scholarly journals COMPARISON OF CREATIVITY OF THE WORLD FAMOUS ARCHITECT AND SCENOGRAPHIST F. KIESLER AND SCENOGRAPHIST AND ARCHITECT E. LYSYK

2020 ◽  
Vol 2 (2) ◽  
pp. 91-96
Author(s):  
Klymko Z. ◽  
◽  
Proskuryakov O. ◽  
Kubai R. ◽  
◽  
...  
Keyword(s):  
New York ◽  
Architecture Design ◽  
Radio Stations ◽  
The World ◽  
Publishing Houses ◽  
Recording Studios ◽  
Mechanical Devices ◽  
Artistic Career ◽  
The Village

The end of the XIX and XX centuries, among other things in architecture, design, scenography were marked by the unique work of two great artists - F. Kizler, born September 22, 1890 in Chernivtsi and E. Lysyk, born September 21, 1930 in the village. Cords near Brody. Their birth, life, creative heritage showed and proved that the era of the Great Artists of the universal type, who synthesized architects, painters, sculptors, decorators, the leader among whom was KF Schinkel, did not end there. Both Kizler and Lysyk showed that such creativity not only did not end, but thanks to their activity was reborn, developed and acquired their personal features. Starting his artistic career in theater with spiral, spatial, collapsible stages, "infinite" and "boundless" spherical theaters, F. Kizler designed and implemented a number of scenographic solutions for Karel Chapek's "Ruhr", "In the Garden in the Pasture" in M opera, New York, "No Way Out", "Soldier's Story", in which he used mechanical devices for scenographic solutions, elevators in the stage space, the idea of ​​"plasticization", fountains. Later, F. Kizler put forward the idea of ​​a theater-complex, which in addition to halls and stages, should be cinemas, television studios, radio stations, publishing houses, recording studios, exhibition spaces.

The Transcription Centre, London

1965 ◽  
Vol 3 (2) ◽  
pp. 286-288
Author(s):  
Diana Speed
Keyword(s):  
Reading Room ◽  
Art Galleries ◽  
Radio Stations ◽  
Non Profit ◽  
Primary Object ◽  
The World ◽  
New Ideas ◽  
Recording Studios

The Transcription Centre opened in January 1962 with the primary object of designing and making cultural programmes on tape for African radio stations. It was started by Dennis Duerden because he felt that there was room for a new kind of radio service in which there would be greater opportunity for the contact and interchange of ideas between artists, writers, musicians, actors, and critics than is usually afforded by the large broadcasting organisations. It set out to be a cultural centre with a reading room and an informal atmosphere for discussion, to which recording studios were subordinate. From the beginning it worked closely with the Institute of Contemporary Arts (I.C.A.), cultural bodies, and art galleries in Britain and Africa, and was stimulated by constant visitors bringing new ideas and information from many parts of the world. It is a non-profit-making organisation supported by a direct grant from the Farfield Foundation.

Days of Chess and Backgammon

2016 ◽  
Author(s):  
Steve Zeitlin
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
York City ◽  
Field Research ◽  
The United States ◽  
City Parks ◽  
The World ◽  
Chess Players ◽  
The Village

The author here considers the games of chess and backgammon. The author shares how he became fascinated by chess, intrigued by its philosophical side. He was twelve years old in 1959, when Bobby Fischer won the United States Chess Championship. As a folklorist, he did field research on chess havens in New York's West Village, interviewing the players in Washington Square Park and at the two warring chess clubs on Thompson Street, Chess Forum and the Village Chess Shop. He talks about the Capablanca table; José Raúl Capablanca, world chess champion from 1921 to 1927, is said to have won the World Chess Championship on that table. Fischer also played on that table, in New York in 1965. Chess, the author observes, seems to lend itself to grandiose metaphors. Metaphors abound in the down-and-dirty trash talk exchanged by the chess players in New York City parks. The author concludes by recalling how he and his father would engage in a gentle competition playing online backgammon games.

