scholarly journals The Subject – A Key Element of the Fugue Form during the 20th Century

2018 ◽  
Vol 18 (1) ◽  
pp. 161-179
Author(s):  
Gabriela Vlahopol

Abstract The great stylistic epochs of the past mostly had syntaxes and specific forms, escaping in the context of the application of polyphonic syntax to the tonal system. The twentieth century, characterized by a continuous mobility and search in the field of the musical language, does not intend to create new musical forms but takes preexisting patterns, which adapt to the creative contexts specific to the composers. Thus, despite the blurring of some of the fundamental elements, other factors of configuration and construction were maintained and amplified, as well as the particular phenomenon, the most significant phenomenon being the development of the thematic principle, which will have its particular manifestations in the fugue form, the diversity of its interpretations bearing the mark of some new directions.

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.


2021 ◽  
Author(s):  
◽  
Erin Keenan

<p>Māori urbanisation and urban migrations have been the subject of much discussion and research, especially following World War Two when Māori individuals, whānau and communities increasingly became residents of towns and cities that were overwhelmingly Pākehā populated. However, Māori urbanisation experiences and urban migrations are difficult topics to address because kaumātua are reluctant to discuss ‘urban Māori’, especially considering its implications for Māori identities. The original contribution this thesis makes to histories of Māori urban migrations is that it explores these and other understandings of urbanisations to discover some of their historical influences. By discussing urbanisations directly with kaumātua and exploring historical sources of Māori living in, and moving to, the urban spaces of Wellington and the Hutt Valley through the twentieth century, this thesis is a ‘meeting place’ for a range of perspectives on the meanings of urbanisations from the past and the present. Although urbanisation was an incredible time of material change for the individuals and whānau who chose to move into cities such as Wellington, the histories of urban migration experiences exist within a scope of Māori and iwi worldviews that gave rise to multiple experiences and understandings of urbanisations. The Wellington region is used to show that Māori in towns and cities used Māori social and cultural forms in urban areas so that they could, through the many challenges of becoming urban-dwelling, ensure the persistence of their Māoritanga. Urbanisations also allowed Māori to both use traditional identities in urban areas, as well as develop new relationships modelled on kinship. The Ngāti Pōneke community is used as an example of the complex interactions between these identities and how many Māori became active residents in but not conceptually ‘of’ cities. As a result, the multiple and layered Māori identities that permeate throughout Māori experiences of the present and the past are important considerations in approaching and discussing urbanisations. Urban Māori communities have emphasised the significance of varied and layered Māori identities, and this became particularly pronounced through the Māori urban migrations of the twentieth century.</p>


2017 ◽  
Vol 63 ◽  
pp. 63-75
Author(s):  
Efthymia Nikita ◽  
Sevasti Triantaphyllou

The development of human osteoarchaeology in Greece has been the subject of a number of papers (for example Agelarakis 1995; Roberts et al. 2005; Buikstra and Lagia 2009; Lagia et al. 2014). The volume New Directions in the Skeletal Biology of Greece (Schepartz et al. 2009) constituted a milestone in the field by bringing together the work of multiple scholars, employing a diverse thematic focus and stressing the value of the potential of human osteoarchaeology in exploring the past. Recent years have witnessed significant developments in the field across Greece with respect to the research themes explored and the methodological approaches adopted, as well as important institutional changes. These developments are reflected in this review, which focuses on the progress of human osteoarchaeological studies in Greece in the 21st century, the research questions they address, the challenges they face and their envisaged future.


Author(s):  
Christopher Hood

This chapter discusses three possible interpretations of the development of British Public Administration over the twentieth century as a way of assessing its contribution to political science. Those interpretations are respectively labelled ‘dodo’, ‘phoenix’, and ‘chameleon’. The ‘dodo’ interpretation is a pessimistic fin de siècle view of British Public Administration as in serious decline from early promise and former greatness. The ‘phoenix’ interpretation is a more optimistic perception of the subject as advancing in scientific rigour and conceptual sophistication over the century, leaving behind the outmoded styles of the past. A third view, the ‘chameleon’ interpretation, is a picture of lateral transformation, with the adoption of new intellectual colouring and markings to fit a new era.


2015 ◽  
Vol 45 (1) ◽  
pp. 90-102 ◽  
Author(s):  
Ian R. Walsh ◽  
Rhona Trench ◽  
Lionel Pilkington ◽  
Eamonn Jordan ◽  
Paige Reynolds

Following on from a roundtable discussion that took place at the 2013 Conference of the Irish Society of Theatre Research at the University of London, Birkbeck, this essay presents reflections on the developments in scholarship on twentieth-century Irish theatre and possible new directions or approaches to the subject by four eminent theatre scholars: Rhona Trench, Lionel Pilkington, Eamonn Jordan, and Paige Reynolds. The participants were asked to respond to Christopher Murray's influential 1997 publication Twentieth Century Irish Theatre: Mirror up to Nation as a prompt to organize the discussion.


