scholarly journals All-Metal Book Bindings in the 19th Century

2019 ◽  
Vol 63 (3-4) ◽  
pp. 96-104
Author(s):  
Hana Slovik-Vávrová ◽  
Radomír Slovik

The article presents the results of the research activities of Hana Slovik-Vávrová concerning the mapping of preserved all-metal brass book bindings in the collections of institutions in the Czech Republic. She has recorded a total of 145 of these exceptional book bindings from between the end of the 18th century and the 1920s, coming from 18 organisations. All-metal book bindings have not been devoted enough attention although they represent a very interesting chapter in the history of book binding. An outcome of this work is a comprehensive description and detailed documentation of all researched all-metal book bindings. A valuable part is a catalogue of book bindings and of ornaments used in the decoration of all-metal book bindings.

2018 ◽  
Vol 37 (2) ◽  
pp. 134-151
Author(s):  
Renata Popelková

AbstractThis study analyses the changes in woodland cover from the mid-18th century to the turn of the 21st century in a distinctive region of the Czech Republic – the Karviná district. This region has been substantially affected by the process of industrialisation during the 19th and 20th centuries, which transformed a formerly agricultural landscape into a landscape heavily impacted by underground coal mining and related landscape processes. The occurrence of woodland cover in the Karviná district was determined from historical military maps (second half of the 18th century, first half of the 19th century, second half of the 19th century, first half of the 20th century) and from a colour orthophoto (2017) verified with reference to a contemporary map. The article interprets the occurrence of woodland cover depicted in the abovementioned sources and presents an interpretative key. The vectorisation of the woodland cover and the analysis of temporal–spatial changes in woodland cover were conducted using ArcGIS 10 software.


Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.


Diacronia ◽  
2018 ◽  
Author(s):  
Gheorghe Chivu

The history of the verbal forms sum and sunt, introduced into the literary writing by the Transylvanian Latinist School, reveals a winding process in the elaboration of certain cultured norms proper to the modern literary Romanian. Not at all linear, this process was concurrently influenced by two, often divergent, tendencies that were active from the end of the 18th century up to the beginning of the 20th century: the use of some cultured forms, borrowed from Latin or created according to Latin patterns; and the revitalization of certain linguistic forms with regional diffusion. Initially proposed as literary pronunciations, the two verbal forms were soon adopted and used as etymological graphic forms that corresponded to sîm and suntu from certain conservative patois. During the second half of the 19th century (sum), and during the first decades of the 20th century (sunt), the two graphic forms became orthoepic norms as well, due to the phonological tradition of the Romanian writing.


Author(s):  
Petr N. Bazanov ◽  

A detailed review of the scientific activities of professor I. Ye. Barenbaum (1921–2006), the most famous representative of the St. Petersburg school of bibliology in the field of the history of books and book business, is given. Particular attention is paid to his contribution to the study of the history of books in the second half of the 19th century. The role of I. Ye. Barenbaum as an innovator and pioneer in the study of the history of the publishing activity of revolutionary democrats is substantiated. The scientific heritage of the scientist is about 400 publications. I. Ye. Barenbaum’s main research activities were the history of the book business of St. Petersburg, the history of revolutionary-democratic book publishing in the 19th century, the history of the reader, and the French book in Russia. The article analyzes the main works devoted to the book business of St. Petersburg. His contribution to the creation of textbooks on the history of the book is shown. The work of I. Ye. Barenbaum on the historiography of the history of the book is considered.


2021 ◽  
Author(s):  
Elena P. Serapionova ◽  

The book deals with the historical contacts of Czech, Slovak and Russian peoples, the beginning of mass Czech and Slovak relocation to Russia, Russian official policy towards settlers. The author marks the main centers of their residence, pauses in detail on public organizations created by them, ties with the historical homeland, their participation in the Slavic movement. Special attention is paid to the prominent representatives of the compatriots. The monograph analyzes the social, professional composition of the Czech and Slovak diasporas, evaluates their contribution to the economic and cultural development of Russia. It is based on documents published and identified in the archives of Russia, Czech and Slovak republics, printing masters, memories and literature on the topic. The book is intended for specialists in the history of Russia, the Czech Republic and Slovakia, as well as all those interested in the ties of the peoples of the three countries.


2021 ◽  
Vol 19 (1) ◽  
pp. 97-127
Author(s):  
Leah Bornstein-Makovetsky

This article discusses the biographies and economic and public activities of the Ḥatim family in Istanbul in the late 18th century and throughout the 19th century. Most of the attention is focused on R. Shlomo Ḥatim and his son Yitsḥak, who were members of the Jewish elite in Istanbul and settled in Jerusalem at the ends of their lives. R. Shlomo, who is said to have served the Ottoman authorities in Istanbul, settled in Jerusalem more than ten years before the leaders of the Jewish economic elite in Istanbul were executed in the 1820s. His son, surviving this purge, followed much later, immigrating to Israel in 1846, but died immediately thereafter. This article provides insights into the business activities of the Ḥatim family, as well as the activities of Yitsḥak Ḥatim as an Ottoman official in Istanbul. I also discuss two more generations of this family, considered an elite, privileged one, and that was highly esteemed among well-known rabbis in the Ottoman Empire. I also discuss the ties that developed between the communities of Istanbul and Jerusalem in the first half of the 19th century as a result of initiatives of officials in Istanbul and of immigration from Istanbul to Jerusalem.


