scholarly journals PENGEMBANGAN VIRTUAL REALITY UNTUK DIGITALISASI PURA PENATARAN AGUNG DI PURA BESAKIH

Author(s):  
I Wayan Andika Raditya ◽  
Gede Mahendra Darmawiguna ◽  
I Gede Partha Sindu

AbstrakPengembangan Virtual Reality untuk Digitalisasi Pura Penataran Agung bagian Mandala 1, 5, 6 dan 7 merupakan salah satu pemanfaatan teknologi yang digunakan sebagai media konservasi untuk melestarikan Pura Penataran Agung bagian Mandala 1, 5, 6 dan 7 sebagai bagian dari Pura Agung Besakih dan juga sebagai warisan budaya. Media berupa aplikasi Virtual Reality ini mengajak pengguna untuk dapat melihat keadaan Pura Penataran Agung Besakih bagian Mandala 1, 5, 6 dan 7 dengan detail selain itu pengguna juga dapat melakukan perpindahan ke arah mana yang ingin dilihat sehingga dirasakan sebuah pengalaman seolah-olah berada di Pura Penataran Agung Besakih bagian Mandala 1, 5, 6 dan 7. Pengembangan Virtual Reality untuk Digitalisasi Pura Penataran Agung Besakih bagian Mandala 1, 5, 6 dan 7 menggunakan metode waterfall. Pengujian penelitian ini menggunakan 6 tahapan proses pengujian : (1) Uji whitebox dengan penerapan di setiap prosesnya sudah sesuai, (2) uji blackbox dengan 5 responden didapat hasil tidak terdapat kesalahan, (3) uji usability dengan 5 responden di dapat rata-rata persentase 80% termasuk baik, (4) uji performance efficiency dengan 5 responden didapatkan rata-rata persentase 86% termasuk sangat baik, (5) uji data integrity dengan 2 responden ahli di dapat rata-rata persentase 89% termasuk sangat baik(6) uji User Experience Questionnaire (UEQ) di dapat persentase rata-rata dari 20 responden dengan has AbstractDevelopment of Virtual Reality for Digitization of the Penataran Agung Temple Mandala parts 1, 5, 6 and 7 is one of the uses of technology that is used as a conservation medium to preserve the Penataran Agung Temple Mandala parts 1, 5, 6 and 7 as part of the Besakih Agung Temple and also as cultural heritage. The media in the form of Virtual Reality application invites users to be able to see the state of the Penataran Agung Besakih Temple Mandala parts 1, 5, 6 and 7 in detail, besides that the user can also move to which direction he wants to be seen so that an experience is felt as if in Penataran Agung Besakih Temple Mandala parts 1, 5, 6 and 7. Development of Virtual Reality for Digitizing Penataran Agung Temple Besakih Mandala parts 1, 5, 6 and 7 using the waterfall method. The testing of this study uses 6 stages of the testing process: (1) The whitebox test with the application in each process is appropriate, (2) the blackbox test with 5 respondents found that there are no errors, (3) usability test with 5 respondents obtained the average percentage 80% including good, (4) performance efficiency test with 5 respondents found an average percentage of 86% including very good, (5) data integrity test with 2 expert respondents at an average percentage of 89% including very good (6) test User Experience Questionnaire (UEQ) obtained an average percentage of 20 respondents with positive results.

Technologies ◽  
2019 ◽  
Vol 7 (2) ◽  
pp. 31 ◽  
Author(s):  
Costas Boletsis ◽  
Stian Kongsvik

The drum-like virtual reality (VR) keyboard is a contemporary, controller-based interface for text input in VR that uses a drum set metaphor. The controllers are used as sticks which, through downward movements, “press” the keys of the virtual keyboard. In this work, a preliminary feasibility study of the drum-like VR keyboard is described, focusing on the text entry rate and accuracy as well as its usability and the user experience it offers. Seventeen participants evaluated the drum-like VR keyboard by having a typing session and completing a usability and a user experience questionnaire. The interface achieved a good usability score, positive experiential feedback around its entertaining and immersive qualities, a satisfying text entry rate (24.61 words-per-minute), as well as moderate-to-high total error rate (7.2%) that can probably be further improved in future studies. The work provides strong indications that the drum-like VR keyboard can be an effective and entertaining way to type in VR.


