 16.7% for the open task) and pressing of the browser's back button (averages were 40.3% of all actions for the closed task and 29.6% for the open task) were also different. On the other hand, behaviors such as selection of hyperlinks, pressing of the home button, and number of browsed pages were similar for both tasks. Search behaviors were influenced by task type when the students searched for information without limitation placed on the information sources.


Polar Record ◽  
1938 ◽  
Vol 2 (16) ◽  
pp. 131-133
Author(s):  
A.S.

In the 1938 edition of Hints to Travellers, vol. ii, the editor has produced a handbook on travel rather than a collection of hints, and the general standard is now more comparable with vol. i. The work is the result of the editor's tireless energy and passion for details, combined with a selection of opinions from those who have travelled and explored in most of the relatively unknown parts of the world.


2021 ◽  
Vol 6 (3) ◽  
pp. 297-313
Author(s):  
David Damrosch

Abstract The growth of globalization has greatly expanded the exposure of writers and now filmmakers to the wider world beyond their home country or region, offering new opportunities to bring elements of the outside world into their works, and in turn to take their works out to distant audiences. This essay discusses the increasing presence of foreign cultures in the progression from the literary detail to the stage prop and then the movie location, and then focuses on three films based on literary works, films that display the growing presence of the world in contemporary cinema and of the films in the world.


2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Peter John Worsley

Robson in 1983 and 1988 in his reconsideration of the poetics of kakawin epics and Javanese philology drew readers’ attention to the importance of genre for the history of ancient Javanese literature. Aoyama in his study of the kakawin Sutasoma in 1992, making judicious use of Hans Jauss’s concept of “horizon of expectation”, offered the first systematic discussion of the genre of Old Javanese literary works. The present essay offers a commentary on the terms which mpu Monaguna and mpu Prapañca, authors of the thirteenth century epic kakawin Sumanasāntaka and the fourteenth century Deśawarṇana, themselves, employ to refer to the generic characteristics of their poems. Mpu Monaguna referred to his epic poem as a narrative work (kathā), written in a prakṛt, Old Javanese, and rendered in the poetic form of a kakawin and finally as a ritual act intended to enable the poet to achieve apotheosis with his tutelary deity and his poem to be the means of transforming the world, in particular to ensure the wellbeing of the readers, listeners, copyists and those who possessed copies of his poetic work. Mpu Prapañca described his Deśawarṇana differently. Also written in Old Javanese and in the poetic form of a kakawin—he refers to his work variously as a narrative work (kathā), a chronicle (śakakāla or śakābda), a praise poem (kastawan) and also as a ritual act designed to enable the author in an ecstatic state of rapture (alangö), and filled with the power and omniscience of his tutelary deity, to ensure the continued prosperity of the realm of Majapahit and to secure the rule of his king Rājasanagara. The essay considers each of these literary categories.


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