scholarly journals Alternative Sexualities in Visual Narratives: A Reading of Ligy J. Pullappally’s Film the Journey

2017 ◽  
Vol 7 (4) ◽  
pp. 69-74
Author(s):  
Snehalatha. C. A et al., Snehalatha. C. A et al., ◽  
Keyword(s):  
Visual Narratives ◽  
Alternative Sexualities

Alternative Sexualities and Therapy: Toward the Development of Professional Competencies

2013 ◽  
Author(s):  
Corynne A. Jones ◽  
Trisha Nash ◽  
Sara K. Bridges ◽  
Brienne M. Allen ◽  
Angela A. Izmirian ◽  
...  
Keyword(s):  
Professional Competencies ◽  
Alternative Sexualities

British Women Amateur Filmmakers

2018 ◽  
Author(s):  
Annamaria Motrescu-Mayes ◽  
Heather Norris Nicholson
Keyword(s):  
Postcolonial Studies ◽  
Extensive Study ◽  
Aesthetic Judgment ◽  
Visual Anthropology ◽  
Gender History ◽  
Remote Communities ◽  
Visual Narratives ◽  
And Gender ◽  
British Commonwealth ◽  
Film Making

In the rapidly growing study of amateur film, this groundbreaking book addresses the development of British women's amateur visual practice. Drawing upon social and visual anthropology, imperial and postcolonial studies and British, Commonwealth and gender history, the authors explore how women in Britain and overseas, used the evolving technologies of moving imagery to create visual stories about their lives and times. Locating the making, watching and sharing of women's recreational film-making against wider societal, technological and ideological changes, British Women Amateur Filmmakers discloses how women from varied backgrounds negotiated changing lifestyles, attitudes and opportunities as they created first personal visual narratives about themselves and the world around them. Using non-fictional films and animations, the authors invite readers to view films through different interpretative lens and provide detailed contexts for their case-studies and survey of over forty women amateur filmmakers. Whether in remote communities, suburban homes, castles, missionary or diplomatic enclaves, or simply travelling as intrepid sightseers, women filmed their companions, other people and their surroundings, not only as observers but often displaying agency, autonomy and aesthetic judgment during decades when careers, particularly after marriage, were often denied in film and other professions. Research across Britain on films in private hands and specialist archives, interviews and extensive study of the Institute of Amateur Cinematographers (IAC's) collections enable the authors to reposition an activity once thought of as overwhelmingly male and middle class.

Research on Diversity in Sexual Identities

2019 ◽  
pp. 380-396
Author(s):  
Pawan Singh
Keyword(s):  
Sexual Behavior ◽  
Social Relationships ◽  
Social Identities ◽  
First Century ◽  
Sexual Identities ◽  
Alternative Sexualities ◽  
Sexuality And Gender ◽  
Nineteenth And Twentieth Centuries ◽  
Global Diffusion ◽  
And Gender

If the elaboration of LGB identities is predicated on the development of binary sexuality in the nineteenth and twentieth centuries around normal and abnormal, heterosexual and homosexual, or Western and non-Western, research at the dawn of the twenty-first century has turned decidedly to the fluidity of sexuality and the various ways that sexual behavior is situated in social relationships and as social identities. This chapter turns to the persistence of alternative sexualities outside of or beyond the construction LGB, interrogating the links between sexuality and gender, the various reactions to the global diffusion of homosexuality (and homophobia) as cultural forms predicated on Western binaries, and the possibilities inherent in a world of diversely constituted sexualities.

scholarly journals A starring role for inference in the neurocognition of visual narratives

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Neil Cohn
Keyword(s):  
Language Processing ◽  
Mental Model ◽  
Brain Potentials ◽  
Visual Narratives ◽  
Inferential Processing

AbstractResearch in verbal and visual narratives has often emphasized backward-looking inferences, where absent information is subsequently inferred. However, comics use conventions like star-shaped “action stars” where a reader knows events are undepicted at that moment, rather than omitted entirely. We contrasted the event-related brain potentials (ERPs) to visual narratives depicting an explicit event, an action star, or a “noise” panel of scrambled lines. Both action stars and noise panels evoked large N400s compared to explicit-events (300–500 ms), but action stars and noise panels then differed in their later effects (500–900 ms). Action stars elicited sustained negativities and P600s, which could indicate further interpretive processes and integration of meaning into a mental model, while noise panels evoked late frontal positivities possibly indexing that they were improbable narrative units. Nevertheless, panels following action stars and noise panels both evoked late sustained negativities, implying further inferential processing. Inference in visual narratives thus uses cascading mechanisms resembling those in language processing that differ based on the inferential techniques.

scholarly journals Silent Voices, Absent Bodies, and Quiet Methods: Revisiting the Processes and Outcomes of Personal Knowledge Production Through Body-Mapping Methodologies Among Indigenous Youth

2021 ◽  
Vol 20 ◽  
pp. 160940692098793
Author(s):  
Darrien Morton ◽  
Kelley Bird-Naytowhow ◽  
Andrew R. Hatala
Keyword(s):  
Knowledge Production ◽  
Personal Knowledge ◽  
Indigenous Research ◽  
Research Methodologies ◽  
Body Mapping ◽  
Indigenous Youth ◽  
Visual Narratives ◽  
Visual Research ◽  
Theater Program ◽  
Indigenous Research Methodologies

At the interface of Western and Indigenous research methodologies, this paper revisits the place of the “personal” and “autobiographical” self in qualitative visual research. We outline a community and partnership-based evaluation of a theater program for Indigenous youth using arts-based body-mapping approaches in Saskatoon, Canada, and explore the methodological limitations of the narrator or artist’s voice and representations to translate personal visual-narratives and personal knowledges they hold. In so doing, we describe how body-mapping methods were adapted and improvised to respond to the silent voices and absent bodies within personal visual-narratives with an epistemological eclecticism handling the limitations of voice and meaningfully engaging the potentiality of quietness. Extending the conceptual and methodological boundaries of the “personal” and “autobiographical” for both narrator and interlocutor, artist and observer, we contribute to debates on the processes and outcomes of personal knowledge production by articulating a generative, ethical, and culturally-grounded project mobilizing body-mapping as a quiet method that pursues self-work—the passionate and emergent practices of working on one’s self and making self appear in non-representational and ceremonial ways.

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