scholarly journals KERETA SINGO BARONG DI KERATON KASEPUHAN CIREBON

CORAK ◽  
2012 ◽  
Vol 1 (1) ◽  
Author(s):  
Sumino Sumino
Keyword(s):  
Cultural Change ◽  
Emotional Response ◽  
Frequent Occurrence ◽  
Context Change ◽  
Anthropological Perspective ◽  
The Public ◽  
The Past ◽  
Art Object ◽  
Production And Consumption ◽  
Weight Value

This study to look at the changes the meaning of Singo Barong in the context of the past asunderstood by the public Cirebon in the present. In the time, the train experienced a period oftransit which to change the context in which the material or object of art will have meaning.As a result of the frequent occurrence of changes in the context of the meanings are oftensubject to change. It is an art object in transition, experiencing a change of meaning as aresult of changes in context. Change of meaning will evoke an emotional response whencrossing cultural boundaries.Reading of documents or artifacts that are relevant necessary to achieve a deeper meaningand detail. Therefore anthropological perspective that links production and consumption ofartifacts are not separated from the question of the culture, politics, religion and others.Borrowing the theory of "processual relativism" Svasek will bring an understanding of the artmaterial in a different time and space. At least not with borrowed this theory will be obtainedthe values behind the train characteristics. By finding the characteristics at a certain time andspace will be acquired meaning, then what meaning it will be reviewed and compared. Suchway of thinking is more easy to see the socio-cultural change at both the pattern of thought orsocial institutions Kasepuhan Cirebon palace.Singo Barong train its existence is equivalent to other objects stored in the MuseumKasepuhan Cirebon, such as gamelan, batik cloth, weapons, and so forth. Artifacts have thesame weight value when used as a tool in the ritual. But the context has a different meaning,is associated with the constituent. From time to time, the meaning is changed, both in socialand cultural areas. Religious meaning at the time of the kings was in power changed thefulfillment of the ritual or ceremonial, then change as the fulfillment of the economy andtourism.Keywords: Train Singo Barong, Svasek, Changes

KERETA SINGO BARONG DI KERATON KASEPUHAN CIREBON

CORAK ◽  
2013 ◽  
Author(s):  
Sumino .
Keyword(s):  
Cultural Change ◽  
Social Institutions ◽  
Context Change ◽  
Time And Space ◽  
Anthropological Perspective ◽  
The Public ◽  
The Past ◽  
Art Object ◽  
Cultural Boundaries ◽  
Production And Consumption

This study to look at the changes the meaning of Singo Barong in the context of the past as understood by the public Cirebon in the present. In the time, the train experienced a period of transit which to change the context in which the material or object of art will have meaning. As a result of the frequent occurrence of changes in the context of the meanings are often subject to change. It is an art object in transition, experiencing a change of meaning as a result of changes in context. Change of meaning will evoke an emotional response when crossing cultural boundaries. Reading of documents or artifacts that are relevant necessary to achieve a deeper meaning and detail. Therefore anthropological perspective that links production and consumption of artifacts are not separated from the question of the culture, politics, religion and others. Borrowing the theory of "processual relativism" Svasek will bring an understanding of the art material in a different time and space. At least not with borrowed this theory will be obtained the values ​​behind the train characteristics. By finding the characteristics at a certain time and space will be acquired meaning, then what meaning it will be reviewed and compared. Such way of thinking is more easy to see the socio-cultural change at both the pattern of thought or social institutions Kasepuhan Cirebon palace. Singo Barong train its existence is equivalent to other objects stored in the Museum Kasepuhan Cirebon, such as gamelan, batik cloth, weapons, and so forth. Artifacts have the same weight value when used as a tool in the ritual. But the context has a different meaning, is associated with the constituent. From time to time, the meaning is changed, both in social and cultural areas. Religious meaning at the time of the kings was in power changed the fulfillment of the ritual or ceremonial, then change as the fulfillment of the economy and tourism. Keywords: Train Singo Barong, Svasek, Changes

scholarly journals Places of the Heart: Memorials, Public History and the State in Australia Since 1960

2008 ◽  
Vol 15 ◽  
Author(s):  
Paul Ashton ◽  
Paula Hamilton
Keyword(s):  
Cultural Change ◽  
Public History ◽  
Public Spaces ◽  
The State ◽  
Historical Narratives ◽  
Public Places ◽  
The Public ◽  
The Past ◽  
Complex Interactions ◽  
Over Time

Memorials as a form of public history allow us to chart the complex interactions and negotiations between officially endorsed historical narratives, public memorials, privately sponsored memorials in public spaces and new histories. As Ludmilla Jordanova reminds us, ‘the state… lies at the heart of public history’. And this is evident in the public process of memorialisation. At one level, the state endorses certain narratives within which communities and organisations need to operate if they are to be officially part of the national story and its regional and local variants. Ultimate endorsement for memorials includes listings on heritage registers. Controls over the erection of memorials vary from official policies to process for the issue of permits for their construction in public places or their removal. The state, however, is not monolithic. Permissible pasts evolve over time given shifts in power and social and cultural change. This involves both ‘retrospective commemoration’ and ‘participatory memorialisation’. The presence and power of the past in peoples’ lives, too, means in practice that memorial landscapes will reflect, in truly democratic societies, the values, experiences and dominant concerns of its citizens.

