scholarly journals The Unfinished Business of Anna Kingsford – Towards an Enchanted Animal Ethic

2021 ◽  
Vol 7 ◽  
pp. 24-45
Author(s):  
Mitch Goldsmith
Keyword(s):  
19Th Century ◽  
Power Relations ◽  
Possible Worlds ◽  
Unfinished Business ◽  
Blood Sacrifice ◽  
Animal Power ◽  
Human Animal ◽  
The Creation

This article takes seriously the claim made by 19th century antivivisectionist Anna Kingsford that experiments on animals constitute a type of malevolent sorcery, more specifically a demonic blood sacrifice. In so doing, the paper follows the work of Pignarre and Stengers in their explication of sorcery and how to “get a hold” of its operations despite its stupefying powers. To that end, I will investigate the pragmatic potential of understanding experiments on animals in this way, and more broadly, following the work of posthuman and material feminists, as a type of onto-theological phenomenon of spacetimemattering (in Karen Barad’s terms). This understanding will pay particular attention to the intra-active exclusions that haunt the laboratory space and, following a neo-Spinozist feminist approach, I will explicate the ways in which the human-animal power relations within the laboratory inhibit the creation of joyful multispecies “common notions.” In order to respond to the ghostly presences which haunt the laboratory space, and to affirm joyful, multispecies relations for “as well as possible worlds” (Puig de la Bellacasa), I will finally argue for an affirmative multispecies politics of what Rosi Bradiotti calls “zoe-centered egalitarianism” through a posthuman politics of “grace,” or “the leaving be of nonhumans” (MacCormack) which I frame as an enactment of an enchanted animal ethic.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

scholarly journals Postfeminism, hybrid mumpreneur identities and the reproduction of masculine entrepreneurship

2021 ◽  
pp. 026624262110137
Author(s):  
Patricia Lewis ◽  
Nick Rumens ◽  
Ruth Simpson
Keyword(s):  
Power Relations ◽  
Business Owners ◽  
Study Data ◽  
Work Study ◽  
Hybrid Identity ◽  
Discursive Practices ◽  
Women Business Owners ◽  
Family And Work ◽  
The Creation ◽  
Analytical Device

Mobilising postfeminism as an analytical device, this article re-examines how women business owners discursively engage with the identity of the mumpreneur. Drawing on interviews with women business owners, this article reconceptualises the compatibility between motherhood and entrepreneurship associated with the mumpreneur, in terms of a hybrid identity that interlinks feminine and masculine behaviours connected to home and work. Study data reveal the discursive practices present in interview accounts – choosing family and work, strategic mumpreneurship and enhancing the business without limits – which draw on postfeminist discourses to constitute hybrid entrepreneurial femininities associated with the mumpreneur category. The article contributes to the gender and entrepreneurship literature, in particular, the scholarship on mumpreneurship, by first, showing how engagement with the mumpreneur identity is implicated in the reproduction of masculine entrepreneurship; second, demonstrates how encounters with the mumpreneur contribute to the creation of a hierarchy of entrepreneurial identities which reinforces the masculine norm; and third considers how the mumpreneur as a hybrid identity mobilises entrepreneurship in children in gendered ways. While the emergence of the mumpreneur as a contemporary entrepreneurial identity has positively impacted how women’s entrepreneurship is viewed, the study demonstrates that it has not disrupted dominant discourses of masculine entrepreneurship or gendered power relations in the entrepreneurial field.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

scholarly journals Akademickie periodyki narodowe. Z dziejów prasy Narodowej Demokracji (do 1939 roku

2021 ◽  
pp. 262-279
Author(s):  
Aneta Dawidowicz
Keyword(s):  
19Th Century ◽  
Political Thought ◽  
Democratic Movement ◽  
Creation Process ◽  
The Press ◽  
The World ◽  
The Creation ◽  
The 19Th Century

The community periodicals had accompanied the creation process of the press system in the Polish territory since the end of the 19th century. The community dimension of the press relates to both its spatial scope and the concreteness of the publishing profile. The National Democracy press was a collection of periodicals characterised by their typological diversity, in which the world presented equalled reality of the readers. From its beginnings, the National Democracy treated press in a purely utilitarian manner, as a form of dissemination of political thought and the tool which supported the achievement of political goals. The press took a multifaceted part in the development of national democratic movement.

