D'Aubigne's Les Tragiques: A Protestant Apocalypse
Recent Studies on d'Aubigné's Les Tragiques have tended to bear out Henri Trénel's assertion in 1904 that the poet is “le plus biblique des écrivains français.” Since Trénel's catalogue of Scriptural references and Hebraisms in the poem (by which he sought to prove his point), d'Aubigné critics have given more thought to the significance of this accumulation of Biblical imagery, focusing particularly on d'Aubigné's continuing correlation of characters and events in Old Testament, early Christian, and contemporary sixteenth-century history. Henri Weber, whose view represents the most generally accepted interpretation, explains that this correlation provides the temporal dimension required by the epic poem. Moreover, by showing contemporary events to be a repetition of Biblical history, it raises those events to a symbolic level consistent with d'Aubigné's notion that the fortunes of the Protestants represent the working out of God's providential design for His modern-day chosen people. Henry Sauerwein suggests that the Biblical imagery represents d'Aubigné's attempt to approximate the style of the Bible in order to achieve a form suited to Les Tragiques as God's revelation of the destiny of the Protestant people to the divinely inspired poet.