scholarly journals MASYARAKAT MINANGKABAU PASCA-PRRI: Dalam cerpen Ketika Jendral Pulang karya Khairul Jasmi

2010 ◽  
Vol 3 (2) ◽  
pp. 152
Author(s):  
Ronidin Ronidin

This article describes the influence of PRRI events (Revolutionary Government of the Republic of Indonesia) on the life of the people of West Sumatra (Minangkabau) in the short story "Ketika Jendral Pulang"  by Khairul Jasmi. The analysis was done by using literary of sociology. The results show that the short story "Ketika Jendral Pulang" is sociologically reflects life in post-PRRI Minangkabau generation experiencing a difficult phase in life. They become timid generation, low self-esteem, and pragmatic. The young people who go wander Minangkabau rename or exchange their identities, no longer as a son of the Minangkabau. This short story also describes the life of the Minangkabau generation today as the generation that was educated and raised by television. Their lives are very familiar with the various trappings of televised violence. 

2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Kurniawan Fernando ◽  
Martarosa Martarosa ◽  
Awerman Awerman

<p align="center"><strong><em>Abstract</em></strong></p><p><em>This study aims to determine the transformation of the Ronggeng Pasaman performance of the Ganto Saroha group in Duo Koto District, Pasaman Regency. Ronggeng Pasaman is a performance art consisting of pantun, joget, and music, especially in Simpang Tonang, Pasaman, West Sumatra. The form of the Ronggeng Pasaman show is combining bouncing skills while dancing to the accompaniment of violin and drum music. The show starts at night, and ends until early morning. Currently Ronggeng Pasaman has undergone a transformation, people, especially young people, are less interested and begin to leave their regional arts, so the Ronggeng Pasaman show is rarely displayed. There was anxiety from the artists themselves, then initiatives emerged to attract the attention of the people. So it formed the Ronggeng Pasaman Ganto Saroha group, with the addition of keyboard music instruments in the show. Unlike the Pasaman Ronggeng Performance in general, the Ganto Saroha group does not show male singers with female appearance, but rather singers are real women or men. This study uses qualitative methods, is analytic description, observant participants. The results showed that the transformation carried out by the artists, made the Ronggeng Pasaman performance of the Ganto Saroha group well received and in great demand by all people in Pasaman, and was fully supported by the local government.</em></p><p><strong><em>Keywords : </em></strong><em>Form Transformation, Pasaman Ronggeng Performance, Ganto Saroha Group</em></p><p align="center"><strong><em>Abstrak</em></strong></p><p><em>Penelitian ini bertujuan untuk mengetahui transformasi bentuk pertunjukan Ronggeng Pasaman grup Ganto Saroha di Kecamatan Duo Koto, Kabupaten Pasaman. Ronggeng Pasaman merupakan seni pertunjukan  terdiri dari pantun, joget, dan musik, khususnya terdapat di Simpang Tonang, Pasaman, Sumatera Barat. Bentuk pertunjukan Ronggeng Pasaman adalah menggabungkan keahlian berpantun sambil menari dengan iringan musik biola dan gendang. Pertunjukan dimulai pada malam hari, dan berakhir hingga menjelang pagi. Saat ini Ronggeng Pasaman telah mengalami transformasi, masyarakat khususnya anak muda kurang meminati dan mulai meninggalkan kesenian daerahnya, sehingga pertunjukan Ronggeng Pasaman jarang ditampilkan. Terdapat keresahan dari diri seniman, kemudian muncul inisiatif untuk menarik kembali perhatian masyarakatnya. Sehingga dibentuk grup Ronggeng Pasaman Ganto Saroha, dengan penambahan instrument musik keyboard dalam pertunjukannya. Beda dengan Pertunjukan Ronggeng Pasaman  pada umumnya, grup Ganto Saroha tidak menampilkan penyanyi laki-laki berpenampilan perempuan, melainkan penyanyi adalah perempuan atau laki-laki sesungguhnya. Penelitian ini menggunakan metode kualitatif, bersifat deskripsi analitik, partisipan observan. Hasil penelitian menunjukkan bahwa transformasi yang dilakukkan para seniman, membuat pertunjukan Ronggeng Pasaman grup Ganto Saroha diterima dengan baik  dan diminati semua kalangan masyarakat Pasaman, dan  didukung penuh oleh pemerintahan setempat.</em></p><strong><em>Kata kunci : </em></strong><em>Transformasi Bentuk, Pertunjukan Ronggeng Pasaman, Grup Ganto Saroha</em>


tuahtalino ◽  
2019 ◽  
Vol 13 (1) ◽  
pp. 96
Author(s):  
Yosi Wulandari ◽  
Wachid Eko Yosi ◽  
Fitri Merawati

