scholarly journals Landscape as a National Symbol. Říp Mountain, Blaník Mountain, the River Vltava and the River Elbe and Their Role in Shaping the National Identity in the Final Stage of the Czech National Movement

2019 ◽  
Vol 64 (3-4) ◽  
pp. 33-44
Author(s):  
Nina Milotová

Abstract The paper deals with the role of the landscape in the shaping of the national identity in the final stage of the formation of the Czech modern nation. The topic is treated through the perspective of two pairs of Bohemian landscape features (Říp and Blaník Mountains, and the rivers Vltava and Elbe), both rich in symbolism. This concept was further highlighted by the travelling panel exhibition Story of Landscape at the Nation’s Service, which was held in the Lapidarium of the National Museum in the autumn of 2018. The present text is based on the research of literature and period sources (collection items) located in the National Museum Library and in the Historical Museum of the National Museum. The author presents the landscape as an important national symbol which has assumed this function through its relation to stories based on national history. The landscape is perceived here not only as a real (physical) environment, as a scene where a wide range of national and later tourist activities took place, but also as a symbolic space closely connected to the ideas of individuals within the national society.

2018 ◽  
Vol 3 (1) ◽  
pp. 61
Author(s):  
Liliek Adelina Suhardjono ◽  
Budi Sriherlambang ◽  
Laura Christina Luzar

Abstract<br />National Identity Representation of the New National Museum of Indonesia. The Collection of the National Museum of Indonesia is a manifest of national identity. The National Museum should represent various elements that define an identity of a nation. At the same time we also need to critically assess the role of the National Museum<br />in the construction of nation identity. Since the beginning of its founding, Indonesia is a nation with diverse components. However in recent times there have been many instances where people seem to have forgotten the importance of these diversities. At the moment the National Museum of Indonesia is undergoing a major restoration with the strategy to incorporate storyline as a path to present its collections. This research<br />aims to assess the representation of national identity within this new approach. By incorporating observation on the National Museum of Indonesia and Linggarjati Museum as comparative studies as a methodology, continued with interviews, analysis and synthesis. The final result of this research will give a recommendation that hopefully<br />will give benefit the National Museum of Indonesia.<br /><div> </div><div> </div><strong>Abstrak</strong><br />Peran Storyline pada Representasi Identitas Nasional di Museum Nasional<br />Indonesia Baru. Koleksi Museum Nasional Indonesia merupakan manifestasi dari sebuah identitas nasional. Museum Nasional hendaknya merepresentasikan berbagai elemen yang menentukan ide ntitas suatu negara. Di lain pihak kita hendaknya juga terus bertanya, peran apakah yang dimainkan oleh Museum Nasional atas konstruksi identitas<br />bangsa? Bangsa Indonesia adalah bangsa yang berbhinneka. Namun akhir-akhir ini, berbagai peristiwa yang mencederai kebangsaan seakan menjadi pertanda bahwa banyak di antara masyarakat kita yang mulai melupakan pentingnya keberagaman. Saat ini, Museum Nasional hendak berbenah diri, melebarkan sayap dan membangun tata visual baru dengan berdasar pada storyline. Penelitian ini bertujuan untuk mengkaji<br />representasi identitas nasional pada Museum Nasional Indonesia yang baru. Penelitian ini menggunakan metodologi observasi pada Museum Nasional Indonesia dan Museum Linggarjati sebagai pembanding, dilanjutkan dengan tahapan wawancara, analisis dan sintesa. Hasil akhir dari penelitian berbentuk kajian ini berupa rekomendasi yang dapat<br />digunakan sebagai rujukan oleh pihak Museum Nasional Indonesia.<br /><br />