Author(s):  
O.E. Fedorenko ◽  
К.V. Коlyadenko

An epidemic of any infectious disease is an invisible ruthless enemy that cannot be defeated by military, political, economic or ideological means. Humanity always reacts to such threats quite nervously and subconsciously tries to mythologize them, at least a little, in order to somehow psychologically protect itself from the real fear of imminent death. Since there is no rational defense against such a threat, people for the most part react in an irrational manner.The 19th century, almost the same as the previous centuries, «started» in epidemiological terms almost from the very beginning of its calendar. Only in contrast to the previous 18th century, the main and dominant danger was posed by another infectious pathology — cholera.In the history of medicine, over the 19th century, as many as six outbreaks of cholera epidemics were recorded since 1817. The first of them began in East Bengal and lasted 8 years (1817—1824), gradually, covering almost all India and big regions of the Middle East. It was worsened by the traditional travels of both Hindu and Muslim pilgrims to «holy places» who spread Vibrio cholerae on foot and through active communication with local residents.One of the significant reasons why cholera epidemic continued with minimal interruptions for almost the entire nineteenth century was an insufficient level of scientific knowledge in microbiology and the resulting ignorance of the causative agent of cholera — vibrio and its properties.Another factor was a complete lack of understanding by society of the need to observe at least the simplest sanitary standards in everyday life. And there was also misunderstanding among the leadership which tried to limit the next outbreak of cholera mainly by administrative measures without adequate explanations of their essence and necessity to the population.


Author(s):  
Karolina Karpińska

This article is dedicated to discussing the implementation of the descriptive geometry, i.e. the scientific novelty from the end of the 18th century, in secondary school education on the Polish territories in the 19th century. At that time, Polish lands were under the occupation of three empires: Prussia, Austria, and Russia. Over the time, the policy of the partition empires toward the Poles was changing in intensity. As a consequence, in the 19th century, there were schools on the Polish territories with Polish, Prussian, Austrian and Russian curricula and relevant lecture languages. The article analyses the implementation of descriptive geometry into teaching mathematics in schools located in all three partitions. Keywords: descriptive geometry, history of mathematics education, history of mathematics


Author(s):  
Doron Swade

The principles on which all modern computing machines are based were enunciated more than a hundred years ago by a Cambridge mathematician named Charles Babbage.’ So declared Vivian Bowden—in charge of sales of the Ferranti Mark I computer— in 1953.1 This chapter is about historical origins. It identifies core ideas in Turing’s work on computing, embodied in the realisation of the modern computer. These ideas are traced back to their emergence in the 19th century where they are explicit in the work of Babbage and Ada Lovelace. Mechanical process, algorithms, computation as systematic method, and the relationship between halting and solvability are part of an unexpected congruence between the pre-history of electronic computing and the modern age. The chapter concludes with a consideration of whether Turing was aware of these origins and, if so, the extent—if any—to which he may have been influenced by them. Computing is widely seen as a gift of the modern age. The huge growth in computing coincided with, and was fuelled by, developments in electronics, a phenomenon decidedly of our own times. Alan Turing’s earliest work on automatic computation coincided with the dawn of the electronic age, the late 1930s, and his name is an inseparable part of the narrative of the pioneering era of automatic computing that unfolded. Identifying computing with the electronic age has had the effect of eradicating pre-history. It is as though the modern era with its rampant achievements stands alone and separate from the computational devices and aids that pre-date it. In the 18th century lex continui in natura proclaimed that nature had no discontinuities, and we tend to view historical causation in the same way. Discontinuities in history are uncomfortable: they offend against gradualism, or at least against the idea of the irreducible interconnectedness of events. The central assertion of this chapter is that core ideas evidenced in modern computing, ideas with which Turing is closely associated, emerged explicitly in the 19th century, a hundred years earlier than is commonly credited.


Author(s):  
Mari Hvattum

In its most general sense, historicism refers to a new historical consciousness emerging in late-18th- and early-19th-century Europe. This novel “historical-mindedness,” as the cultural historian Stephen Bann has called it, sprung from a recognition that human knowledge and human making are historically conditioned and must be understood within particular historical contexts. Historicism inspired new interest in the origin and development of cultural phenomena, not least art and architecture. When used in relation to architecture, historicism usually refers to the 19th-century notion that architecture is a historically dynamic and relative phenomenon, changing with time and circumstance. This in contrast to 18th-century classicism which tended to uphold the classical tradition as a universal ideal and a timeless standard. Historicism in architecture often entails Revivals of various kinds, i.e., the reference to or use of historical styles and motifs. The term is related to concepts such as eclecticism, revivalism, and relativism. In architectural history, an early anticipation of a historicist way of thinking is Johann Joachim Winckelmann’s History of the Art of Antiquity (1764). While still idealizing Greek art, Winckelmann also analyzed Egyptian, Etruscan, Phoenician, and Persian art and architecture, paying close attention to the historical conditions in which each of these cultures emerged. This new attentiveness to the relationship between cultural conditions and artistic expression lies at the heart of historicism, as does the related idea that architecture has the capacity to represent an epoch or a nation, forming a veritable index of cultural development. There is a strong organicist aspect to historicism, i.e., a tendency to think about cultural phenomena as organic wholes that evolve according to laws.


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