Crossing over with Rubén Blades

1991 ◽  
Vol 44 (2) ◽  
pp. 301-323 ◽  
Author(s):  
Don Michael Randel

Having won two Grammy Awards, attracted considerable attention in the English-language media, and appeared in several Hollywood films, Latin popular singer Rubén Blades has been much discussed as a crossover, that is, as an artist who, with a well-defined audience (in this case Hispanic), produces work that appeals in addition to another audience (here the audience for mainstream American popular music). El Gran Combo de Puerto Rico, in contrast, continues to appeal to its traditional Hispanic audience and remains the undisputed leader in popularity with that audience. A comparison of a piece by El Gran Combo with one by Blades suggests ways of thinking about the relationship of both to their audiences and to each other and ways in which musicology might approach such questions in specifically musical terms. Blades is seen not to be crossing over from one audience to another but to represent transformations in his Hispanic audience, which is itself crossing over to become increasingly imbued with Anglo culture while remaining rooted in its own traditions.

Pragmatics ◽  
2013 ◽  
Vol 23 (3) ◽  
pp. 499-517 ◽  
Author(s):  
Eleni Petraki ◽  
Sarah Bayes

Research in English language teaching has highlighted the importance of teaching communication skills in the language classroom. Against the backdrop of extensive research in everyday communication, the goal of this research was to explore whether current discourse analytic research is reflected in the lessons and communication examples of five English language teaching textbooks, by using spoken requests as the subject of investigation. The textbooks were evaluated on five criteria deriving from research on politeness, speech act theory and conversation analysis. These included whether and the extent to which the textbooks discussed the cultural appropriateness of requests, discussed the relationship of requests and other contextual factors, explained pre-sequences and re-requests and provided adequate practice activities. This study found that none of the coursebooks covered all of the criteria and that some coursebooks actually had very inadequate lessons. The results of the textbook analysis demonstrate that teachers using these five coursebooks and designers of future coursebooks must improve their lessons on requests by using pragmatics research and authentic examples as a guide.


2021 ◽  
Vol 1 (1) ◽  
pp. 24-28
Author(s):  
Nadya Savira Chaerani ◽  
Dedeh Fardiah

Abstract. In February 2019 KPID West Java issued a circular containing restrictions on the hours of broadcast of some English-language songs that were vulgar in content, both in the form of songs or video clips. There are 17 English songs contained in circular attachments issued by KPID West of Java. Dozens of songs can only be aired starting at 22:00 WIB until 03.00 WIB. The broadcast limitation starts from public complaints and KPID supervision of the broadcast content. A number of online media rollicking to preach this event, one of which is online media Detik.com which is a news site that is widely accessed by various groups. This study uses a quantitative method with a correlational approach that aims to find out the relationship of truth, relevance, balance and neutrality between the coverage of 17 western songs by KPID West of Java towards the interests of listeners of western songs on Radio as aspects of cognitive, evaluative and the interests of listeners of western songs on the radio The students of Faculty of Communication Sciences Unisba as the dependent variable, this study uses the objectivity theory of Westerstahl. From this study using the stratified random sampling technique, it was concluded that there was a significant and very strong relationship between Factuality, Impartiality and Western Song Listeners' Interests on Radio at the Faculty of Communication Sciences Unisba. Abstrak. Pada bulan Februari 2019 KPID Jawa Barat mengeluarkan surat edaran yang berisi tentang pembatasan jam penyiaran beberapa lagu berbahasa Inggris yang berkonten vulgar, baik dalam bentuk lagu atau pun video klip. Terdapat 17 lagu berbahasa Inggris yang terdapat dalam lampiran surat edaran yang dikeluarkan KPID Jawa Barat. Belasan lagu itu hanya boleh tayang mulai pukul 22.00 WIB hingga 03.00 WIB. Pembatasan penyiaran berawal dari aduan masyarakat dan pengawasan KPID terhadap isi siaran. Sejumlah media online beramai-ramai memberitakan peristiwa ini salah satunya media online Detik.com yang merupakan situs berita yang banyak diakses oleh berbagai kalangan. Penelitian ini menggunakan metode kuantitatif dengan pendekatan korelasional yang bertujuan mengetahui adanya hubungan kebenaran, relevansi, keberimbangan dan netralitas antara pemberitaan pembatasan 17 lagu barat oleh KPID Jawa Barat terhadap minat pendengar lagu barat di Radio sebagai aspek dalam kognitif, evaluatif dengan minat pendengar lagu barat di radio pada Mahasiswa Fikom Unisba sebagai variabel terikat, penelitian ini menggunakan teori Objektivitas dari Westerstahl. Dari penelitian ini yang menggunakan teknik penarikan sampel stratified random sampling ini ditemukan kesimpulan, bahwa terdapat hubungan yang signifikan dan sangat kuat antara Faktualitas, Imparsialitas dengan Minat Pendengar Lagu Barat di Radio pada Mahasiswa Fikom Unisba.