Author(s):  
Anthony Widjaja ◽  
James Purnama ◽  
Maulahikmah Galinium

This project is conducted based on the Nawacita policy from President Joko Widodo. Tourists tend to explore the attraction independently instead of using a tour guide, but there are minimum supporting facilities because of the limitations of detailed information on tourist attraction in various languages that are not interesting and less interactive. The objectives of the research are to develop an Internet of Things based mobile application named eTourGuide that uses a location-based service to get information about the content interestingly and interactively inside a museum. The location-based service uses beacon that broadcast Bluetooth Low Energy (BLE) signal. Development of the research includes several experiments for gathering the data optimally. After completing the development, user experience questionnaire is required to evaluate the result of user’s experience after using the application. The result shows positive results of user’s experience after using the application.


Author(s):  
Vera Puglisi ◽  
Jasmine Ghorbani ◽  
Yan Chen ◽  
Manuel Nyagisere ◽  
Grace Babalola ◽  
...  

Touch-screen GUIs have become a key feature of modern consumer electronics. The purpose of this study is to investigate the effect that reducing the number of icons on the GUI of a popular soda machine has on drink selection time and user satisfaction. Twenty subjects participated in the study, with 10 assigned to the control and experimental groups respectively. Time to make a drink selection was recorded and compared between groups using unpaired t-test. User satisfaction was measured using a five-point scale questionnaire. The results suggested that user satisfaction, except for the display dependability category, is not affected by the reduction of the number of icons on the soda machine GUI and no change was observed in drink selection time.


2018 ◽  
Vol 11 (4) ◽  
pp. 1-27 ◽  
Author(s):  
Lal "Lila" Bozgeyikli ◽  
Evren Bozgeyikli ◽  
Srinivas Katkoori ◽  
Andrew Raij ◽  
Redwan Alqasemi

i-com ◽  
2020 ◽  
Vol 19 (2) ◽  
pp. 67-85
Author(s):  
Matthias Weise ◽  
Raphael Zender ◽  
Ulrike Lucke

AbstractThe selection and manipulation of objects in Virtual Reality face application developers with a substantial challenge as they need to ensure a seamless interaction in three-dimensional space. Assessing the advantages and disadvantages of selection and manipulation techniques in specific scenarios and regarding usability and user experience is a mandatory task to find suitable forms of interaction. In this article, we take a look at the most common issues arising in the interaction with objects in VR. We present a taxonomy allowing the classification of techniques regarding multiple dimensions. The issues are then associated with these dimensions. Furthermore, we analyze the results of a study comparing multiple selection techniques and present a tool allowing developers of VR applications to search for appropriate selection and manipulation techniques and to get scenario dependent suggestions based on the data of the executed study.


Author(s):  
David Philip Green ◽  
Mandy Rose ◽  
Chris Bevan ◽  
Harry Farmer ◽  
Kirsten Cater ◽  
...  

Consumer virtual reality (VR) headsets (e.g. Oculus Go) have brought VR non-fiction (VRNF) within reach of at-home audiences. However, despite increase in VR hardware sales and enthusiasm for the platform among niche audiences at festivals, mainstream audience interest in VRNF is not yet proven. This is despite a growing body of critically acclaimed VRNF, some of which is freely available. In seeking to understand a lack of engagement with VRNF by mainstream audiences, we need to be aware of challenges relating to the discovery of content and bear in mind the cost, inaccessibility and known limitations of consumer VR technology. However, we also need to set these issues within the context of the wider relationships between technology, society and the media, which have influenced the uptake of new media technologies in the past. To address this work, this article provides accounts by members of the public of their responses to VRNF as experienced within their households. We present an empirical study – one of the first of its kind – exploring these questions through qualitative research facilitating diverse households to experience VRNF at home, over several months. We find considerable enthusiasm for VR as a platform for non-fiction, but we also find this enthusiasm tempered by ethical concerns relating to both the platform and the content, and a pervasive tension between the platform and the home setting. Reflecting on our findings, we suggest that VRNF currently fails to meet any ‘supervening social necessity’ (Winston, 1996, Technologies of Seeing: Photography, Cinematography and Television. British: BFI.) that would pave the way for widespread domestic uptake, and we reflect on future directions for VR in the home.


2021 ◽  
Vol 126 ◽  
pp. 103090
Author(s):  
Xin Zou ◽  
Steve O'Hern ◽  
Barrett Ens ◽  
Selby Coxon ◽  
Pascal Mater ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document