Fonogrammi; Cello Concerto; De Natura Sonoris No. 2; Kanon; Capriccio for Violin and Orchestra; Emanationen; Partita for Harpsichord and Orchestra

1974 ◽  
Vol 115 (1579) ◽  
pp. 755
Author(s):  
Paul Griffiths ◽  
Penderecki ◽  
Palm ◽  
Wilkomirska ◽  
Blumental ◽  
...  
Keyword(s):  
Cello Concerto

Cello Concerto; Suite, Miracle in the Gorbals

1977 ◽  
Vol 118 (1618) ◽  
pp. 1014
Author(s):  
Hugh Ottaway ◽  
Bliss ◽  
Arto Noras ◽  
Bournemouth SO ◽  
Berglund
Keyword(s):  
Cello Concerto

Cello Concerto

1979 ◽  
Vol 120 (1638) ◽  
pp. 657
Author(s):  
Stephen Banfield ◽  
Finzi ◽  
Yo Yo Ma ◽  
RPO ◽  
Handley
Keyword(s):  
Cello Concerto

DVOŘÁK'S FIRST CELLO CONCERTO

1956 ◽  
Vol 37 (4) ◽  
pp. 350-355
Author(s):  
JOHN CLAPHAM
Keyword(s):  
Cello Concerto

Henri Dutilleux, haunted by Baudelaire

2021 ◽  
Vol 21 (3) ◽  
pp. 399-417
Author(s):  
Caroline Potter
Keyword(s):  
Song Cycle ◽  
Art Criticism ◽  
Prose Poem ◽  
Early Twenty ◽  
Cello Concerto ◽  
French Composers ◽  
Henri Dutilleux

One of the leading French composers of the twentieth and early twenty-first centuries, Henri Dutilleux (1916-2013) set only one text by Baudelaire, though he said that the poet was the artist in any medium who had the strongest impact on him; indeed, he said that ‘Baudelaire continues to haunt me.’ This article explores how this ‘haunting’ affected Dutilleux’s oeuvre, from his cello concerto Tout un monde lointain… [‘A Far Distant World’] (1967-1970) whose five movements are each preceded by a Baudelaire epigraph, through to his final completed work, the song cycle Le Temps l’horloge [‘Time the Clock’] (2006-2009) which concludes with a setting of Baudelaire’s prose poem Enivrez-vous [‘Be Intoxicated’]. Le Temps l’horloge also features settings of poems by Jean Tardieu and Robert Desnos, and Baudelaire’s poetry and art criticism were centrally important to both these writers. The multiple interrelationships between Baudelaire, Tardieu, Desnos, and Dutilleux are traced in this article, and analysis of ‘Enivrez-vous’ shows it to be the summation of Dutilleux’s output.

Lutosławski, Witold (1913–1994)

2018 ◽  
Author(s):  
Nicholas Reyland
Keyword(s):  
String Quartet ◽  
Modern Human ◽  
Piano Concerto ◽  
Pitch Organization ◽  
Witold Lutoslawski ◽  
Avant Garde ◽  
Cello Concerto ◽  
Structures Of Feeling ◽  
Late Twentieth ◽  
Key Events

The music and life of Polish composer Witold Lutosławski (1913–1994) pivoted around key events in his country’s tumultuous twentieth-century history. The so-called cultural ‘thaw’ at the end of Stalinism in the mid 1950s permitted Poland’s composers to begin experiments in a range of modernist styles. Lutosławski forged a unique voice by exploring tensions between the classicist sensibility underpinning his neoclassical pre-thaw compositions (a style that had brought him into a position of preeminence in Poland) and more radical, avant-garde alternatives. So while he created individualistic and, often, beautiful solutions to post-tonal compositional problems of pitch organization, rhythm, texture, orchestration and long-range musical structuring, his greater contribution was marshaling his technique to compose powerfully affecting musical narratives responding, albeit obliquely, to the events and cultural atmospheres of his life and times. In major works including his Trois poems d’Henri Michaux, String Quartet, Livre pour orchestre, Cello Concerto, Mi-parti, Piano Concerto, Chain 2 and Symphony No. 4 – compositions that brought him international recognition as one of the mid-to-late twentieth century’s finest composers – Lutosławski created (to speak drily) modernist musical narratives exploring the problems of plot and representation in an innovative language, or (to speak more evocatively) structures of feeling and form that transcend the mundane specificity of programme music to offer visceral, spellbinding and moving testimony on the late-modern human experience, and from a distinctive Polish perspective.

First Performances

Tempo ◽  
1966 ◽  
pp. 16-19
Keyword(s):  
List Type ◽  
Cello Concerto

Nicholas Maw's Sinfonia (Stephen Walsh)Rawsthorne's Cello Concerto (Alun Hoddinott)

First Performances

Tempo ◽  
1996 ◽  
pp. 35-47
Keyword(s):  
Piano Music ◽  
New Music ◽  
List Type ◽  
String Quintet ◽  
Cello Concerto ◽  
Arnold Bax

‘The Doctor of Myddfai’ Roderic DunnettSt Magnus Festival Report Michael TumeltyRobert Simpson's String Quintet No. 2 Matthew TaylorCheltenham Festival: new piano music Calum MacDonaldNew music at the Brighton Festival Guy RickardRecent premières in Germany John WarnabyDmitri Smirnov's Cello Concerto Roderic DunnetRoxanna Panufnik & Arnold Bax Guy Rickards

Cello Concerto in B Flat

1964 ◽  
Vol 105 (1457) ◽  
pp. 531
Author(s):  
Boccherini ◽  
Sadlo ◽  
Prague Radio SO ◽  
Klima ◽  
Haydn
Keyword(s):  
Cello Concerto

FIRST PERFORMANCES

Tempo ◽  
2008 ◽  
Vol 62 (245) ◽  
pp. 54-63
Keyword(s):  
Contemporary Music ◽  
List Type ◽  
Cello Concerto

Glasgow: Ronald Stevenson's ‘Praise of Ben Dorain’ Tim MottersheadGlasgow & Edinburgh: Scottish Opera's ‘Five: 15’ David JohnsonBoston: William Bolcom's Eighth Symphony Rodney ListerLondon, Barbican: BBC SO premières Martin AndersonLondon, Barbican: Judith Weir Weekend Paul ConwayLondon, South Bank Centre: Contemporary Music and Spirituality John WheatleyManchester: John McCabe's Cello Concerto Tim MottersheadLiverpool, Metropolitan Cathedral: Tavener's ‘Requiem’ Paul ConwayFurther reviews John Wheatley and Tim Mottershead

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