scholarly journals Soft Interventions

Tahiti ◽  
2021 ◽  
Vol 10 (4) ◽  
Author(s):  
Jane Vuorinen
Keyword(s):  
Digital Art ◽  
Digital Environment ◽  
Artistic Creation ◽  
Artistic Process ◽  
Collaborative Models ◽  
Starting Point ◽  
Single Authorship ◽  
Post Production ◽  
A Site ◽  
Work Done

Recently there has been a growing number of artists working between photography and digital art, creating artworks in which the signs of digital operations have been left visible. I focus on three contemporary artists who use photography as a starting point in a process in which the work done in the digital environment of photography editing software is an equally important creative phase as the initial taking of the photograph: Andrey Bogush, Liina Aalto-Setälä, and Aaron Hegert. Starting from a reconfiguration of single authorship, I examine what kinds of subjectivities and agencies these works and practices produce, and how producing and encountering the works through screens affect our understanding of them. I stress the activity and agency of the editing software as an integral part of the artistic process. The three main areas of inquiry are originality, collaborative models of production, and authenticity. In the analysis, automatization becomes a generative engine, and the editing software a site for artistic creation, rather than a mere post-production tool.

scholarly journals Contributions from Taoist Stories to the Ecological-Spiritual Crisis of Contemporary Mankind

Hallazgos ◽  
2012 ◽  
Vol 9 (18) ◽  
Author(s):  
José Arlés Gómez Arévalo
Keyword(s):  
Research Work ◽  
Far East ◽  
Eastern Culture ◽  
Third Phase ◽  
Starting Point ◽  
Science And Culture ◽  
Eastern Cultures ◽  
The Ancient Chinese ◽  
Far Eastern ◽  
Work Done

This article presents the results of work done by the research group Science- Spirituality, whose third phase is called The Concept of Natural Harmony in Regards to the Man-nature Relationship: A Dialogue between Western and Eastern Cultures. This phase is an attempt to borrow from emerging Western epistemologies together with Far East traditions,<br />primarily the ancient Chinese Taoist tradition. Taking as a starting point the contemporary mankind crisis which has been proclaimed by philosophy, science and culture and regarding that which thinkers and scientists alike, such as Husserl and Prigogine have concluded, the limitations of modern-thinking are highlighted and a thorough revision of this thinking has been proposed. This revision must be done based on<br />the sense of humanity and on the dialogue between sciences and other cultures. In this case: Far Eastern culture.<br />This research work is built upon the idea of examining our perception concerning Taoist culture, assuming that this culture is reflected in its narratives and fables and that they offer an opportunity to gain new insights and meanings regarding the world and some of the issues faced by contemporary humankind. Thus, the category crisis becomes particularly<br />important since it is understood as a challenge or opportunity in an increasingly globalized and technology-oriented world marked by problems such as inequality, exclusion, paradoxes and the contradictions of the human being, including himself, others and furthermore a permanent critical relationship to nature from which he or she has been disconnected<br />in a physical, spiritual and energetic way (Guenon, 2010, 34).

scholarly journals Re-Constructing the Choreographic Studio of João Fiadeiro Through Animated Infographic Films

1969 ◽  
Vol 1 (1) ◽  
Author(s):  
Stephan Jürgens
Keyword(s):  
Academic Research ◽  
Contemporary Dance ◽  
Interesting Point ◽  
Creative Processes ◽  
Artistic Process ◽  
Conceptual Structures ◽  
Novel Approach ◽  
Starting Point ◽  
Interdisciplinary Arts

The starting point for this article is an artist-led practice developed by choreographer João Fiadeiro during the past two decades, which has been designated as "Composition in Real Time" (CTR). The interesting point about this methodology is that it has been applied in performance composition and in arts education by its author himself; but also in such diverse fields as anthropology, sociology, neurosciences, and economy by scientists and academics in collaboration with Fiadeiro. The authors of this article have conducted a long-lasting case study on the artistic process of Fiadeiro in the framework of an ERC-funded interdisciplinary arts and cognition project. We present our resulting novel approach to researching contemporary dance work through the creation and production of animated infographic films. Along with leading PaR theorists we argue that the utilization of adequate artistic techniques and methods in academic research can successfully reveal how unique creative ideas and conceptual structures come into being in the creative processes of today's contemporary artists. The article discusses specific excerpts of the provided animated infographic films to show how we digitally re-constructed Fiadeiro’s conceptual and imaginative universe, and how our findings can address both an academic and interested lay audience. SOLOS study: I am sitting in a different room you are in now from BlackBox Art&Cognition on Vimeo. SOLOS study: I was here from BlackBox Art&Cognition on Vimeo. Graphic models developed by João Fiadeiro from BlackBox Art&Cognition on Vimeo.

