Henry James's Capricciosa: Christina Light in Roderick Hudson and The Princess Casamassima

PMLA ◽  
1960 ◽  
Vol 75 (3) ◽  
pp. 309-319 ◽  
Author(s):  
M. E. Grenander
Keyword(s):  
Twentieth Century ◽  
Revolutionary Movement ◽  
Critical Attention ◽  
The One ◽  
The Right ◽  
Short Essay ◽  
Train Of Thought ◽  
Special Case

In recent years, critical attention has focussed increasingly on The Princess Casamassima, Henry James's novel of the international revolutionary movement seething beneath the surface of society. The sad wisdom of the mid-twentieth century no longer finds incredible the plot earlier critics dismissed as footling melodrama; and with a recognition of its probability, students of James have undertaken a re-examination of the whole novel. Oddly enough, however, little attention has been paid to its reliance on Roderick Hudson, where the Princess Casamassima first appears. The one significant exception has been a short essay by Louise Bogan, though Christina's complexity and interest have attracted other writers. Yet Roderick Hudson deserves study for its own merits; and, as Miss Bogan has pointed out, the character of the Princess is difficult to interpret unless one also remembers her as Christina Light. It is not true, as Miss Bogan asserts (p. 472), that Christina is “the only figure [James] ever ‘revived’ and carried from one book to another,” for not only do Madame Grandoni and the Prince Casamassima share her transposition; the sculptor Gloriani, who makes his debut in Roderick Hudson, reappears in The Ambassadors. But it is true, as Cargill more accurately points out (p. 108), that “Christina is the only major [italics mine] character that James ever revived from an earlier work,” for he questioned the wisdom of indulging wholesale the writer's “revivalist impulse” to “go on with a character.” Hence Christina Light must have struck him as a very special case. He tells us that he felt, “toward the end of ‘Roderick,‘ that the Princess Casamassima had been launched, that, wound-up with the right silver key, she would go on a certain time by the motion communicated” (AN, p. 18). In the Preface to The Princess Casamassima he continues this train of thought: Christina Light, “extremely disponible” and knowing herself “striking, in the earlier connexion,… couldn't resign herself not to strike again” (AN, pp. 73, 74).

Gentzen's Proof of Normalization for Natural Deduction

2008 ◽  
Vol 14 (2) ◽  
pp. 240-257 ◽  
Author(s):  
Jan von Plato
Keyword(s):  
Natural Deduction ◽  
Sequent Calculus ◽  
Direct Proof ◽  
Cut Elimination ◽  
Doctoral Thesis ◽  
Detailed Proof ◽  
Normalization Theorem ◽  
The One ◽  
The Right ◽  
Special Case

AbstractGentzen writes in the published version of his doctoral thesis Untersuchungen über das logische Schliessen (Investigations into logical reasoning) that he was able to prove the normalization theorem only for intuitionistic natural deduction, but not for classical. To cover the latter, he developed classical sequent calculus and proved a corresponding theorem, the famous cut elimination result. Its proof was organized so that a cut elimination result for an intuitionistic sequent calculus came out as a special case, namely the one in which the sequents have at most one formula in the right, succedent part. Thus, there was no need for a direct proof of normalization for intuitionistic natural deduction. The only traces of such a proof in the published thesis are some convertibilities, such as when an implication introduction is followed by an implication elimination [1934–35, II.5.13]. It remained to Dag Prawitz in 1965 to work out a proof of normalization. Another, less known proof was given also in 1965 by Andres Raggio.We found in February 2005 an early handwritten version of Gentzen's thesis, with exactly the above title, but with rather different contents: Most remarkably, it contains a detailed proof of normalization for what became the standard system of natural deduction. The manuscript is located in the Paul Bernays collection at the ETH-Zurichwith the signum Hs. 974: 271. Bernays must have gotten it well before the time of his being expelled from Göttingen on the basis of the racial laws in April 1933.

scholarly journals A Rhetorical Approach to the Literary Essay: Pedagogical Implications

2016 ◽  
pp. 199
Author(s):  
Margarita Esther Sánchez Cuervo
Keyword(s):  
Twentieth Century ◽  
Virginia Woolf ◽  
Rhetorical Figures ◽  
Critical Attention ◽  
Composition Classes ◽  
Short Essay

The teaching of the literary essay is usually ignored in many universities due to its probing and inconclusive form which has not favoured the existence of models of analysis. However, the argumentative nature of this discourse can be examined through a reading that allows the recognition of some rhetorical operations like the invention of arguments (inuentio), their arrangement (dispositio) and expressive manifestation (elocutio). This article proposes a model of analysis following this rhetorical approach. In particular, I apply this analysis to a short essay by Virginia Woolf, ‘Royalty’. Woolf has been considered a major writer of the twentieth century. Although the style of her novels has been extensively researched from diverse perspectives, the style of her essays has not received much critical attention. Throughout my study, I indicate how the recognition and interpretation of arguments and rhetorical figures can help to define the style of this essay. Furthermore, I provide some guidelines for the identification and further interpretation of these rhetorical elements. Both the analysis and the guidelines can be useful in the literature and composition classes.

