Choral Arrangements of the African-American Spirituals: Historical Overview and Annotated Listing

Notes ◽  
1999 ◽  
Vol 55 (4) ◽  
pp. 899
Author(s):  
Kathleen Abromeit ◽  
Patricia Johnson Trice
2015 ◽  
Vol 117 (14) ◽  
pp. 53-74
Author(s):  
Christopher M. Span

This chapter details how slavery, segregation, and racism impacted the educational experiences of African Americans from the colonial era to the present. It offers a historical overview of the African American educational experience and uses archival data and secondary source analysis to illustrate that America has yet to be a truly post-slavery and post-segregation society, let alone a post-racial society.


Author(s):  
Kerry Pimblott

Chapter One provides a broad historical overview of African American community formation in Cairo, illuminating how the region’s economic instability and distinct blend of northern and southern racial practices combined to solidify the Black church’s emergence as the leading institution in local community-building and protest traditions. This chapter argues that the Black church’s preeminence was not inevitable. It was instead a creative and necessary response to broader patterns of Black political marginalization and an absence of alternative institutions due to the precarious economic position of Cairo’s Black working-class. The chapter also contends that the ability of Cairo’s Black churches to fill this organizational vacuum was made possible by the distinctive religious tradition harbored by African American communities across the borderland.


2013 ◽  
Vol 55 (1) ◽  
pp. 22-47
Author(s):  
Stephen Huff

Music scholars Lynn Abbott and Doug Seroff have researched what they call “a deep African American vaudeville theater tradition” in Memphis during the first decade of the twentieth century that helped lead the way to the commercialization of the blues. Their body of work provides a very useful and fascinating historical overview of the black vaudeville scene of the time on the national level. This article seeks to broaden that overview, using a much more focused, microhistorical perspective on the history of theatre management on one particular street in one particular, midsized southern city. It argues that in Memphis, the story of African American and Italian American theatre managers shows that realities were often much more complex than histories that portray a rigid and heavily drawn color line have suggested.


1991 ◽  
Vol 60 (2) ◽  
pp. 233
Author(s):  
Elaine P. Adams ◽  
Harvey G. Neufeldt ◽  
Leo McGee

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