THE PHENOMENON OF THE "GREEK RENAISSANCE" IN THE ARCHITECTURE OF IMPERIAL ROME

2021 ◽  
Vol 7 (2) ◽  
pp. 208-215
Author(s):  
Linda S ◽  

The article analyzes the phenomenon of borrowing forms of Greek architecture in the architecture of Ancient Rome of Emperor Hadrian's era (II century AD). This phenomenon is interpreted as the first representation of historicism in architecture – the use of elements of the former culture in actual project creativity to convey certain ideas and meanings. The article shows that the "Greek Renaissance" in the architecture of imperial Rome was an organic component of the general process of hellenophilism, characteristic of the general cultural development of that time.

Author(s):  
Vira Okorokova ◽  
◽  
Olena Koicheva ◽  
◽  

The article is devoted to the study of Roman jurisprudence during its heyday. Scientific novelty is expressed in the analysis of legal innovations that were developed by such lawyers of this period as (Gaius (II century BC), Papinian (II–III centuries), Paul (II–III centuries), Ulpian (II–III century) аnd Modestin (II–III centuries). Despite the great importance of the works of these jurists, their study does not differ significantly from a number of studies. The article points to the continuity in the history of Roman jurisprudence, which is manifested in the gradual registration of jurisprudence in a separate field, which has its own needs and requirements for the activities of jurists, their training and more. Historical and legal analysis of the activities of these lawyers indicates a certain evolution of jurisprudence from the rigid traditional system of queer law to a more mobile system of civil law, which was adapted to the new socio-economic and political conditions of ancient Rome. Jurisprudence gradually in the conditions of imperial Rome is made out in separate legal institute that provides not only consultations on these or those transactions, but also legal protection. The authors draw attention to the fact that the activity of lawyers was the defining stage that laid the foundations for further transformation of the legal system, its reception in some Western European countries of subsequent historical epochs.


2017 ◽  
Vol 27 ◽  
pp. 137
Author(s):  
Antonio Duplá Ansuátegui

Resumen: El objetivo de este artículo es analizar una serie de iniciativas concretas que tuvieron lugar en España entre 1938 y 1940 como eco local del Bimilenario de Augusto celebrado en Italia. En todos estos actos el protagonismo de Falange, uno de los principales partidos fascistas entonces, fue fundamental, tanto en la dirección política como en la organización práctica. Los falangistas mantenían relaciones con los dirigentes mussolinianos y uno de los temas preferidos en su propaganda era la hermandad italo-española, que se remontaba a su común pasado romano y católico. En los primeros años del nuevo régimen franquista, esta ideología clasicista, en particular en torno a la figura de Augusto y la antigua Roma imperial, contribuyo a la conformación de la nueva identidad nacional, basada en un pasado glorioso y dirigida por el nuevo líder carismático.Palabras clave: Bimilenario de Augusto, Roma antigua, fascismo, Falange, Franco, P. Galindo.Abstract: This paper aims to analyse several events in Spain between 1938 and 1940 as local echoes of the bimillenary of Augustus in Italy. In all these events a fundamental role was played by Falange, one of Spain’s leading fascist groups of the time, both in terms of intellectual direction and practical organisation. They had ties with the Mussolinian leaders and intellectuals, and one of the recurring themes in their propaganda was the fraternity between Italy and Spain which they dated back to a common, ancient Roman and Catholic past. In the first years of Franco’s new regime this classicist ideology, in particular the link with Augustus and ancient imperial Rome, contributed to the building of a new national identity, based on a glorious past and conducted by a new charismatic leader.Key words: Bimillenary of Augustus, ancient Rome, fascism, Falange, Franco, P. Galindo.


Author(s):  
Julie Thompson Klein ◽  
Robert Frodeman

This chapter surveys the predisciplinary past and more recent inter- and trans-disciplinary developments in humanities. After presenting a snapshot of two disciplines—art history and music studies—it outlines the trajectories of two traditionally text-based disciplines, philosophy and literary studies. While the English word “humanities” derives from a cultural development beginning in ancient Rome, the formation of the modern disciplines in the late nineteenth and early twentieth centuries was a watershed in this history. Counter-traditions of general and holistic knowledge persisted, but specialization in segmented discipline-based domains increasingly shaped the contours of humanities education and research—to the detriment of older, transdisciplinary elements. Over the course of the twentieth century, a number of developments fostered interactions across the disciplines, extending from the importation of European philosophy and literary studies to postcolonial critique. Today new interdisciplinary fields appear as well as fresh efforts at transdisciplinary cultural and epistemological transformations.


Author(s):  
Aloys Winterling

The inherited stigma of Roman kingship and the legacy of noble faction form the backdrop to this chapter, which reinterprets the archetypical ‘tyrannical emperors’ Caligula, Nero, and Domitian. The chapter demonstrates that the psychological approach of nineteenth- and early twentieth-century scholarship was misguided, and instead analyzes the emperors in the context of, on the one hand, the paradoxical sociopolitical conditions of early imperial Rome and, on the other, Rome’s traditional aristocratic ideals. In this chapter’s treatment, supposed insanity becomes a strategy for unmasking (Caligula), superseding (Nero), or breaking down (Domitian) the contradictions inherent in the imperial res publica. Provocatively, the reconstruction provided here suggests that it is the traditional ‘good emperors’ who are in need of explication.