Mechanisms of Resource Curse and Economic Policy

2007 ◽  
pp. 4-27 ◽  
Author(s):  
V. Polterovich ◽  
V. Popov ◽  
A. Tonis
Keyword(s):  
Real Exchange Rates ◽  
Resource Curse ◽  
Budget Deficits ◽  
Resource Abundance ◽  
Fuel Prices ◽  
Use Of Resources ◽  
Resource Wealth ◽  
The One ◽  
The Right ◽  
Rich Countries

This paper compares various mechanisms of resource curse leading to a potentially inefficient use of resources; it is demonstrated that each of these mechanisms is associated with market imperfections and can be "corrected" with appropriate government policies. Empirical evidence seems to suggest that resource abundant countries have on average lower budget deficits and inflation, and higher foreign exchange reserves. Besides, lower domestic fuel prices that are typical for resource rich countries have a positive effect on long-term growth even though they are associated with losses resulting from higher energy consumption. On top of that resource abundance allows to reduce income inequalities. So, on the one hand, resource wealth turns out to be conducive to growth, especially in countries with strong institutions. However, on the other hand, resource abundance leads to corruption of institutions and to overvalued real exchange rates. On balance, there is no solid evidence that resource abundant countries grow more slowly than the others, but there is evidence that they grow more slowly than could have grown with the right policies and institutions.

‘The well-known, old, but still unbeaten track’: Women Poets and Irish Periodical Culture in the Mid-Twentieth Century

2012 ◽  
Vol 42 (1) ◽  
pp. 32-52 ◽  
Author(s):  
Anne Mulhall
Keyword(s):  
Twentieth Century ◽  
Literary Culture ◽  
Woman Writer ◽  
Double Bind ◽  
Women Poets ◽  
Substantial Body ◽  
Growing Body ◽  
Critical Attention ◽  
Irish Women ◽  
Under Construction

While neglected Irish male poets of the mid century have seen some recuperation in recent decades, the work of Irish women poets still languishes in obscurity. A growing body of scholarship has identified the need to bring critical attention to bear on this substantial body of work. In this essay I explore the positioning of Irish women poets in mid-century periodical culture, to flesh out the ways in which the terms of this ‘forgetting’ are already established within the overwhelmingly masculinist homosocial suppositions and idioms that characterized contemporary debates about the proper lineage and aesthetic norms for the national literary culture that was then under construction. Within the terms set by those debates, the woman writer was caught in the double bind that afflicted any woman wishing to engage in a public, politicized forum in post-revolutionary Ireland. While women poets engage in sporadic or oblique terms with such literary and cultural debates, more often their voices are absent from these dominant discourses – the logic of this absence has continued in the occlusion of these women poets from the national poetic canon.

Homosexuality in K. Sello Duiker’s The Quiet Violence of Dreams: Demythologising the Imaginings and Universalising the Reality

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Adetunji Kazeem Adebiyi-Adelabu
Keyword(s):  
Coming Out ◽  
The Novel ◽  
Same Sex ◽  
Black African ◽  
Sex Preference ◽  
National Allegory ◽  
Critical Attention ◽  
Sex Orientation ◽  
The Right

Sello Duiker’s The Quiet Violence of Dreams offers an extensive treatment of homosexuality, a preoccupation which, until recently, is rare in black African fiction. On this account, as well as its depth and openness, the work has attracted some critical attention. It has been read from a masculinity perspective, as a coming-out novel, as a national allegory, as a work that challenges the notion of fixed sexuality, as a work that normalises same-sex sexuality, and so forth. Unlike these studies, this article examines the representation and disquisition around same-sex preference in the novel, with a view to demonstrating how some myths about homosexuality are exploded in the groundbreaking work, and showing that the narrative could also be apprehended as intellectual advocacy for the right to same-sex orientation.

Challenges of Media Education Standards in Georgia

2017 ◽  
Vol 2 (2) ◽  
Author(s):  
Marine Vekua
Keyword(s):  
Working Conditions ◽  
Teaching Methods ◽  
International Standards ◽  
The Other ◽  
Historical Background ◽  
Journalism Education ◽  
Education Standards ◽  
Modern Media ◽  
The One ◽  
The Right

The main goal of this research is to determine whether the journalism education of the leading media schools inGeorgia is adequate to modern media market’s demands and challenges. The right answer to this main questionwas found after analyzing Georgian media market’s demands, on the one hand, and, on the other hand, differentaspects of journalism education in Georgia: the historical background, development trends, evaluation ofeducational programs and curricula designs, reflection of international standards in teaching methods, studyingand working conditions.