Author(s):  
O. Moroz ◽  
V. Kotkevych

Problem setting. National identity is a multidimensional, complex phenomenon in which political and cultural (ethnic) factors combine and interact in some way. The question of their relationship, interaction and share in the formation of national communities has been the subject of long-standing debate . In Ukraine in a wide public space the ethnic paradigm of the nation dominates, according to which the phenomenon of the nation is maximally identified with the ethnos politically organized in its state. In academic circles, there is a much more complex vision of the essence of the nation. However, in the context of the problem of further development of Ukrainian national identity and national consolidation of Ukrainians, many authors focus primarily on the importance of the cultural factor. But, the importance of political factors of national consolidation is markedly underestimated. In particular, the question of the role of institutions of representative democracy and democratic political culture in the process of strengthening the current Ukrainian national identity, the difficulties and opportunities associated with them, is on the margins. Recent research and publications analysis. In Ukraine, a wide range of different aspects of the formation of modern Ukrainian national identity has been the subject of coverage in the monographs of M. Stepyko, M. Rozumny, articles by N. Pidberezhnyk, D. Kravchenko, O. Shaparenko, and other researchers. In the context of the analysis of the problem of national consolidation of Ukraine, A. Kolodiy presented her vision of the essence of the phenomenon of nation and national identity. In the collective monograph of scientists of the Institute of State and Law named after V. Koretsky presents an analysis of the specifics of the identity of the population of certain regions of Ukraine, proposals for effective mechanisms for its integration into the Ukrainian common national identity. Distinctive narratives of national identity that exist in Ukraine have been the subject of research by American political scientist K. Korostelina. British / Ukrainian researcher T. Kuzio addressed the problem of the interaction of different identity options and democratization processes in Ukraine in the post-Soviet period. In their reflections, these authors offered, in particular, the different visions of the share of political, ethnic and cultural components of national identity, the dynamics of their interaction in the process of national formation of modern Ukraine. Of particular note are the publications of Yu. Ruban, who pointed out, also in the Ukrainian context, the close interdependence between democratic institutions and national identity.Highlighting previously unsettled parts of the general problem. The relationship between the processes of formation of modern Ukrainian national identity and democratic values as its important and necessary component, democratic institutions, in particular, electoral and potential ways of national consolidation of Ukrainian citizens, needs to be studied in more detail.The purpose of the article is to determine the place and role of institutions of representative democracy in the processes of formation of Ukrainian national identity, in particular, taking into account current political changes, identifying related challenges and opportunities.Paper main body. For almost three decades of Ukraine’s independent state existence, its political development has taken place within the framework of democratic political institutions and has been carried out through the mechanisms of representative democracy. In the process of state/national development of Ukraine, the formation of its current national identity, the basic institutional components of democratic political procedures have proved to be a mandatory and permanent factor.  In the process of interaction between the government and society, its starting point is the legitimation of power in the eyes of citizens. Citizens’ perception of state power as legitimate appears to be in some way connected with the process of asserting national identity in its political dimension. It is democratic procedures in a pluralistic society that become the basis of the legitimacy of power.The central element of the democratic legitimization of power and one of the most important components of communication between government and society is elections, which in this aspect are essentially a factor in the formation of national identity. In the course of the electoral process, numerous group and individual identities that exist in society, in a certain way, manifest themselves in public space, in open and defined by certain rules rivalry with others.The common national idea / ideology and democratic principles of political coexistence are interrelated factors, because the formation of a common identity through dialogue, through the integration of human rights, political and civil liberties into the whole multidimensional construction of national identity can be a factor in consolidating society. Encouraging the integration of linguistic, ethnic and other minorities into the social and political space of a single state on the basis of interculturalism will thus contribute to the formation of a common civic identity in people with different (but at the same time in no way isolated from each other) cultural identities. Citizens’ perceptions of the state as an institution that takes into account their interests and values, a greater level of civic participation in decision-making and implementation will ultimately mean greater efficiency of democratic governance, thus contributing to socio-economic progress and stability of the entire socio-political system.  Conclusions of the research and prospects for further studies. The task of forming an image of national identity capable of integrating around itself, around the Ukrainian core, the achievements and values of various ethnic, linguistic and cultural minorities, politically united by the borders of the Ukrainian state, remains relevant. In this context, democratic institutions and values, forming the basis for constructive public articulation of different points of view and interests, have the potential to promote more effective government and intergroup communication, reduce conflict in society, feelings of alienation between government and certain groups.  Further prospects for research in this area are a more detailed analysis of the relationship between the democratic mechanisms of public communication and the peculiarities of the formation of the current Ukrainian national identity and national consolidation. In particular, in this context, the appropriate influence of the specifics of electoral procedures and processes, different forms of government needs to be considered separately.


2017 ◽  
Vol 6 (1) ◽  
pp. 109-113
Author(s):  
Tatyana Alexandrovna Fedorova

The paper discusses the influence of Walter Scotts historical novels on the formation of national identity of Scotland at the turn of the eighteenth to early nineteenth centuries. In the current geopolitical situation, considering the growing wave of separatism, the relevance of the study of national identity formation process cannot be overemphasized. In the paper the author analyzes the historical preconditions of Scots national consciousness formation. The author also considers characteristics of historical and cultural development of the region. According to the author, James MacPherson and Bishop Percys works were equally important for national disunity overcoming in Scotland and Britain as a whole. Particular attention is drawn to the role of Sir Walter Scott in the process of national revival in Scotland. Such novels as Waverley, Puritans, and Rob Roy introduced the general public with the mental basis of the Scottish people. Having opened national character features and religious foundations of the Scottish worldview for a wide range of readers, the author awakened the interest of the British society to the heritage of Scotland, thereby laying the basis for a successful integration of the two peoples into a single nation. Sir Walter Scott managed to revive national prestige of Scotland that had fallen victim after the signing of Union in 1707.