Faulkner and Print Culture

2017 ◽  
Keyword(s):  
New York ◽  
Print Culture ◽  
Avant Garde ◽  
Little Magazines ◽  
The Us ◽  
The World ◽  
Artistic Vision ◽  
History Of ◽  
Publishing Houses ◽  
Literary Authorship

William Faulkner’s first ventures into print culture began far from the world of highbrow publishing with which he is typically associated—the world of New York publishing houses, little magazines, and literary prizes—though they would come to encompass that world as well. This collection explores Faulkner’s multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with the ways in which these cultures have mediated his relationship with a variety of twentieth- and twenty-first-century audiences. The essays gathered here address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books, in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde), in the history of modern readers and readerships, and in the construction and cultural politics of literary authorship. Six contributors focus on Faulkner’s sensational 1931 novel Sanctuary as a case study illustrating the author’s multifaceted relationship to the print ecology of his time, tracing the novel’s path from the wellsprings of Faulkner’s artistic vision to the novel’s reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Faulkner’s midcentury critical rebranding as a strictly highbrow modernist, disdainful of the market and impervious to literary trends or the corruption of commerce, has buried the much more interesting complexity of his ongoing engagements with print culture and its engagements with him. This collection will spur critical interest in the intersection of Faulkner’s writing career and the unrespectable, experimental, and audacious realities of interwar and Cold War print culture.

[review of:] Dace Prauliņš. 2012. Latvian. An Essential Grammar

2013 ◽  
Vol 4 ◽  
pp. 240-243
Author(s):  
Nicole Nau
Keyword(s):  
New York ◽  
The World ◽  
Scholarly Contribution

Dace Prauliņš, Latvian. An Essential Grammar. London & New York: Routledge, 2012. ɪsʙɴ 978-0-415-57692-5. Descriptive grammars of Modern Latvian written in English are still something of a rarity, and any such book will be warmly welcomed bylinguists as well as by the growing number of people learning Latvian all over the world. It is for the latter group that Dace Prauliņš wrote this book, and it would be unfair to review it as a scholarly contribution to the analysis of Latvian grammar.

Book Reviews

2013 ◽  
Vol 1 (1) ◽  
pp. 91-106
Author(s):  
Janet Klein ◽  
David Romano ◽  
Michael M. Gunter ◽  
Joost Jongerden ◽  
Atakan İnce ◽  
...  
Keyword(s):  
New York ◽  
Middle Eastern ◽  
Nation Building ◽  
Eastern Anatolia ◽  
Oxford University ◽  
National Movement ◽  
The World ◽  
Modern Turkey ◽  
Oxford University Press

Uğur Ümit Üngör, The Making of Modern Turkey: Nation and State in Eastern Anatolia, 1913-1950, Oxford: Oxford University Press, 2011, 352 pp. (ISBN: 9780199603602).Mohammed M. A. Ahmed, Iraqi Kurds and Nation-Building. New York: Palgrave Macmillan, 2012, 294 pp., (ISBN: 978-1-137-03407-6), (paper). Ofra Bengio, The Kurds of Iraq: Building a State within a State. Boulder, CO and London, UK: Lynne Rienner Publishers, 2012, xiv + 346 pp., (ISBN 978-1-58826-836-5), (hardcover). Cengiz Gunes, The Kurdish National Movement in Turkey, from Protest to Resistance, London: Routledge, 2012, 256 pp., (ISBN: 978-0-415—68047-9). Aygen, Gülşat, Kurmanjî Kurdish. Languages of the World/Materials 468, München: Lincom Europa, 2007, 92 pp., (ISBN: 9783895860706), (paper).Barzoo Eliassi, Contesting Kurdish Identities in Sweden: Quest for Belonging among Middle Eastern Youth, Oxford: New York: Palgrave Macmillan, 2013, 234 pp. (ISBN: 9781137282071).

Universal Values and Muslim Democracy

2020 ◽  
Vol 9 (1) ◽  
pp. 1-7
Author(s):  
Anwar Ibrahim
Keyword(s):  
New York ◽  
Muslim World ◽  
World Today ◽  
The People ◽  
The World ◽  
Universal Values ◽  
Human Desire ◽  
Dignified Life

This study deals with Universal Values and Muslim Democracy. This essay draws upon speeches that he gave at the New York Democ- racy Forum in December 2005 and the Assembly of the World Movement for Democracy in Istanbul in April 2006. The emergence of Muslim democracies is something significant and worthy of our attention. Yet with the clear exceptions of Indonesia and Turkey, the Muslim world today is a place where autocracies and dictatorships of various shades and degrees continue their parasitic hold on the people, gnawing away at their newfound freedoms. It concludes that the human desire to be free and to lead a dignified life is universal. So is the abhorrence of despotism and oppression. These are passions that motivate not only Muslims but people from all civilizations.

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