State of Fashion: Searching for the New Luxury

APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen
Keyword(s):  
Twentieth Century ◽  
Daily Life ◽  
Life Cycles ◽  
The Other ◽  
Century Model ◽  
Cocktail Party ◽  
The Public ◽  
Other Hand ◽  
The One

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.

The Taubman/Golandsky Approach to the Violin

Public Voices ◽  
2016 ◽  
Vol 12 (2) ◽  
pp. 7
Author(s):  
Sophie Till
Keyword(s):  
The Other ◽  
Technical Approach ◽  
Piano Technique ◽  
Pedagogical Approach ◽  
New Developments ◽  
Body Of Knowledge ◽  
Music Making ◽  
Helping Others ◽  
The One ◽  
The Right

Three years ago Sophie Till started working with pianist Edna Golandsky, the leading exponent of the Taubman Piano Technique, an internationally acclaimed approach that is well known to pianists, on the one hand, for allowing pianists to attain a phenomenal level of virtuosity and on the other, for solving very serious piano-related injuries. Till, a violinist, quickly realized that here was a unique technical approach that could not only identify and itemize the minute movements that underlie a virtuoso technique but could show how these movements interact and go into music making at the highest level. Furthermore, through the work of the Golandsky Institute, she saw a pedagogical approach that had been developed to a remarkable depth and level of clarity. It was an approach that had the power to communicate in a way she had never seen before, despite her own first class violin training from the earliest age. While the geography and “look” on the violin are different from the piano, the laws governing coordinate motion specifically in playing the instrument are the same for pianists and violinists. As a result of Till’s work translating the technique for violin, a new pedagogical approach for violinists of all ages is emerging; the Taubman/Golandsky Approach to the Violin. In reflecting on these new developments, Edna Golandsky wrote, “I have been working with the Taubman Approach for more than 30 years and have worked regularly with other instrumentalists. However, Sophie Till was the first violinist who asked me to teach her with the same depth that I do with pianists. With her conceptual and intellectual agility as well as complete dedication to helping others, she has been the perfect partner to translate this body of knowledge for violinists. Through this collaboration, Sophie is helping develop a new ‘language’ for violinist that will prevent future problems, solve present ones and start beginners on the right road to becoming the best they can be. The implications of this new work for violinists are enormous.”

Freedom of Expression versus Privacy and the Right to Reputation

2017 ◽  
Author(s):  
Dirk Voorhoof
Keyword(s):  
Public Interest ◽  
Freedom Of Expression ◽  
Media Freedom ◽  
Investigative Journalism ◽  
The Public ◽  
The Right Of Privacy ◽  
The One ◽  
Grand Chamber ◽  
The Right ◽  
The Impact

The normative perspective of this chapter is how to guarantee respect for the fundamental values of freedom of expression and journalistic reporting on matters of public interest in cases where a (public) person claims protection of his or her right to reputation. First it explains why there is an increasing number and expanding potential of conflicts between the right to freedom of expression and media freedom (Article 10 ECHR), on the one hand, and the right of privacy and the right to protection of reputation (Article 8 ECHR), on the other. In addressing and analysing the European Court’s balancing approach in this domain, the characteristics and the impact of the seminal 2012 Grand Chamber judgment in Axel Springer AG v. Germany (no. 1) are identified and explained. On the basis of the analysis of the Court’s subsequent jurisprudence in defamation cases it evaluates whether this case law preserves the public watchdog-function of media, investigative journalism and NGOs reporting on matters of public interest, but tarnishing the reputation of public figures.

Subordinate-Deity Models of Ultimate Reality

2017 ◽  
Author(s):  
Wesley J. Wildman
Keyword(s):  
Twentieth Century ◽  
Ultimate Reality ◽  
Post Colonial ◽  
Metaphysical Problem ◽  
Axial Age ◽  
Colonial Resistance ◽  
The Many ◽  
The One

Subordinate-deity models of ultimate reality affirm that God is Highest Being within an ultimate reality that is neither conceptually tractable nor religiously relevant. Subordinate-deity models ceded their dominance to agential-being models of ultimate reality by refusing to supply a comprehensive answer to the metaphysical problem of the One and the Many in the wake of the Axial-Age interest in that problem, but they have revived in the twentieth century due to post-colonial resistance to putatively comprehensive explanations. Subordinate-deity ultimacy models resist the Intentionality Attribution and Narrative Comprehensibility dimensions of anthropomorphism to some degree but continue to employ the Rational Practicality dimension of anthropomorphism, resulting in a strategy of judicious anthropomorphism. Variations, strengths, and weaknesses of the subordinate-deity class of ultimacy models are discussed.

Sign in / Sign up

Export Citation Format

Share Document