HISTOREIN ◽  
2018 ◽  
Vol 17 (1) ◽  
Author(s):  
Helena Mollo ◽  
Rodrigo Turin ◽  
Fernando Nicolazzi

The recent Brazilian history of historiography perceives the period from 1830 to 1930 as a decisive one for the development of Brazilian historiography, be it for the definition of the disciplinary protocols that frame the historian’s work or for the emergence of problems concerning the disputes over and elaboration of a national identity. The importance of this century has already been established in works on the role of national institutions, such as the Brazilian Historical and Geographical Institute (IHGB) and the National Museum, and in works on the discursive dimensions of historiographical practice. Thus, a new way to consider the experience of time has been proposed, resulting in a thoughtful understanding of the history of historiography and its field. Therefore, this article aims to offer an overview of the different modulations of temporal experience that appear in nineteenth- and early twentieth-century Brazilian historiography, presenting some of the topoi that have organised and shaped it.


Author(s):  
Oksana Sereda

The article analyzes a work of the first interwar art association ― the Circle of Ukrainian Art Figures (HDUM) in the field of exhibition organization. It reveals the role of this society in consolidating the Ukrainian artists living and working in Western (Polish-controlled), and Great (Soviet) Ukraine. About 30 publications reflecting a reception of exhibitions of HDUM by critics and Lviv public have been introduced into scholarly circulation. A little-researched aspect is yet how creative efforts of the HDUM were received by its contemporaries, as well as by the Ukrainian press. Therefore our article aims to present the overview of activities of the association on the basis of content of the Ukrainian (mainly, Lviv) publications of the 1920s ― the newspapers «Hromadskyi Vistnyk», «Dilo», magazines «Literaturno-Naukovyi Vistnyk», «Mytusa», «Nova Ukraina», «Ukrayins’ke Mystetsvo». HDUM was founded in Lviv on 28 December 1921 thanks to an initiative of the well-known Lviv art critic Mykola Golubets’ and émigré artists Petro Kholodnyi (Elder) and Pavlo Kozhun. One of the key principles of the Society was to shape national identity in artists’ circles and ordinary citizens. Pursuing this aim, HDUM actively conducted exhibiting work. Specifically, every exhibition was followed by issuing a catalog. According to the press reports of that time, the first two Ukrainian art exhibitions took place in the halls of the Museum of Shevchenko Scientific Society. They received positive press coverage. All Ukrainian artists wishing to participate in these exhibitions were invited regardless of direction or art school they represented, as well as the HDUM affiliation. The next shows were on display in the halls of the National Museum. The public had felt some tension already during the third expo organization, and the next one didn’t match expectations of its organizers and wide public explicitly. Consequently, active initiatives of the association were gradually curtailed, although it formally continued to be operational yet for three years. Keywords: HDUM, exposition, press, publication, criticism, art.


2018 ◽  
pp. 5-29 ◽  
Author(s):  
V. A. Mau

The paper deals with the global and national trends of economic and social development at the final stage of the global structural crisis. Special attention is paid to intellectual challenges economists will face with in the post-crisis world: prospects of growth without inflation, new global currencies and the role of cryptocurrencies, central banks independence and their role in economic growth stimulation, new tasks and patterns of government regulation, inequality and growth. Special features of Russian post-crisis development are also under consideration. Among them: prospects of macroeconomic support of growth, inflation targeting, new fiscal rule, social dynamics and new challenges to welfare state. The paper concludes that the main obstacles for economic growth in Russia are concentrated in the non-economic area.


2008 ◽  
pp. 61-76
Author(s):  
A. Porshakov ◽  
A. Ponomarenko

The role of monetary factor in generating inflationary processes in Russia has stimulated various debates in social and scientific circles for a relatively long time. The authors show that identification of the specificity of relationship between money and inflation requires a complex approach based on statistical modeling and involving a wide range of indicators relevant for the price changes in the economy. As a result a model of inflation for Russia implying the decomposition of inflation dynamics into demand-side and supply-side factors is suggested. The main conclusion drawn is that during the recent years the volume of inflationary pressures in the Russian economy has been determined by the deviation of money supply from money demand, rather than by money supply alone. At the same time, monetary factor has a long-run spread over time impact on inflation.


2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.


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