Divertimento No. 1, Op. 20. From Old Hungarian Dances for String Orchestra

Notes ◽  
1959 ◽  
Vol 17 (1) ◽  
pp. 148
Author(s):  
Robert Hall Lewis ◽  
Leo Weiner
Keyword(s):  
String Orchestra ◽  
Hungarian Dances

Sa’Unine String Orchestra, Orkes Geseknya Indonesia

Panggung ◽  
2012 ◽  
Vol 22 (2) ◽  
Author(s):  
Ranti - Rachmawanti
Keyword(s):  
Popular Culture ◽  
Qualitative Method ◽  
Music Industry ◽  
Main Idea ◽  
String Orchestra ◽  
Characteristic Func ◽  
Orchestra Music ◽  
Research Show ◽  
Func Tion

ABSTRACT This article explains the result of Sa’Unine String Orchestra as one of Indonesian orchestras in popular culture. Main idea of this research is to uncover and describe the characteristic, func- tion, and role of Sa’Unine String Orchestra within the popular culture in Indonesia. This research used qualitative method with ethnographical approaches to identify all facts that discovered during research. The conclusions of this research show that Sa’Unine String Orchestra moves in two ways, there are; the idealism which had a vision to create a real Indonesian string orchestra and a part of music industry. At the end, these two ways are connected to each other because of the earnings of those. Music industry becomes a support factor which create the idealism of Sa’Unine String Or- chestra to be an Indonesian String Orchestra. Keywords: String Orchestra, Music, Popular Culture. 

String Orchestra

1968 ◽  
Vol 109 (1499) ◽  
pp. 65
Author(s):  
Robert Anderson ◽  
Corelli ◽  
Manfredini ◽  
Mendelssohn ◽  
Istvan Szelenyi ◽  
...  
Keyword(s):  
String Orchestra

Hungarian Dances 1784-1810

1988 ◽  
Vol 33 ◽  
pp. 197
Author(s):  
Petr Novak ◽  
Geza Papp
Keyword(s):  
Hungarian Dances

Via Crucis, for String Orchestra (with Solo Cello Obbligato)

Notes ◽  
1965 ◽  
Vol 22 (1) ◽  
pp. 823
Author(s):  
John R. White ◽  
Reginald Smith Brindle
Keyword(s):  
String Orchestra

Concerto for Oboe and String Orchestra

Notes ◽  
1951 ◽  
Vol 8 (2) ◽  
pp. 400
Author(s):  
Wendell Margrave ◽  
Alan Rawsthorne
Keyword(s):  
String Orchestra

scholarly journals Grażyna Bacewicz – The Polish Sappho

2019 ◽  
Vol 16 (1) ◽  
pp. 65-102
Author(s):  
Małgorzata Gąsiorowska
Keyword(s):  
String Quartet ◽  
Women Composers ◽  
The Political ◽  
String Orchestra ◽  
Limited Extent ◽  
Avant Garde ◽  
Political Transformations ◽  
New Type ◽  
Nadia Boulanger ◽  
Artistic Career

Abstract The paper is an attempt at a synthetic presentation of the Polish composer Grażyna Bacewicz’s (1909–1969) musical output and artistic career, presented against the background of events in her personal life, and of major events in Polish and European history in the first seven decades of the 20th century. Bacewicz was called ‘the Polish Sappho’ already in the years between World Wars I and II, when there were very few women-composers capable of creating works comparable to the most eminent achievements of male composers. Her path to success in composition and as a concert soloist leads from lessons with her father, the Lithuanian Vincas Bacevičius, to studies at the Łódź and Warsaw Conservatories (violin with Józef Jarzębski, composition with Kazimierz Sikorski), and later with Nadia Boulanger at the École Normale de la Musique, as well as violin lessons with André Tourret. Her oeuvre has for many years been linked with neoclassicism, and folkloric inspirations are evident in many of her works. Her crowning achievement in the neoclassical style is the Concerto for String Orchestra of 1948, while influences from folklore can distinctly be heard in many concert pieces and small forms. The breakthrough came around 1958, under the influence of avant-garde trends present in West European music, which came to be adapted in Poland thanks to the political transformations and the rejection of socialist realism. In such pieces as Music for Strings, Trumpets and Percussion of 1958, Bacewicz transforms her previously fundamental musical components (melody, rhythm, harmony) into a qualitatively new type of sound structures, mainly focused on the coloristic aspects. Grażyna Bacewicz also applied the twelve-note technique, albeit to a limited extent, as in String Quartet No. 6 (1960). Her last work was the unfinished ballet Desire to a libretto by Mieczysław Bibrowski after Pablo Picasso’s play Le désir attrapé par la queue.

scholarly journals The Influences of Performers and Composers on Selected  Violin Works of Johannes Brahms

2021 ◽  
Author(s):  
◽  
Joanna Lee
Keyword(s):  
New Zealand ◽  
19Th Century ◽  
Johannes Brahms ◽  
Violin Concerto ◽  
School Of Music ◽  
Violin Music ◽  
High Esteem ◽  
Joseph Joachim ◽  
The 19Th Century ◽  
Hungarian Dances

<p>Joseph Joachim was the most influential violinist in Brahms’s life. Not only did the pair have a close personal friendship, but they also admired and respected each other on a professional level. Their high esteem and appreciation for each other led to performance and compositional collaborations. One of the most beloved and well-known works of Brahms’s violin music, the Violin Concerto, was dedicated to Joachim. Indubitably, Joachim influenced the Violin Concerto. Regardless, there are many debates on how much of an input Joachim had on the concerto. In order to examine the influences of performers and composers on selected violin works of Johannes Brahms, the three sections in this paper will investigate Joachim and Brahms, then discuss the importance of a performer-composer’s relationship in the 19th century and, finally, assess the amount of Joachim’s influence on the Brahms Violin Concerto. Each category will have an introduction and information presented in a biographical form, a historical form and musical analysis. Some of the following analysis may be hypothetical, yet, a possibility. Further part of my research will conclude with a recital programme consisting of the Beethoven Violin Concerto in D major, Op. 61, I. Allegro Ma Non Troppo, Brahms Sonata No. 3 in D minor, Op. 108, Sonatensatz/Scherzo movement of the F-A-E Sonata, and Hungarian Dances No. 1, 5 and 7. This will take place on June 18, 2011 in the Adam Concert Room at New Zealand School of Music at 10:30 A.M.</p>

Two Pieces for String Orchestra

2021 ◽  
pp. 235-235
Author(s):  
Richard Kostelanetz ◽  
Steve Silverstein
Keyword(s):  
String Orchestra
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