The purpose of this study is to describe (1) the authors' reception of the colonial discourse in the text of "Orang Rantai"; (2) forms of transformation of the colonial story in the text of "Orang Rantai". This research is descriptive qualitative research type with content analysis method. The approach of this research is the literature of intertextuality appeals with the application of literary receptions theory. The theory of literary reception used is Hans Robert Jauss, Jaus states that the aesthetics of the reception itself is essentially a synthesis of poetic theory and also the theory of interpretation or often called hermeneutics. The object of this research is the story of "Orang Rantai”. The subject of this research is the story of the people "Orang Rantai" is a story that originated from the area Sawahlunto West Sumatra which began as an oral literature, the book “Orang Rantai” written by TIM Lecturer Department of Language and Literature Indonesia UNP, and short story "Orang Rantai" by Pinto Anugrah. Data were collected by interview, transliteration, data inventory, literature study, analysis and interpretation, and conclusions. The result of this study is the transformation of colonial discourse in the text of the chain of content is maintained but there is a change of shapes and styles of storytelling based on the author's receptions of the text of the preceding chain. Transformation of the text is a manifestation as the writer can not avoid the influence of the preceding text and the story is the present according to the times..


Author(s):  
Azamat Juraboyevich Usmanov ◽  

In his speech at the conference "Ensuring social stability, preserving the purity of our sacred religion" in Tashkent on June 15, 2017, the President of the Republic of Uzbekistan Shavkat Mirziyoyev spoke about the education of the younger generation: "Another important issue that always concerns us is the morality of our youth. Today, the world is changing rapidly. Who are the young people who feel these changes more than anyone else? Let the young people meet the requirements of their time. But at the same time, do not forget the few. Who we are, how great we are. "Let the call that we are the generation of the people always resonate in their hearts and encourage them to remain faithful to the minority. How can we achieve this? At the expense of upbringing, education and only upbringing." [1]


2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Kurniawan Fernando ◽  
Martarosa M.Sn ◽  
Rafilosa M.Sn

This study aims to determine the transformation of the Ronggeng Pasaman performance of the Ganto Saroha group in Duo Koto District, Pasaman Regency. Ronggeng Pasaman is a performance art consisting of pantun, joget, and music, especially in Simpang Tonang, Pasaman, West Sumatra. The form of the Ronggeng Pasaman show is combining bouncing skills while dancing to the accompaniment of violin and drum music. The show starts at night, and ends until early morning. Currently Ronggeng Pasaman has undergone a transformation, people, especially young people, are less interested and begin to leave their regional arts, so the Ronggeng Pasaman show is rarely displayed. There was anxiety from the artists themselves, then initiatives emerged to attract the attention of the people. So it formed the Ronggeng Pasaman Ganto Saroha group, with the addition of keyboard music instruments in the show. Unlike the Pasaman Ronggeng Performance in general, the Ganto Saroha group does not show male singers with female appearance, but rather singers are real women or men. This study uses qualitative methods, is analytic description, observant participants. The results showed that the transformation carried out by the artists, made the Ronggeng Pasaman performance of the Ganto Saroha group well received and in great demand by all people in Pasaman, and was fully supported by the local government.


Author(s):  
L.Yu. Zayniyeva ◽  
◽  
А.А. Kassymbekova ◽  

The article discusses some aspects of the significance of mediation in society. It examines the emergence and development of mediation in the world, foreign and domestic experience in its implementation, and the characteristics of the development of this important phenomenon in several countries. The role of the Assembly of the People of Kazakhstan in the development of mediation is highlighted in highlighting the experience of the Republic of Kazakhstan. An attempt has been made to find points of contact between her activities and the work of volunteers, and to involve young people in mediation.


2020 ◽  
Vol 28 (1) ◽  
pp. 1-29
Author(s):  
Alexandra Carleton

Constitutionalism may be gaining ascendancy in many countries in Africa. Yet thorough investigation of the extent to which current constitutions accord to the people their internationally recognised right to governance of their mineral wealth under Article 1(2) of the ICCPR has been lacking. Understanding the existing framework of rights which may support claims to land and natural resources is important. Constitutions of the Democratic Republic of the Congo and the Republic of Zambia demonstrate the reality of multiple, overlapping land interests and the limitations upon a people's claim to freely govern their mineral wealth.


2018 ◽  
Vol 13 (3) ◽  
pp. 158-164
Author(s):  
Serghei Cebanu ◽  
◽  
Mariana Tutunaru ◽  
Raisa Deleu ◽  
Angela Cazacu-Stratu ◽  
...  

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau


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