DIY Dying

2012 ◽  
Vol 3 (1) ◽  
pp. 12-25 ◽  
Author(s):  
Tina Askanius
Keyword(s):  
State Repression ◽  
Police Violence ◽  
Bearing Witness ◽  
Video Sharing ◽  
The Past ◽  
Visual Evidence ◽  
Starting Point ◽  
The Media ◽  
The Moment ◽  
A Site

This article examines video activism in a context where ubiquitous camera technologies and online video sharing platforms are radically changing the media landscape in which demonstrations and political activism operates. The author discusses a number of YouTube videos documenting and narrating the recurring, anti-capitalist demonstrations in Europe in the past decade. With the death of Ian Tomlinson in London during the 2009 G20 protests as an empirical starting point, the author raises questions of how video documentation of this event links up with previous protest events by juxtaposing representations of ‘the moment of death’ (Zelizer, 2004, 2010) of protesters in the past. This article suggests that these videos work as (1) an archive of action and activist memory, (2) a site of commemoration in a online shrine for grieving, and (3) a space to provide and negotiate visual evidence of police violence and state repression. The author offers a re-articulation of the longstanding debate on visual evidence, action, and testimony in video activism. The results are suggestive of how vernacular commemorative genres of mourning and paying tribute to victims of police violence are fused with the online practices of bearing witness and producing visual evidence in new creative modes of using video for change.

scholarly journals TMJ Dysfunction and Systemic Correlation

2020 ◽  
Vol 5 (1) ◽  
pp. 20 ◽  
Author(s):  
Luca Fiorillo ◽  
Giuseppe Musumeci
Keyword(s):  
The Body ◽  
Mixed Dentition ◽  
Dental Occlusion ◽  
Sports Performance ◽  
Muscular System ◽  
Medical Field ◽  
Starting Point ◽  
A Site ◽  
The Relationship ◽  
Different Levels

In recent years it has been conclusively shown how the position of the mouth in relation to the body affects the way of walking and standing. In particular, occlusion, the relationship between skull and jaw, swallowing and convergence of the eyes are in neuro-muscular relationship with the control and maintenance system of posture, integrating at different levels. This manuscript aims to be a summary of all the oral, occlusal and articular dysfunctions of TMJ with systemic and postural–muscular repercussions. Recent articles found in the literature that are taken into consideration and briefly analyzed represent an important starting point for these correlations, which are still unclear in the medical field. Posturology, occlusal and oral influences on posture, spine and muscular system are still much debated today. In the literature, there are articles concerning sports performance and dental occlusion or even the postural characteristics of adolescents or children in deciduous and mixed dentition. The temporomandibular joint, as the only joint of the skull, could therefore represent a site to pay particular attention to, and in some cases an ATM dysfunction could be a clue for the diagnosis of systemic pathologies, or it could be the repercussion.

The afterlives of the lively commodity: Life-worlds, death-worlds, rotting-worlds

2020 ◽  
pp. 0308518X2094441
Author(s):  
Kathryn Gillespie
Keyword(s):  
Life Course ◽  
Life And Death ◽  
Starting Point ◽  
A Site ◽  
Bodily Condition

This article engages with Rosemary-Claire Collard and Jessica Dempsey’s theory of lively commodities in a discussion of cows raised for dairy exchanged in farmed-animal auctions. Taking their theorization of the lively commodity as a starting point to better understand the commodification of nonhuman life, I propose an extension of this work that attends to a continuum of commodity forms understood through the life and death of the cow. Cows raised for dairy move through the auction yard as a site of capitalist exchange as lively, soon-to-be-dead, and once-living commodities, their value determined by the stage of their life-course and their bodily condition. As such, the auction can be understood as a landscape of life-worlds, where the cow’s liveliness determines her value; and death-worlds and rotting-worlds, where the afterlives of the lively commodity are extracted as capital. Ultimately, the article calls for an upending of the commodification of nonhuman life and a new imaginary of the kinds of life-worlds that are possible beyond logics of capital.