2021 ◽  
Vol 38 (1) ◽  
pp. 98-118
Author(s):  
Irina Paert

Abstract The story of Estonian Orthodoxy, as often told through the narrative of collective trauma, is not homogeneous and uncontested. The co-existence of two Orthodox communities in present-day Estonia, each insisting on exclusive canonical legitimacy and holding different views of the past, the incomplete work of transitional justice, and the untold story of political collaboration appear as irreconcilable differences that challenge the ideals of Christian unity. In order to address these unresolved problems of a traumatic past, the paper will turn to the ascetic theology of twentieth-century Orthodox saints St Silouan (1866–1938) and St Sophrony Sakharov (1896–1993) and to the musical oeuvres of the Estonian composer Arvo Pärt (b. 1935). The approach of these Orthodox ascetics, the article argues, provides an important perspective on Christian mission in a wounded world.


Urban History ◽  
1980 ◽  
Vol 7 ◽  
pp. 23-33 ◽  
Author(s):  
Olivier Zunz

Measuring residential segregation is a challenging and crucial task. Many important questions in urban history can be understood fully only after correctly assessing the importance and significance of the clustering patterns of different groups of urbanites. However, the extent to which and the ways in which various social classes, races, and ethnic groups congregated in the expanding industrial metropolis of nineteenth-century America form the subject of heated debates among historians. With large black ghettos now existing in all major cities, experts and lay citizens alike agree that Americans live in a ‘separated society’. In the first half of the twentieth century, metropolitan areas took the form of ghettoized central cities with white suburbs. With the transfer of many urban functions to suburban units, and the shift of America from a nation of urbanites to a nation of suburbanites, a complex pattern of suburban segregation also developed. The universal concern about the magnitude of today's segregation makes the historical debate intriguing. Was it once different? Was there a time when cities were integrated? At some time in the past, many believe, American cities were better places in which to live—hence we should strive to recover our lost community.


2019 ◽  
Vol 2 (12) ◽  
pp. 199-216
Author(s):  
Maryla Renat

The article presents four chamber violin sonatas for an instrument duo written in the 1970s and 1980s, which in their concept of form and shape combine the elements of the widely understood tradition with innovative means of composition technique. The subject for a closer analysis are the following works: • Witold Rudziński, Sonata pastorale per violino e piano forte, 1978 (PWM, Cracow 1983) • Sławomir Czarnecki, Sonate tragique für Violine und Klavier, 1982 (Tonos, Darmstadt 1988) • Jan Krenz, Sonatina for two violins, 1986 (Brevis, Poznań 1994) • Zbigniew Bargielski, Sonate für Violine und Klavier „The sonata of oblivion”,1987, autograph. Each sonata listed above renders an individual concept for combining paradigms adopted from the tradition (e.g. forms, use of quotation, expression idiom) with selected avant-garde means in sound technique, which mainly derives from the sonoristic trend. What Witold Rudziński’s Sonata pastorale per violino e piano forte draws from music tradition is the thematic character of musical thoughts, and in its sound sphere it introduces the means of mild sonoristic, maintaining a balance between them. Sławomir Czarnecki’s Sonate tragique für Violine und Klavier using the quotation from the sequence of Dies irae refers to the Late-Romantic expression to which it adds unusual methods of sound production and sonoristic middle episode. The function of these innovative means is to contrast it against dramatic expression of the piece’s outermost elements. The third discussed work, Sonatina for two violins by Jan Krenz corresponds with the neoclassical trend from the 20th century and brings out diverse elements of violin technique. It refers to the B-A-C-H sound symbol known from the past and to the variation form and combines them with more recent sound structures. The fourth composition, Sonate für Violine und Klavier by Zbigniew Bargielski, is the most innovative one in terms of its sound layer and formal concept. Its connection to the past is maintained thanks to a quotation from Chopin’s music transformed in an interesting way. The analysis of the sonatas leads to the following final conclusion: the tradition and the avant-garde in the discussed works from the postmodern period are not in opposition one against another in terms of style and aesthetics but they create complementary phenomena, in which the message drawn from tradition is given a new face.


2010 ◽  
Vol 42 (3) ◽  
pp. 479-482 ◽  
Author(s):  
Nelly van Doorn-Harder

Research on the Copts of Egypt has developed especially rapidly in new directions during the past twenty years. Having started as a corollary of Egyptology, it is advancing from the study of the early Christian centuries to include medieval, early modern, and contemporary Coptic Studies. Concurrently, Coptic issues are being inserted into studies of Egypt in general. Publications on the 19th century mostly ignored Copts, but they were given stereotypical cameo appearances in the prolific research on the profound transformations in 20th-century Egyptian society.


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