Flaubert: Trois Contes and the Figure of the Double Cone

PMLA ◽  
1980 ◽  
Vol 95 (5) ◽  
pp. 812-826
Author(s):  
John R. O'Connor

AbstractIn A Vision, W. B. Yeats describes the principal symbol of his work as the figure of a double cone formed by tracing a line along the outer edges of two intersecting gyres, or vortices, the apex of each vortex in the middle of the other's base. He then asserts that the only writer outside speculative philosophy to have used the symbol was Flaubert, who had planned to write a story called “La Spirale.” Though it is impossible completely to credit Yeats's reading of “La Spirale,” his general assertion is nevertheless correct, extraordinarily, as a description of the Trois Contes, where the double cone appears both as a narrative structure and a theme, symbolizing the creative passage from material to spiritual life.

2001 ◽  
pp. 54-61
Author(s):  
K. Nedzelsky

Ivan Ogienko (1882-1972), also known as Metropolitan Hilarion, devoted much attention to the role and place of religion in the national life of Ukrainians and their ethnic identity in their scholarly and theological works. Without exaggeration it can be argued that the problem of national unity of the Ukrainian people is one of the key principles of all historiosophical considerations of the famous scholar and theologian. If the purpose of the spiritual life of a Ukrainian, according to his views, is to serve God, then the purpose of state or terrestrial life is the dedicated service to his people. The purpose of heaven and the purpose of the earthly paths, intersecting in the life of a certain group of people through the lives of its individual representatives, give rise to a unique alliance of spiritual unity, the name of which is "people" or "nation." Religion (faith) in the process of transforming the anarchist crowd into a spiritually integrated and orderly national integrity serves as the transformer of the imperfect nature of the human soul into perfect.


1998 ◽  
pp. 46-52
Author(s):  
S. V. Rabotkina

A huge place in the spiritual life of medieval Rusich was occupied by the Bible, although for a long time Kievan Rus did not know it fully. The full text of the Holy Scriptures appears in the Church Slavonic language not earlier than 1499.


1996 ◽  
pp. 56-61
Author(s):  
I. Mozgovyy

The unceasing approximation of the remarkable 2000th anniversary of the coming to the world of Christ highlights the need for further analysis of those processes that took place in the spiritual life of the ancient peoples and laid the foundations of modern civilization with its universal human norms and values.


2017 ◽  
Vol 4 ◽  
pp. 117-129
Author(s):  
Natali Cavanagh

While infection has always haunted civilizations around the world, there are very few diseases that have had as much of an impact on Western culture as cancer has. The abundance of bereavement literature about characters with cancer begs the question; why cancer? This paper discusses ways in which cancer narratives reinforce Western obsession with control, through the lens of rhetoric and narrative structure. The author will specifically discuss how Patrick Ness’ 2011 novel, A Monster Calls, combats modern illness and cancer narratives and challenges themes of control threaded into Western culture


Author(s):  
Didier Debaise

Process and Reality ends with a warning: ‘[t]he chief danger to philosophy is narrowness in the selection of evidence’ (PR, 337). Although this danger of narrowness might emerge from the ‘idiosyncrasies and timidities of particular authors, of particular social groups, of particular schools of thought, of particular epochs in the history of civilization’ (PR, 337), we should not be mistaken: it occurs within philosophy, in its activity, its method. And the fact that this issue arises at the end of Process and Reality reveals the ambition that has accompanied its composition: Whitehead has resisted this danger through the form and ambition of his speculative construction. The temptation of a narrowness in selection attempts to expel speculative philosophy at the same time as it haunts each part of its system.


Moreana ◽  
2014 ◽  
Vol 51 (Number 195- (1-2) ◽  
pp. 85-102
Author(s):  
Yelena Mazour-Matusevitch

The inherent utopian tension between the ideal pattern and the earthly reality will be examined here in the context of the Pythagorean tradition, which Utopia shares with Plato’s Republic and Cicero’s De Republica, taken in its widest sense as the vision holding cosmic harmony as a model for organization of human affairs. The article aims to show how this tradition, by means of modification by the Renaissance Neo-Platonists, manifests itself in Utopia, putting to test Thomas More’s moral convictions as well as his faith in Neo-Platonist speculative philosophy.


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