The Airplane Hangars of Pier Luigi Nervi: Digital and Scaled Models

2020 ◽  
Vol 61 (3) ◽  
pp. 187-200
Author(s):  
Giulio M. Barazzetta ◽  
Emilio Mossa ◽  
Carlo Poggi ◽  
Marco Simoncelli
Keyword(s):  
Finite Element ◽  
Finite Element Methods ◽  
Structural Models ◽  
Structural Behavior ◽  
Complex Structures ◽  
The Past ◽  
Starting Point ◽  
Complete Study ◽  
Scaled Models ◽  
Work Done

The paper presents a complete study of the work done by Pier Luigi Nervi for the design and construction of a series of concrete hangars between 1935 and 1940. This research is enclosed in the framework of the exhibition entitled "Pier Luigi Nervi, il modello come strumento di progetto e costruzione" that gathers researches from Università degli Studi di Bologna, Università di Roma Tor Vergata and Politecnico di Milano. The exhibition was used as a starting point for a general discussion about the meaning of the logical passage that leads engineers and architects from physical scaled models to numerical structural models. The Politecnico di Milano contributed to re-writing the first experiences of Pier Luigi Nervi and Arturo Danusso in the structural modeling. Scaled models, nowadays substituted by finite element methods, were widely used in the past, for the understanding of the structural behavior of complex structures. Unfortunately, many of these masterpieces have been destroyed during the years (as happened to the two original models tested by Pier Luigi Nervi and reproduced for the exhibition). <br/> In the last part of the paper, based on numerical results, the structural behavior of these hangars is deeply discussed, underlining all the principal strengths and weaknesses of these complex structures.

scholarly journals Digital Revolution and Ideologies of Thought and Creativity in Graphic Arts

2020 ◽  
Vol 1 (1) ◽  
pp. 157-171
Author(s):  
Gamal ElDin Elkheshen
Keyword(s):  
Augmented Reality ◽  
Digital Media ◽  
Digital Art ◽  
Digital Environment ◽  
Graphic Arts ◽  
Digital Revolution ◽  
Digital Product ◽  
Interactive Application ◽  
The Aesthetic ◽  
Venice Biennale

What the scientific tide and digital revolution presented of methods and ideas for the structural and aesthetic construction of the workspace is what we will notice in this research by standing on one of the contemporary arts, which I borrowed from the digitization, which is the digital art that means the set of means that a person uses to reach a dramatic result using the computer Automated, The researcher has developed an equation to elicit the aesthetic concept of graphic artwork through the digital media used (digital art x digital environment) =the resulting digital product=new visual values, digitization has become as a technique in graphic arts based on digital materials, as the French philosopher "Pierre Levy" explains, and the researcher here represents "Art project”, ”Augmented reality” interactive application, shown at Venice biennale 56th, Egyptian pavilion as a practical Methods of the research in those digital experiments.

scholarly journals Transient soundscape production

2021 ◽  
Vol 10 (1) ◽  
pp. 142-157
Author(s):  
Daniel Walzer
Keyword(s):  
Narrative Analysis ◽  
Cultural Production ◽  
Music Technology ◽  
Steady Increase ◽  
Artistic Process ◽  
Music Production ◽  
The Past ◽  
Scholarly Output ◽  
A Site