2019 ◽  
Vol 40 (11) ◽  
pp. 1325-1330
Author(s):  
Cameron M. Beck ◽  
Austin R. Dickerson ◽  
Kevin J. Kadado ◽  
Zachary A. Cohen ◽  
Somer E. Blair ◽  
...  

Background: We describe a thick fascial band arising from the medial aspect of the lateral plantar aponeurosis diving deep into the forefoot crossing over a branch of the lateral plantar nerve. Because a review of current literature resulted in limited and outdated sources, we sought to first determine the frequency of this fascial band and the location where it crosses the lateral plantar nerve and, second, discuss the clinical applications these anatomical findings could have. Methods: 50 pairs of cadaveric feet (n = 100) were dissected to investigate for presence of the fascial band and its interaction with the lateral plantar nerve. Images were taken of each foot with the fascial band. ImageJ was used to take 2 measurements assessing the relationship of the tuberosity of the base of the fifth metatarsal to where the nerve crossed deep to the fascial band. Results: Overall, 38% of the feet possessed the fascial band. It was found unilaterally in 10 pairs and bilaterally in 14 pairs. On average, the point at which the lateral plantar nerve passed deep to the fascial band was 2.0 cm medial and 1.7 cm anterior to the tuberosity of the base of the fifth metatarsal. Conclusion: When present, the deep band of the lateral plantar aponeurosis (PA) was consistently found to be crossing the lateral plantar nerve. The discovery of the location where this most commonly occurs has not been previously reported and adds an interesting dimension that elevates an anatomical study to one that has clinical potential. Clinical Relevance: The established target zone gives a precise location for where the relationship between the deep band of the lateral PA and the lateral plantar nerve exists when evaluating the foot. The target zone provides a potential springboard for future investigations concerning said relationship clinically.


Genetics ◽  
1955 ◽  
Vol 40 (6) ◽  
pp. 850-873
Author(s):  
Spencer W Brown ◽  
Daniel Zohary

2021 ◽  
Vol 90 (1) ◽  
pp. 21-41
Author(s):  
Alex MacDonald

This essay explores musical references in Brave New World and Nineteen Eighty-Four, including music imagery and allusions to popular songs of the 1920s and 1940s. Huxley used the popular music of the Brave New World as an indicator of its emotional shallowness, represented by such immortal songs as “Hug Me Till You Drug Me, Honey.” Brave New World’s scorn for popular music, and for popular culture in general, situates Huxley’s famous dystopia as a high Modernist work. In Orwell’s case, implicit references to World War II hits such as “We’ll Meet Again” and “I’ll Be Seeing You” reflect ironically upon the relationship of Winston and Julia and their terrible situation at the end of the novel. His treatment of the musical thrush and the singing Prole laundrywoman plays a more hopeful note, and a positive attitude to popular songs and popular culture situates Nineteen Eighty-Four on the cusp of Post-Modernism. With respect to the critical discourse about hope and despair in these dystopian texts, the essay suggests that signs of hopefulness in Brave New World are very slight, although they do exist. The music of Nineteen Eighty-Four, and some other factors, lend support to the view that Orwell’s novel is not so despairing as it is sometimes made out to be.