Translating Rights

Reified Life ◽  
2018 ◽  
pp. 148-174
Author(s):  
J. Paul Narkunas
Keyword(s):  
Human Rights ◽  
International Criminal Court ◽  
Power Relations ◽  
International Criminal ◽  
Criminal Court ◽  
Natural Rights ◽  
Political Aesthetics ◽  
The Creation

This chapter describes how English and French as the de jure languages of human rights at the International Criminal Court. As a result, populations who do not adhere to Western Enlightenment notions of rights can be declared terrorists or “enemies of humankind.” By tracing the workings of translation in the ICC through the Thomas Lubanga trial, the author discusses how translation can deny human status to those brought before the ICC. It also provides, however, the means to challenge the legitimacy of the court as merely another sign of universalizing western justice, solidified by the fact that all people brought before the ICC come from the continent of Africa. By focusing on how language produces reality, the creation of natural rights claims allow for new forms of political protection in the chasm between differing legal orders. Consequently, thinking the role of translation as metaphor and practice for world making and the production of agency is an inchoate form of political aesthetics. Translation may offer, thus, a way to reconceive the human and its attendant rights due to language’s role in world making, subject production, and power relations. This indicates a form of ahuman agency.

ing if one remembers that the Industrial Revolution started in France a few decades after England. But several authors [Levy-Leboyer, 1968; Asselain, 1984; and Keyder & O'Brien, 1978] ex­ plain that the French economy always kept up with technological progress in Great-Britain. A massive deceleration in the economy occurred between 1790 and 1810; the French industrial produc­ tion, which was probably equivalent in volume to the English one in 1790, was reduced to a much lower level in 1810. However, a new start occurred after 1810 and the two countries had parallel industrial growths all through the 19th century. Cost accounting systems may have appeared around the turn of and after the 15 th century in Europe [Gamer, 1954]. They actually spread to most firms during the industrial revolution in the 19th century; first in England, then in France, then in the USA, and in Germany. The aim of the present article is to describe the creation and development of such an industrial accounting system at Cie Saint-Gobain. This paper discusses the development of accounting by this very old company (created in 1665) between 1820, when it abandoned single entry bookkeeping, and 1880, when it achieved a full cost system. When examining the archives, this researcher saw no evidence that the textbooks mentioned above were read by anyone at Saint-Gobain. HISTORICAL BACKGROUND OF SAINT-GOBAIN: THE ROYAL MANUFACTURE AND THE PRIVILEGE Instead of continuing to buy glass from Venice, which was too much for the finances of the French kingdom, Colbert encouraged the foundation of a Manufacture Royale des Glaces, established in Rue Reuilly in Paris. The creation and development of the Com­ pany resulted from privileges granted by the monarch to business­ men successively in 1665, 1683, 1688, 1695, 1702, 1757 and 1785. Those privileges made the firm a hybrid one, depending both on public and private laws; on the one hand it had a privilege and on the other hand the legal statutes of a limited Company [Pris, 1973, p. 26]. Having a privilege meant industrial, commercial, fiscal, ad­ ministrative, juridical and financial advantages such as exemption of taxes, free circulation for goods bought and sold, and a prohibi­ tion for anyone to sell the same kind of product. Saint-Gobain was therefore protected from possible rivals and all those years of 194

2014 ◽  
pp. 250-250
Keyword(s):  
19Th Century ◽  
Industrial Revolution ◽  
Historical Background ◽  
Public And Private ◽  
Accounting Systems ◽  
French Economy ◽  
Single Entry ◽  
The Creation ◽  
The One ◽  
The 19Th Century

The Ferry

Antiquity ◽  
1944 ◽  
Vol 18 (71) ◽  
pp. 123-129
Author(s):  
F. W. Robins
Keyword(s):  
19Th Century ◽  
New World ◽  
Sacramento River ◽  
The Other ◽  
Small Animals ◽  
The World ◽  
Human Animal ◽  
The 19Th Century

The story of the ferry is, at the outset, the story of the boat. It begins with prehistoric man noticing that wood will float and possibly, from the riding of birds and small animals, that it will carry a burden according to its size and character. Observant and imitative, the human animal, in the childhood of the world, proceeds to experiment gingerly and doubtfully at first, boldly and confidently—perhaps in some cases too boldly and confidently, later. He mounts himself astride a log and propels it, probably at first with his legs, towards the opposite bank of the river near which he lives. On the other side lies a new world, with resources untapped, especially in the matter of food, which he is anxious to reach. Even in the middle of the 19th century Pickering (Races of Man) speaks of men in the tide waters of the Sacramento river crossing, standing on split logs.

Siddiq Hasan Khan (1832-90) and the Creation of a Muslim Cosmopolitanism in the 19th century

2011 ◽  
Vol 54 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Seema Alavi
Keyword(s):  
Intellectual History ◽  
19Th Century ◽  
Spatial Connectivity ◽  
History Of ◽  
Temporal Moment ◽  
The Creation ◽  
The 19Th Century

AbstractThe essay highlights the role of one individual, Nawab Siddiq Hasan Khan (1832-90), in writing the cultural and intellectual history of imperialisms. It brings his biography, journeys and intellectual forays together to show how he used the temporal moment of the mid 19th century ‘age of revolts’, and the spatial connectivity offered by British and Ottoman imperialisms and re-configured them to his own particular interests. Locating Siddiq Hasan in the connected histories of the British and Ottoman Empires, it views his in-house cosmopolitanism as a form of public conduct that was shaped by Islamic learning that cultivated urbane civility as Muslim universalist virtuous conduct. This was a form of cosmopolitanism enabled by imperial networks, informed by pre-colonial webs of interaction between India and West Asia, and deeply rooted in the scriptures.

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