Over the past decade, there has been a steady increase of scholarly output examining the multidisciplinary, creative, and theoretical aspects of sound and music production in the recording studio and beyond (Zagorski-Thomas & Bourbon, 2020; Bennett & Bates, 2019; Hepworth- Sawyer, Hodgson, & Marrington, 2019; Thompson, 2019; Zagorski-Thomas, 2014; Frith & Zagorski-Thomas, 2012). Accordingly, a broad range of literature examines sound as a widespread cultural phenomenon (Papenburg & Schulze, 2016) and an essential source for pedagogical and ethnographic modeling in music technology education (Bell, 2018). Advances in technology make the “studio,” long viewed as a site of artistic and commercial production, available to a broader group of composers, musicians, and artists. Similarly, portable digital recorders afford sound artists and fi eld recordists an expansive range of choices to conduct soundscape research and creative practice. What emerges is a hybrid “composer- producer” identity and a studio’s function in the artistic process. This growth is the rise of an independent and transient practice in soundscape production among multidisciplinary composers and musicians. This article advocates for an updated notion of soundscape composition that integrates fi eld recordings, studio production, and collaboration from musicians representing a broad range of stylistic infl uences. Positioning the studio as a site of cultural production and creativity has implications for how soundscape production is taught to young composers. The author argues for a more inclusive, process-oriented view on both creativity and the places where musicians, composers, and producers work. The article includes a case study from the author’s recent album project, narrative analysis, concluding with a discussion on the pedagogical implications of independent soundscape production in education.

scholarly journals A toolbox for digitally enhanced teaching in synthetic biology

2021 ◽  
Author(s):  
Liv Teresa Muth ◽  
Liam Richard Jenkins Sánchez ◽  
Silke Claus ◽  
José Manuel Salvador Lopez ◽  
Inge Van Bogaert
Keyword(s):  
Synthetic Biology ◽  
Learning Outcomes ◽  
Teaching And Learning ◽  
Digital Tools ◽  
Digital Environment ◽  
Teaching Resources ◽  
Educational Provision ◽  
Global Pandemic ◽  
Starting Point ◽  
Practical Experiences

Abstract The global pandemic of COVID-19 has forced educational provision to suddenly shift to a digital environment all around the globe. During these extraordinary times of teaching and learning both the challenges and the opportunities of embedding technologically enhanced education permanently became evident. Even though reinforced by constraints due to the pandemic, teaching through digital tools increases the portfolio of approaches to reach learning outcomes in general. In order to reap the full benefits, this Minireview displays various initiatives and tools for distance education in the area of Synthetic Biology in higher education while taking into account specific constraints of teaching Synthetic Biology from a distance, such as collaboration, laboratory and practical experiences. The displayed teaching resources can benefit current and future educators and raise awareness about a diversified inventory of teaching formats as a starting point to reflect upon one's own teaching and its further advancement.

scholarly journals Towards an Aboriginal Knowledge Place: Cultural Practices as a Pathway to Wellness in the Context of a Tertiary Hospital

2016 ◽  
Vol 11 (1) ◽  
pp. 244 ◽  
Author(s):  
Alasdair Vance ◽  
Janet McGaw ◽  
Jo Winther ◽  
Moira Rayner
Keyword(s):  
Cultural Practices ◽  
Ways Of Knowing ◽  
Tertiary Hospital ◽  
Traditional Healers ◽  
Cultural Safety ◽  
Care Practice ◽  
Starting Point ◽  
Major Teaching Hospital ◽  
Major Teaching ◽  
A Site

<p>The Indigenous community in Australia is beset by extraordinary disadvantage, with health outcomes that are substantially worse than those of non-Indigenous citizens. This issue has consequently been the subject of voluminous health research that has given rise to a range of affirmative action policies progressively implemented over the past decade. Statistics, however, remain dire. This paper argues that new models of research practice and policy are required that are inclusive of Indigenous ways of knowing, doing, and being. It proposes a new framework to promote wellness in urban hospitals for Aboriginal young people and their families modelled on equal, 2-way dialogue between Western and Indigenous ways of doing health. Cultural safety is an essential starting point, but a range of other practices is proposed including oversight by a board of Elders, inclusion of traditional healers in treatment teams, and “space, place, and base” within the hospital building and its grounds so that it can be used as a site for culturally engaged Indigenous outpatient care. Practice approaches that embed culture into assessment, formulation, and treatment are being trialled by the authors of this paper, three of whom have Aboriginal heritage. Together the authors are working toward building an Aboriginal Knowledge Place within the major teaching hospital where they work.</p>

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