2020 ◽  
Vol 51 (3) ◽  
pp. 367-397
Author(s):  
Michael Flexsenhar

Abstract This study investigates the Agrippesioi and Augustesioi synagogues of ancient Rome. Known from inscriptions found primarily in the Monteverde Catacombs, the synagogues are conventionally dated to the first century CE. Common opinion is that they were named directly after Marcus Agrippa and the emperor Augustus, both of whom, it is thought, played some part in founding the synagogues. Based on the chronology of the catacombs and the inscriptions, I assign the synagogues to the third and fourth centuries. Taking into account the linguistic and epigraphic comparanda of that period, I argue that the synagogue names were toponyms. They signaled where in Rome the Jewish synagogues were. The analysis has further implications for the history and social setting of Roman Jews. Like other groups at the time, they were identifying themselves based on areas or features in the late antique urban landscape that had been associated with Agrippa and Augustus for centuries.


Rome and the Roman empire - Simon Keay, Martin Millett, Lidia Paroli & Kristian Strutt. Portus: An Archaeological Survey of the Port of Imperial Rome (Archaeological Monograph 15). xviii+360 pages, 235 illustrations. 2005. London: The British School at Rome; 0-904152-47-2 paperback £49.50. - David S. Potter (ed.). The Companion to the Roman Empire. xxx+698 pages. 2006. Oxford,Malden (MA) & Victoria: Blackwell; 0-631-22644-3 hardback £95 & $149.95 AUS$314. - Christopher Kelly. The Roman Empire: A Very Short Introduction. x+158 pages, 25 illustrations. 2006. Oxford: Oxford University Press; 0-19-280391-3 paperback £6.99 & $9.95. - Maria Wyke (ed.). Julius Caesar in Western Culture. xviii+366 pages, 24 figures. 2006. Oxford, Malden (MA) & Victoria: Blackwell; 1-4051-2598-5 hardback £60 & US$89.95 & AUS$198; 1-4051-2599-3 paperback £22.99 & $34.95 & AUS$88.95. - James B. Rivers Religion in the Roman Empire. xiv+ 238 pages, 15 illustrations. 2006. Oxford, Malden (MA) & Victoria: Blackwell; 1-4051-0655-7 hardback £50 & US$81.95 & AUS$198; 1-4051-0656-5 paperback £17.99 & $32.95 & AUS$58.95. - Frank Sear. Roman Theatres: An Architectural Study. xl+466 pages, 492 figures,144 plates, 25 tables. 2006. Oxford: Oxford University Press; 0-19-814469-5 hardback £195. - Sheila Dillon & Katherine E. Welch (ed.). Representations of War in Ancient Rome. xiv+366 pages, 106 illustrations. 2006. Cambridge: Cambridge University Press; 0-521-84817-2 hardback £55 and $90. - Shadi Bartsch. The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire. viii+326 pages, 8 illustrations. 2006. Chicago (IL): University of Chicago Press; 0-226-03835-1 hardback $45 & £28.50. - Walter Goffart. Barbarian Tides: The Migration Age and the Later Roman Empire. x+372 pages. 2006. Philadelphia (PA): University of Pennsylvania Press; 0-8122-3939-3 hardback $69.95 & £45.50.

Antiquity ◽  
2006 ◽  
Vol 80 (310) ◽  
pp. 1035-1035
Author(s):  
Madeleine Hummler

Antiquity ◽  
1997 ◽  
Vol 71 (274) ◽  
pp. 966-978 ◽  
Author(s):  
Glenn R. Storey

What was the population of imperial Rome? City blocks in Pompeii and Ostia are sufficiently well explored that a fair estimate of population density can now be arrived at. That peoples the city of ancient Rome with roughly 450,000 inhabitants, within the known population and density range of pre-industrial and modern urban centres.


Bibliosphere ◽  
2020 ◽  
pp. 25-31
Author(s):  
N. P. Dvortsova

The study gives a new outlook on the activities of the first Tyumen printing house, which was founded by K. N. Vysotsky in 1869 and existed until 1909. The scientific novelty of the research is due to the following: 1) book publishing is considered as part of the media revolution carried out by K. N. Vysotsky thanks to the opening of the first photography studio (1866), lithography studio (1867), printing house (1869), and a newspaper publishing news and advertisements (1879) in a provincial Siberian town; 2) publishing activities of K. N. Vysotsky and L. K. Vysotskaya are linked with the history of Siberian steam navigation in the 1870–1890s. The purpose of the article is to characterize Russian dorozhniki - itinerary books as a special type of publications in the Vysotskys’ printing house, to identify their diversity and role in the activities of steamship companies, in particular the Kurbatov and Ignatov Partnership. A bibliological analysis based on the structural-typological method within the context and system approaches allows a new interpretation of the role and place of the Vysotskys’ printing house in the history of Siberian book culture. The author comes to the conclusions that about 20% of the repertoire (11 of 56 books) of the Vysotskys’ printing house are books about steamboats and rivers. They represent a semantic unity, a unique series structured by space (more than 3000 km along West Siberian rivers from Tyumen to Tomsk) and the idea of industrialization and cultural development of new lands. The structural dominance of the series belongs to a special publication type: dorozhnik (an itinerary book), the purpose of which was to indicate the distance between settlements and to serve as a travel guide on Siberian rivers. Publication of such books, which are known to exist since the ancient Rome, testifies to the high print culture of the Vysotskys publishers. These books are very diverse: brief guidebooks coexisted with lithographic cartographic editions and advertising catalogs in the genre of history writing and ethnographic travel essays. The significance of the itinerary books published by the Vysotskys lies in the cultural brand they formed for Tyumen as a town and the birthplace of all navigation along West Siberian rivers.


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