The Development of Mainland China, Taiwan and Hong Kong, with Hong Kong Serving as the Center: The Social and Commercial Status of Kowloon Chamber of Commerce

2017 ◽  
Vol 110 ◽  
pp. 317-338
Author(s):  
Zhi Kin Ou
2021 ◽  
Vol 20 (1-2) ◽  
pp. 297-304
Author(s):  
Yan-zhi Du ◽  
TM Simon Chan

This reflexive essay focus on how COVID-19 has impacted the professional identity of social workers in Wuhan and Hong Kong. Exploratory and reflexive in nature, eight Wuhan social workers who comprised three males and five females, and seven Hong Kong social workers who comprised one male and six females were recruited for semi-structured interviews. Their experience in Wuhan and Hong Kong during COVID-19 were highlighted. The challenges to professional identity were analyzed and the reflection is categorized into four levels, namely, individual, community, educational and conceptual level. In sum, Wuhan interviewees were more struggled with educating the public on the difference between community work, volunteering and social work, especially at the hospitals, to protect the integrity of the social work profession which shows their commitment to their professional identity. Moreover, they found it difficult to position themselves in proactive online services, where hundreds of workers from different parts of the Mainland China would be involved. On the other hand, Hong Kong interviewees were more inclined to prioritize professional principles at levels that are even higher than those in standardized guidelines. Their goal is to take the best interests of their clients into consideration, and their self-reflections tend to focus more on professional judgement and development of the social work field, to pave the way for future enhancements. Finally yet importantly, the deficiencies of their education as evidenced by the pandemic have been made alarmingly explicit.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Stella Sai-Chun Lau

PurposeThe key concepts to be explored in this article include the blurring boundary between “indie” and “pop”; the significance of digital media in contemporary music industry and the distinctive socio-political nature of indie music in Hong Kong. To a large extent, it discusses the social functions of music – a subject discussed by Simon Frith (2007), a leading scholar in popular music studies.Design/methodology/approachIn order to expound on some observations of the connections between music cultures and socio-political development in Hong Kong, a selection of musical works by indie musicians will be looked into closely.FindingsA focus of discussion will be given to the difference between mainstream Cantopop and indie music in a way that the latter mentions socio-political matters overtly while the former downplays sensitive political issues, particularly in the post-colonial era after the handover of Hong Kong to mainland China in 1997.Originality/valueOriginality of research can be evidenced by the author's textual analysis of the musical styles and lyrics produced by various local indie artists' musical works through primary sources.


Prism ◽  
2020 ◽  
Vol 17 (2) ◽  
pp. 244-263
Author(s):  
Winnie L. M. Yee

Abstract The often-heated debates concerning Hong Kong's literary representations all take as a premise that Hong Kong has an urban identity, defined by its mythic transformation from a fishing village to a metropolis. On the return of the sovereignty to mainland China in 1997, the discourse stresses Hong Kong's exceptional status, reflecting a general anxiety that Hong Kong could be replaced by or even become just another Chinese city. This anxiety for the future is evident in an ecocritical turn, manifested in both the social realm (popular movements and organic communities) and artistic circles (independent cinema and literature). This article looks at Hong Kong literature—Wu Xubin's 吳煦斌 (1949–) stories, Dung Kai-cheung's 董啟章 (1967–) literary experiments, and a recent edited volume about plants—to determine how ecotopian imaginaries and cultural identities are closely linked to different moments in Hong Kong history. The author finds that the ecocritical turn in Hong Kong literature has opened a new space for Hong Kong's postcolonial identity.


Asian Survey ◽  
1970 ◽  
Vol 10 (9) ◽  
pp. 820-839
Author(s):  
Patrick Yeung
Keyword(s):  

Author(s):  
Tyas Retno Wulan ◽  
Lala M. Kolopaking ◽  
Ekawati Sri Wahyuni ◽  
Irwan Abdullah

Social remittances (ideas, system practice, and social capital flow from the receiving country to the home country) of Indonesian female migrant workers (BMP) in Hong Kong appeared better and more complete than other BMP in other countries like Malaysia, Saudi Arabia, or Singapore.  Based on that research, we are encouraged to do extensive research in order to identify factors  that push  BMP’s social remittances development  in Hong Kong, to identify kinds of social remmitances they receive  and to understand on how far their social remittances become a medium to empower them and their society.  This study is done in qualitative method that uses an in-depth interview technique and FGD.  Subjects of study are BMP, the government (Ministry of Manpower and Transmigration and BNP2TKI), NGOs, migrant workers’ organization and researchers of BMP. The study done in Cianjur (West Java), Wonosobo and Banyumas (Central Java) and Hong Kong indicates that during their migration process, female migrant workers not only have economical remittance that can be used for productive activities, but also social remittances.  The social remittances are in the form practical knowledge such as language skill and nursery; knowledge on health, financial management; ethical work; the mindset changing and networking. The study  indicate that female migrant workers are extraordinary women more than just an ex-helper.  Their migration has put them into a position as an agent of development in society.Key words: Indonesians  female migrant workers, social remmitances, empowerment


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