Introduction

2017 ◽  
Author(s):  
Peter Lambert ◽  
Björn Weiler
Keyword(s):  
Academic Writing ◽  
The Public ◽  
The Past ◽  
Production And Consumption ◽  
Historical Culture ◽  
Changing Role ◽  
Modern Work

This chapter outlines the main aims of the book, in particular its desire to move beyond the chronological and cultural myopia prevalent in much modern work on the production of history. It proceeds to deal with two major themes: the historiography of the concept of ‘historical culture', and what it might mean in practice. The first section explores the concept’s use in modern academic writing, and outlines what is distinctive about the approach taken in this volume. The second sketches a phenomenology of historical culture. Particular attention is paid to four major themes: the desirability of a past; the premise that history is inherently truthful; the means with which versions of the past are constructed; and the changing role of the public in the production and consumption of historical culture.

Dissolving pulp market and technologies: Chinese prospective – A mini-review

BioResources ◽  
2016 ◽  
Vol 11 (3) ◽  
pp. 7902-7916
Author(s):  
Yishan Liu ◽  
Liuxin Shi ◽  
Dong Cheng ◽  
Zhibin He
Keyword(s):  
Literature Review ◽  
Raw Materials ◽  
Dissolving Pulp ◽  
Manufacturing Processes ◽  
Natural Polymer ◽  
Chinese Market ◽  
Pulp Bleaching ◽  
The Public ◽  
The Past ◽  
Production And Consumption

Cellulose is the most abundant natural polymer on earth. As the market and the public demands more and more natural products, cellulose and its derivatives are becoming increasingly more attractive. The production of dissolving pulp, which is the main feedstock for cellulose-related products, has been growing over the past decade, while the technologies for manufacturing these pulps have also been advanced. In this literature review, the production and consumption of dissolving pulp are analyzed with a focus on the Chinese market. The manufacturing processes, including raw materials, pulping methods, pulp bleaching, and post-treatments are discussed.

The Suffering of the Perpetrators: The Ethics of Traumatic German Historicity in Karen Bass's Young Adult World War II Novels

2014 ◽  
Vol 7 (1) ◽  
pp. 64-77
Author(s):  
Doris Wolf
Keyword(s):  
World War Ii ◽  
Young Adult ◽  
Public Sphere ◽  
Childhood Studies ◽  
Historical Narratives ◽  
World War ◽  
The Public ◽  
The Past ◽  
Adult World ◽  
The Public Sphere

This paper examines two young adult novels, Run Like Jäger (2008) and Summer of Fire (2009), by Canadian writer Karen Bass, which centre on the experiences of so-called ordinary German teenagers in World War II. Although guilt and perpetration are themes addressed in these books, their focus is primarily on the ways in which Germans suffered at the hands of the Allied forces. These books thus participate in the increasingly widespread but still controversial subject of the suffering of the perpetrators. Bringing work in childhood studies to bear on contemporary representations of German wartime suffering in the public sphere, I explore how Bass's novels, through the liminal figure of the adolescent, participate in a culture of self-victimisation that downplays guilt rather than more ethically contextualises suffering within guilt. These historical narratives are framed by contemporary narratives which centre on troubled teen protagonists who need the stories of the past for their own individualisation in the present. In their evacuation of crucial historical contexts, both Run Like Jäger and Summer of Fire support optimistic and gendered narratives of individualism that ultimately refuse complicated understandings of adolescent agency in the past or present.

The End of History Museums: What's Plan B??

2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson
Keyword(s):  
Historic Sites ◽  
The Public ◽  
End Of History ◽  
House Museums ◽  
The Past ◽  
History Museums ◽  
Plan B ◽  
The End Of History ◽  
The Way

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.

E-Projects Challenges in India – Role of Human Resource Management and Technology

2018 ◽  
Vol 6 (8) ◽  
pp. 263
Author(s):  
Ramnik Kaur
Keyword(s):  
Developing Countries ◽  
Public Administration ◽  
Paradigm Shift ◽  
Successful Implementation ◽  
The Public ◽  
Government Services ◽  
The Past ◽  
The Government ◽  
Traditional Approaches

E-governance is a paradigm shift over the traditional approaches in Public Administration which means rendering of government services and information to the public by using electronic means. In the past decades, service quality and responsiveness of the government towards the citizens were least important but with the approach of E-Government the government activities are now well dealt. This paper withdraws experiences from various studies from different countries and projects facing similar challenges which need to be consigned for the successful implementation of e-governance projects. Developing countries like India face poverty and illiteracy as a major obstacle in any form of development which makes it difficult for its government to provide e-services to its people conveniently and fast. It also suggests few suggestions to cope up with the challenges faced while implementing e-projects in India.

