Farm Workers and the Myth of Export-Led Development in Argentina

1974 ◽  
Vol 31 (2) ◽  
pp. 121-138 ◽  
Author(s):  
Carl Solberg

The highly visible change which took place in Argentina during the late nineteenth and early twentieth centuries fascinated contemporary observers of the republic. The millions of immigrants, the formation of a large urban middle class, and the growth of the great metropolis of Buenos Aires all seemed to indicate that Argentina rapidly was emerging as a modern, developed nation. Equally impressive to foreign observers was Argentina's apparently booming economy, which was based on a flourishing export trade. With only brief interruptions, exports, nearly entirely composed of agricultural and cattle products, had risen from 22 million gold pesos in 1862 to 519 million in 1913. To produce the exports, total area under cultivation rose from 580,000 hectares in 1872 to 24.1 million in 1913.

2004 ◽  
Vol 60 (3) ◽  
pp. 363-390 ◽  
Author(s):  
Regina A. Root

One day, a young romance writer who has lost his place to urban expansion in Buenos Aires overhears this intimate conversation coming from another bedroom in an all-women's residence hall. An “invisible houseguest” in Madame Bazan'spensionadofor middle-class women of all ages, Mauricio Ridel works on finishing a happy ending for his latest serialized novel. During the writing process, however, he finds himself distracted by the sounds and rhythms of the house, his focus carried away to the conversations in the house on fashion, family life and female emancipation. Careful not to indicate his presence in any way (for he has agreed to respect the privacy of the women who live there), Ridel listens in to the conversations between female residents from the comfort of his assigned room. Believing themselves removed from male listeners, the female characters of Juana Manuela Gorriti'sOasis en la vida(1888) openly discuss their concerns and desires in the security of enclosed spaces. The dialogic sequence that begins this essay demonstrates the relief that a group of unnamed women experience when removing their uncomfortable clothing. They complain about the weight and needless complexity of their fashions and even flesh out a conspiracy theory concerning a few of those crazy designers. As the women contemplate the changes that tomorrow's fashions will inevitably bring, their soft, sweet voices appear punctuated by the incongruous thud of tossed garments.


2021 ◽  
pp. 146247452110312
Author(s):  
Federico Luis Abiuso

Between the late nineteenth and early twentieth centuries, the City of Buenos Aires (Argentina) had a significant demographic growth due to the strong weight of the migratory component. This article focuses on describing the theoretical frameworks deployed by criminologists and related experts to “racialize” the links between immigration and crime in Archivos de Criminología, Medicina Legal, Psiquiatría y Ciencias Afines, a journal published between 1902 and 1913. In so doing, and inspired by the Southern criminology proposals and reflections, I propose to analyze the criminological travels related to the Italian Positive School, to detail the grounds the thematic links between immigration and crime were based on and, in turn, to empirically illustrate different arguments around criminology as a Northern discipline.


2002 ◽  
Vol 30 (1) ◽  
pp. 289-304 ◽  
Author(s):  
Claire Nicolay

THOMAS CARLYLE’S CONTEMPTUOUS DESCRIPTION of the dandy as “a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes” (313) has survived as the best-known definition of dandyism, which is generally equated with the foppery of eighteenth-century beaux and late nineteenth-century aesthetes. Actually, however, George Brummell (1778–1840), the primary architect of dandyism, developed not only a style of dress, but also a mode of behavior and style of wit that opposed ostentation. Brummell insisted that he was completely self-made, and his audacious self-transformation served as an example for both parvenus and dissatisfied nobles: the bourgeois might achieve upward mobility by distinguishing himself from his peers, and the noble could bolster his faltering status while retaining illusions of exclusivity. Aristocrats like Byron, Bulwer, and Wellington might effortlessly cultivate themselves and indulge their taste for luxury, while at the same time ambitious social climbers like Brummell, Disraeli, and Dickens might employ the codes of dandyism in order to establish places for themselves in the urban world. Thus, dandyism served as a nexus for the declining aristocratic elite and the rising middle class, a site where each was transformed by the dialectic interplay of aristocratic and individualistic ideals.


2013 ◽  
Vol 70 (1) ◽  
pp. 33-62 ◽  
Author(s):  
Alina Silveira

Argentina, and Buenos Aires in particular, was a preferred South American destination for great numbers of European immigrants who crossed the Atlantic beginning in the late nineteenth century in search of new opportunities. Most Latin American governments, from the early days of their nations' independence, sought to attract European workers. These newly founded countries considered immigration an essential element for creating a society that would become economically, politically, and socially modern. They hoped to attract mainly foreigners from Northern Europe, among them the British, whom they considered to have superior labor skills and to be accustomed to the habits of order and work the new nation required.


2014 ◽  
Vol 3 (1) ◽  
pp. 140
Author(s):  
LUDMYLLA MENDES LIMA

<p><strong>Resumo: </strong>O presente artigo trata de analisar o modo particular como Machado de Assis constrói a representação dos fatos históricos brasileiros no romance <em>Esaú e Jacó</em>. Este romance traz em seu enredo dois importantes fatos históricos ocorridos no final do século XIX: a Abolição da Escravatura, em 1888 e a Proclamação da República, em 1889. O tratamento literário dado pelo autor aos fatos, imprimindo irrelevância aos mesmos no contexto do enredo, revela que para ser Realista ‘à brasileira’, naquelas circunstâncias específicas, era necessário mostrar o curso da História tendo como base a ausência de transformação.</p><p><strong>Palavras-chave</strong>: Machado de Assis – <em>Esaú e Jacó</em> – História do Brasil.</p><p> </p><p><strong>Abstract: </strong>This paper intends to analyze the special way Machado de Assis builds the representation of Brazilian historical facts in the novel <em>Esaú e Jacó</em>. This novel brings in its plot two important historical events that happened in the late Nineteenth century: the Abolition of Slavery, in 1888; and the Proclamation of the Republic, in 1889. The literary treatment given by the author to the events, printing irrelevance to them, in the context of the plot, reveals that to build a Brazilian realism, in those circumstances, it was necessary to show the course of history based on the absence of transformation.</p><p><strong>Keywords</strong>: Machado de Assis – <em>Esaú e Jacó –</em> Brazilian History.</p>


Author(s):  
Lila Caimari

This introductory chapter begins with the author's account of the origins of the present volume, which can be traced back to her interest in a late nineteenth-century set of concepts, images, and metaphors that grew up around the figure of the modern criminal. It then discusses the population growth in Buenos Aires, which jumped from about 1.5 to 2.5 million in the two decades between the world wars and the corresponding urban expansion. This sets the stage for a description of the book's purpose, namely to explore the many dimensions of porteño life in the early decades of the twentieth century: its vital network of neighborhood associations, its literacy campaigns, its grassroots politics, its many reformist projects, and so forth.


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