1960 ◽  
Vol 12 (46) ◽  
pp. 119-138
Author(s):  
J.F. Glaser

The fall of Charles Stewart Parnell as a result of the O'Shea divorce case in late 1890 is a dramatic episode of lasting human interest and an event of the first importance in the history of Ireland and of British politics. The story of the crisis has often been told, usually from the perspectives of the two Homeric protagonists, Parnell and Gladstone. While it is generally agreed that the English nonconformists played a decisive part in the dethronement of ‘the uncrowned king of Ireland’, their catalytic role has never been clearly, accurately, or fully explained. The problem is of special interest because it was during this controversy that ‘the nonconformist conscience’ entered the English language as a popular phrase as it had long before entered English politics as a potent reality. It is the purpose of this article to study the Parnell affair from the vantage point of English nonconformity and, in so doing, to re-examine the origin of the famous phrase and to throw light on the relationship of nonconformity and the liberal party in a critical phase of the home rule movement.


2016 ◽  
Vol 1 ◽  
Author(s):  
Katherine Lucey

The average American college student text messages constantly throughout the day. According to a Boston area Verizon retailer, it is not uncommon for young adults (an age range he did not define) to send 8,000 text messages a month. Texting has become an increasingly more important form of communication in our culture, and our country’s colleges are the hotbeds of linguistic activity and change within this particular medium. Its emergence and popularity have not gone unnoticed in the sociolinguistic community, where text messaging and online conversation have become rich new areas of linguistic data yet unexplored. Most famous in this discussion is British linguist David Crystal, whose recent research, culminating in his 2008 book Txting: The Gr8 Deb8, has incited discussion and suggested fascinating conclusions about the sophistication of this means of communication and its influence on the English language. Crystal writes a great deal about the acronyms and abbreviations within the grammar of the Short Messaging Service (SMS), but in this paper I focused on the relationship of tone and punctuation, a topic that emerged out of a conversation with a fellow student. She was struggling to compose a message to a recent acquaintance (and potential romantic interest), and could not decide on the proper end punctuation for the attitude she wanted to project. The message content, something mundane about her hometown in Maryland, wasn’t the problem; it was deciding the appropriate way to finish the message off, to apply a tone. We ran through the list of options and discussed all of their implications, trying to identify which one would best convey her overall attitude: interested and engaged, but definitely light and casual. After trying a few different combinations of haha’s and exclamation points we landed on something satisfactory and she sent it off. Reflecting on it later, I realized that we had just achieved a pretty complex linguistic act. With limited resources we managed to make sure her recipient knew how she felt; her message served as a vehicle for an emotional transfer. Text messages that are pure content are all business, just an instant communication of needs to another person who could be in any place and engaged in any activity. Without explicit markers of tone, such a message is bold and possibly disconcerting, and not at all analogous to face-to-face conversation, in which politeness is paramount. American college students therefore employ punctuation and add certain particles in order to avoid ambiguity of tone and preserve standards of politeness in text messaging. 


2011 ◽  
Vol 40 (3) ◽  
pp. 271-282 ◽  
Author(s):  
Ira Robinson

This article examines in detail the repercussions of a 1931 sermon by Sheea Herschorn, an immigrant Orthodox rabbi in Montreal, on the public discourse of the Montreal Jewish community. It begins with a brief consideration of the position of the immigrant Orthodox rabbinate in Montreal and then explores the nature of the public discourse on this sermon, in which Rabbi Herschorn was accused of agreeing with an anti-Semitic position, through a close examination of the reportage of the controversy in Montreal’s Jewish press, which then included two newspapers in Yiddish, the Keneder Adler and Der Shtern, as well as the English-language Canadian Jewish Chronicle. Finally, the article explores some of the major issues raised in Rabbi Herschorn’s sermon regarding the contemporary situation of Polish Jews in relation to their society, tying it to his perception of the relationship of Canadian Jews and Canadian society as a whole. These latter issues included especially the relationship between Montreal Jews and Montreal’s public Anglophone institutions, such as the Royal Victoria Hospital, and McGill University, whose ambivalent acceptance of Jews as physicians and students was then an issue of great concern to the Jewish community.


Sign in / Sign up

Export Citation Format

Share Document