Laudi Op. 62; Clarinet Concerto Op. 68; Elegy for a Prince Op. 59; Vistas Op. 69

1979 ◽  
Vol 120 (1631) ◽  
pp. 43
Author(s):  
Malcolm Boyd ◽  
Mathias ◽  
Peyer ◽  
Evans ◽  
NPO ◽  
...  
Keyword(s):  
Clarinet Concerto

Clarinet Concerto in A, K622; Horn Concerto in E[flat], K447

1975 ◽  
Vol 116 (1583) ◽  
pp. 49
Author(s):  
Niall O'Loughlin ◽  
Mozart ◽  
Deinzer ◽  
Cruts ◽  
Collegium Aureum
Keyword(s):  
Horn Concerto ◽  
Clarinet Concerto

The New in Music (Part 2)

Tempo ◽  
1954 ◽  
pp. 26-33
Author(s):  
Jürgen Balzer
Keyword(s):  
Clarinet Concerto

In his Clarinet Concerto, composed in 1928, Carl Nielsen introduces his first movement with the following theme (quoted here in the C tonality of the repetition:

MUSIC IN THE AGE OF COFFEE

2007 ◽  
Vol 4 (2) ◽  
pp. 301-305 ◽  
Author(s):  
JOHN A. RICE
Keyword(s):  
Almost All ◽  
Clarinet Concerto

On 7–8 October 1791, about two months before his death, Mozart wrote to his wife: ‘Right after you left I played two games of billiards with Herr Mozart (who wrote the opera for Schikaneder’s theatre); then I sold my nag for 14 ducats; then I had Joseph summon Primus and bring me black coffee, with which I smoked a wonderful pipe of tobacco; then I orchestrated almost all of Stadler’s rondo’. In orchestrating the finale of the Clarinet Concerto under the influence of caffeine and nicotine, Mozart was very much a man of his age.

Clarinet Concerto in A, k622

1980 ◽  
Vol 121 (1646) ◽  
pp. 252
Author(s):  
Niall O'Loughlin ◽  
Mozart ◽  
King ◽  
ECO ◽  
Francis ◽  
...  
Keyword(s):  
Clarinet Concerto

Clarinet Concerto in A k622; Horn Concerto No.3 in E Flat k447

1981 ◽  
Vol 122 (1658) ◽  
pp. 246
Author(s):  
Niall O'Loughlin ◽  
Mozart ◽  
Deinzer ◽  
Cruts ◽  
Collegium Aureum
Keyword(s):  
Horn Concerto ◽  
Clarinet Concerto

scholarly journals Analytic and Aesthetic Issues in Carl Nielsen’s Concerto for Clarinet and Orchestra

2003 ◽  
Vol 1 ◽  
Author(s):  
Daniel Grimley
Keyword(s):  
Twentieth Century ◽  
Large Scale ◽  
Musical Language ◽  
Generic Status ◽  
Original Musical ◽  
Orchestral Work ◽  
Concerto Form ◽  
Clarinet Concerto ◽  
Analytical Technology ◽  
Clarinet And Orchestra

Nielsen’s Clarinet Concerto is his last large-scale orchestral work, yet it has received considerably less analytical attention than his symphonies. This is partly because of the problematic generic status of the twentieth-century concerto, but also because of the work’s unusually complex musical language. In this paper, I outline an analytical technology for the work that builds on the notion of dialogue inherent within the concerto form. Nielsen’s concerto raises dialogue to the highest level of structure, and offers one of his most compelling and original musical narratives.

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