Woodwind Quintet, for flute, oboe, clarinet, horn, and bassoon

Notes ◽  
1949 ◽  
Vol 6 (2) ◽  
pp. 333
Author(s):  
Wendell Marcrave ◽  
Frank Fragale
Keyword(s):  
Woodwind Quintet

Further reviews

Tempo ◽  
2006 ◽  
Vol 60 (238) ◽  
pp. 46-46
Author(s):  
Peter Palmer
Keyword(s):  
Double Bass ◽  
17Th Century ◽  
Woodwind Quintet ◽  
Hungarian Dances

FARKAS: Serenade for woodwind quintet; Quattro Pezzi for double bass and woodwind; Gyümölcskosár (‘Fruit Basket’); Old Hungarian Dances of the 17th Century; Rondo capriccio; Lavottiana. Ulrike Schneider (mezzosop), Daniel Dodds (vln), Dieter Lange (db), Phoebus Quintet. Toccata Classics TOCC 0019.

Joyful Dances for Woodwind Quintet. Flute, Oboe, Clarinet, Horn, and Bassoon

Notes ◽  
1951 ◽  
Vol 8 (4) ◽  
pp. 746
Author(s):  
Himie Voxman ◽  
George Frederick McKay
Keyword(s):  
Woodwind Quintet

Blasekvintett Nr. 1 (Woodwind Quintet No. 1), Op. 21a

Notes ◽  
1985 ◽  
Vol 41 (4) ◽  
pp. 787
Author(s):  
James Prodan ◽  
Harald Saeverud ◽  
Nicolai Karpowitsch Tschemberdschi ◽  
Himie Voxman ◽  
Donald Erb
Keyword(s):  
Woodwind Quintet

Scherzino, for Woodwind Quintet

Notes ◽  
1953 ◽  
Vol 11 (1) ◽  
pp. 157
Author(s):  
Vincent Persichetti ◽  
Gardner Read
Keyword(s):  
Woodwind Quintet

A Woodland Serenade, for Woodwind Quintet

Notes ◽  
1957 ◽  
Vol 15 (1) ◽  
pp. 149
Author(s):  
Leslie Bassett ◽  
Herbert Haufrecht
Keyword(s):  
Woodwind Quintet

Diversion for Woodwind Quintet

Notes ◽  
1957 ◽  
Vol 15 (1) ◽  
pp. 149
Author(s):  
Leslie Bassett ◽  
Arthur Harris
Keyword(s):  
Woodwind Quintet

Sextet for Alto Saxophone and Woodwind Quintet

1985 ◽  
Vol 3 (2) ◽  
pp. 249
Author(s):  
Joseph Wytko ◽  
Leon Stein ◽  
Paul Creston ◽  
Bernhard Heiden
Keyword(s):  
Alto Saxophone ◽  
Woodwind Quintet

Three Pieces for Woodwind Quintet

1961 ◽  
Vol 102 (1425) ◽  
pp. 717
Author(s):  
Peter Dickinson ◽  
Gyorgy Ranki ◽  
Antal Ribari ◽  
Pal Kadosa ◽  
Leo Weiner ◽  
...  
Keyword(s):  
Woodwind Quintet

Searches

Samuel Barber ◽  
2020 ◽  
pp. 384-408
Author(s):  
Barbara B. Heyman
Keyword(s):  
New York ◽  
Chamber Music ◽  
Symphony Orchestra ◽  
Mixed Chorus ◽  
Woodwind Quintet ◽  
Inner Voice ◽  
Boston Symphony Orchestra

In Rome, Barber attended a Gregorian Mass sung by Benedictine monks at St. Anselmo church and was inspired to write a grand-scaled religious work, Prayers of Kierkegaard, for orchestra, mixed chorus, a soprano solo written with Leontyne Price’s voice in mind, and incidental contralto and tenor solos. It was premiered by the Boston Symphony Orchestra under the baton of Charles Munch, with Price as soloist. Barber wrote about the music to his beloved mentor and uncle, Sidney Homer, who at the time was coming toward the end of his life. Homer’s guidance was unwavering, and he encouraged Barber to listen to his inner voice and follow his instincts. As a result, his Roman-inspired pieces were performed throughout Europe. In America, a commission from the Detroit Chamber Music Society led to Barber’s composing the woodwind quintet Summer Music, a collaboration with the New York Woodwind Quintet.

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