Three Sonnets from the Portuguese; For Voice and Piano

Notes ◽  
1986 ◽  
Vol 42 (3) ◽  
pp. 662
Author(s):  
Laura Dankner ◽  
Thomas Pasatieri ◽  
Elizabeth Barrett Browning
Keyword(s):  
Sonnets From The Portuguese ◽  
Voice And Piano

Four Dickinson Songs for High Voice and Piano

Notes ◽  
1990 ◽  
Vol 47 (1) ◽  
pp. 230
Author(s):  
John McCauley ◽  
Lee Hoiby ◽  
Emily Dickinson
Keyword(s):  
High Voice ◽  
Voice And Piano

VICTORIAN WOMAN’S POETRY

1999 ◽  
Vol 27 (2) ◽  
pp. 601-609 ◽  
Author(s):  
Linda Shires
Keyword(s):  
Poetic Tradition ◽  
Subject Positions ◽  
Michael Field ◽  
Sonnets From The Portuguese ◽  
Religion And Sexuality

PART OF THE EXCITEMENT of reading Victorian woman’s poetry lies in its manifold refusals to adopt wholesale the codes and conventions of the male poetic tradition. Such refusal may manifest itself in the bold rewriting of forms (as in Elizabeth Barrett Browning’s Sonnets from the Portuguese), or in the unhinging of domestic or romantic pieties through irony and other doubling strategies (as in Dora Greenwell’s “Scherzo” or Christina Rossetti’s “Winter: My Secret”). Both the rewriting of male forms and the attack on conventional ideologies opened up new subject positions for women. For example, women’s responses to poetic tradition and to each other’s work initially made use of expressive theory to explore sexual and religious passions simultaneously (as in the poetry of the Brontës), while towards the end of the century, when religion and sexuality were not so inextricably intertwined, women could openly celebrate non-hierarchical sexualities (as in the lesbian poems of Michael Field).

Anthology of Goethe Songs

10.31022/n023 ◽  
1994 ◽  
Keyword(s):  
Eighteenth Century ◽  
Johann Wolfgang Von Goethe ◽  
Art Music ◽  
Ferruccio Busoni ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
German Art ◽  
History Of ◽  
Voice And Piano

Few poets have had so profound an influence on the history of German art music as Johann Wolfgang von Goethe. Since the late eighteenth century, over seven hundred of his poems have been set by nearly six hundred composers as lieder for voice and piano. This anthology gathers twenty-two such settings, in a wide variety of styles, by composers ranging from Goethe's friend Carl Zelter to Hans von Bülow, Ferruccio Busoni, and Othmar Schoeck.

Voice and Piano

1990 ◽  
Vol 131 (1769) ◽  
pp. 369
Author(s):  
John Steane ◽  
Ruth C. Lakeway ◽  
Robert C. White Jnr.
Keyword(s):  
Voice And Piano

A Cypress Grove, a Cantata for Medium Voice and Piano (1723)

Notes ◽  
1950 ◽  
Vol 7 (3) ◽  
pp. 429
Author(s):  
Doris Silbert ◽  
George Hayden ◽  
Eric Taylor
Keyword(s):  
Voice And Piano
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