Alice’s Garden: Imagining Agency in the Natural World in Clare Boylan’s Black Baby

The Irish writer Clare Boylan is something of a forgotten figure, despite enjoying significant literary success in her lifetime. Because of her untimely death, little critical work has been done on her fiction. Her blackly comic sensibility responds sensitively to characters situated in culturally specific environments, with particular attention paid to the vexed and contradictory position of women in their relationship to the natural world, and so this essay conducts a reading of her 1988 novel, Black Baby, using the insights of feminist new materialism and critical posthumanism, especially as articulated by Rosi Braidotti. In every genre, contemporary Irish women’s writing finds space in the natural world to explore alternatives to the status quo. Black Baby imagines an interracial family of women (and cats) in the enchanted environment of a miraculously blooming winter garden. By staging Alice’s most transformative moments, including her final moments of semi-consciousness, in a garden, Boylan makes recourse to the idea of an unending, generative process. Nothing really dies when life is no longer an individualised experience, but an impersonal moment of radical inclusion that exceeds the material limits of any one life span.