La Monte Young

1967 ◽  
Vol 108 (1488) ◽  
pp. 143
Author(s):  
Roger Smalley
Keyword(s):  
Author(s):  
John T. Lysaker

Chapter 2 places Music for Airports within the context of a “sonic turn” that occurs among various avant-garde trends in twentieth-century Euro-American music. A brief history begins with Debussy, accelerates with musique concrète and John Cage’s regard for the activity of sounds, and closes with consideration of La Monte Young and Terry Riley. The chapter insists that this history, in its technological and compositional advances, makes the experiments on Music for Airports possible. Ongoing references to chapter 1’s observations concretize the album’s relation to the Euro-American avant-garde.


1966 ◽  
Vol 107 (1485) ◽  
pp. 959 ◽  
Author(s):  
Cornelius Cardew
Keyword(s):  

Notes ◽  
1998 ◽  
Vol 54 (3) ◽  
pp. 716
Author(s):  
David Farneth ◽  
William Duckworth ◽  
Richard Fleming
Keyword(s):  

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