Re-centering the Cinema Experience in a Multi-Platform, Digital Age

2015 ◽  
Vol 8 (5) ◽  
Author(s):  
E. W. Nikdel
Keyword(s):  
Physical Environment ◽  
Cultural Memory ◽  
Emotional Response ◽  
Physical Space ◽  
Film History ◽  
Cultural Activity ◽  
Film Culture ◽  
The Past ◽  
Imminent Death ◽  
Multiple Media

With the advent of online distribution and the rise of multiple media devices, claims of the cinema’s imminent death have surfaced with greater intensity than ever before. Of course, with an ever-widening array of platforms these accounts have placed a newfound emphasis on the cinema as a distinctive physical space, one that plays host to a very particular and much cherished cultural activity. This article considers the substance of these claims by tracing a very particular historical route. Firstly, be revisiting Baudry’s notion of the dispositif, this article detects the importance of the physical environment in the process of film consumption. Secondly, I relate this emphasis on the physical to the traditional notion of the cinephile, a practice that ritualises the cinema experience. Many accounts across the spectrum of film history will attest to the profound ways in which the physical experience of the cinema summons a rich emotional response. Lastly, I consider how the cinema and the collective nature of film consumption provides an authentic trace to the past and a very certain time and place in history. In turn, despite competition from cheaper and more convenient platforms, this article will endeavour to show how the cinema retains its place at the centre of contemporary film culture. KEYWORDS Cinema, dispositif, cinephilia, cultural memory.

Prawne regulacje pobierania i transplantacji narządów oraz tkanek w ujęciu europejskiej konwencji bioetycznej

2016 ◽  
pp. 52-65
Author(s):  
Patryk Kołodyński ◽  
Paulina Drab
Keyword(s):  
Ex Vivo ◽  
Legal Aspects ◽  
European Convention ◽  
The Public ◽  
Additional Protocol ◽  
The Past ◽  
Reliable Source ◽  
International Legal Order ◽  
Definition Of ◽  
Source Of Information

Over the past several years, transplantology has become one of the fastest developing areas of medicine. The reason is, first and foremost, a significant improvement of the results of successful transplants. However, much controversy arouse among the public, on both medical and ethical grounds. The article presents the most important concepts and regulations relating to the collection and transplantation of organs and tissues in the context of the European Convention on Bioethics. It analyses the convention and its additional protocol. The article provides the definition of transplantation and distinguishes its types, taking into account the medical criteria for organ transplants. Moreover, authors explained the issue of organ donation ex vivo and ex mortuo. The European Convention on Human Rights and Biomedicine clearly regulates the legal aspects concerning the transplantation and related basic concepts, and therefore provides a reliable source of information about organ transplantation and tissue. This act is a part of the international legal order, which includes the established codification of bioethical standards.

Oceans and Landless Farms: Linking Southern and Northern Shadow Places of Industrial Livestock (1954–1975)

2020 ◽  
Author(s):  
Floor Haalboom
Keyword(s):  
Animal Feed ◽  
Marine Ecosystem ◽  
Global South ◽  
Humboldt Current ◽  
The Public ◽  
The Pacific ◽  
Production And Consumption ◽  
Boom And Bust ◽  
History Of ◽  
Global North

This article argues for more extensive attention by environmental historians to the role of agriculture and animals in twentieth-century industrialisation and globalisation. To contribute to this aim, this article focuses on the animal feed that enabled the rise of ‘factory farming’ and its ‘shadow places’, by analysing the history of fishmeal. The article links the story of feeding fish to pigs and chickens in one country in the global north (the Netherlands), to that of fishmeal producing countries in the global south (Peru, Chile and Angola in particular) from 1954 to 1975. Analysis of new source material about fishmeal consumption from this period shows that it saw a shift to fishmeal production in the global south rather than the global north, and a boom and bust in the global supply of fishmeal in general and its use in Dutch pigs and poultry farms in particular. Moreover, in different ways, the ocean, and production and consumption places of fishmeal functioned as shadow places of this commodity. The public health, ecological and social impacts of fishmeal – which were a consequence of its cheapness as a feed ingredient – were largely invisible on the other side of the world, until changes in the marine ecosystem of the Pacific Humboldt Current and the large fishmeal crisis of 1972–1973 suddenly changed this.

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