Church and Organ Music. The Compleat Organist. IX. Of Conventions (Continued)

Harvey Grace

doi:10.2307/911036

Church and Organ Music. The Compleat Organist. IX. Of Conventions (Continued)

The Musical Times ◽

10.2307/911036 ◽

1914 ◽

Vol 55 (860) ◽

pp. 615

Author(s):

Harvey Grace

Keyword(s):

Organ Music

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Some National Contrasts in 16th-Century Organ Music

Bulletin of the American Musicological Society ◽

10.1525/jams.1945.8.1.03a00100 ◽

1945 ◽

Vol 8 (1) ◽

pp. 12-13

Author(s):

Paul G. Jones

Keyword(s):

16Th Century ◽

Organ Music

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Spanish Organ Music of the Early 17th Century

Journal of the American Musicological Society ◽

10.1525/jams.1962.15.2.03a00040 ◽

1962 ◽

Vol 15 (2) ◽

pp. 174-181

Author(s):

Willi Apel

Keyword(s):

17Th Century ◽

Organ Music

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Giraldus Cambrensis and English "Organ" Music

Journal of the American Musicological Society ◽

10.1525/jams.1955.8.3.03a00060 ◽

1955 ◽

Vol 8 (3) ◽

pp. 208-212

Author(s):

Lloyd Hibberd

Keyword(s):

Organ Music

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Franck's Organ Music and Its Legacy: Cesar Franck et l'orgue . Francois Sabatier. ; Toward an Authentic Interpretation of the Organ Works of Cesar Franck . Rollin Smith, Cesar Franck. ; Studien zur Orgelmusik der Schuler Cesar Francks . Bernd Scherers.

19th-Century Music ◽

10.1525/ncm.1988.12.1.02a00040 ◽

1988 ◽

Vol 12 (1) ◽

pp. 54-63

Author(s):

Lawrence Archbold

Keyword(s):

Organ Music ◽

Cesar Franck ◽

Organ Works

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Baroque Organ Music

The Oxford Handbook of the Baroque ◽

10.1093/oxfordhb/9780190678449.013.28 ◽

2018 ◽

pp. 311-333

Author(s):

David Ponsford

Keyword(s):

Organ Music ◽

The Revolution

This chapter discusses French Baroque organ music from published and manuscript sources, its liturgical context as well as the instrument itself. Throughout the period, the French organ retained a consistency of design and liturgical use that was unique. Its overriding principle was that of tonal color, so that titles of individual pieces, plein jeu, fugue, duo, récit, trio, and grand jeu, became established genres from 1665 to the Revolution. These genres implied appropriate styles of composition. Nevertheless, within strict parameters, composers were more and more influenced by contemporary Italian and French secular music. This mix of sacred and secular styles was a catalyst for composers of immense imagination: Nivers, Lebègue, Raison, François Couperin, Boyvin, De Grigny, Marchand, Dandrieu, to Michel Corrette and Balbastre, whose music serves as an example of how true creativity developed within relatively narrow parameters.

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Record Review

Tempo ◽

10.1017/s0040298200004538 ◽

1995 ◽

pp. 49-69

Keyword(s):

American Music ◽

80Th Birthday ◽

List Type ◽

Organ Music ◽

Troilus And Cressida ◽

Record Review

‘Troilus and Cressida’ Michael OliverGoehr on NMC Michael OliverRecent Górecki James HarleyHolliger and Homages to Sacher on ECM Peter PalmerKevin Volans Quartets Louie StowellKenneth Leighton organ music Bret JohnsonMaxwell Davies's ‘Resurrection’ Mike SeabrookMessiaen's ‘Concert à quatre’ Christopher DingleBoulez in Webern and Ligeti Christopher DingleCage and Feldman Christopher FoxAmerican Music Bret JohnsonMarcel Landowski 80th Birthday Edition John PickardEt cetera Guy Rickards

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