PARADIGM, INTERTEXT, OR RESIDUAL ALLEGORY: GUILLAUME DE DEGUILEVILLE AND THE GAWAIN-POET

Medium Ævum ◽  
2011 ◽  
Vol 80 (1) ◽  
pp. 18 ◽  
Author(s):  
NIEVERGELT
Keyword(s):  
Guillaume De Deguileville ◽  
Gawain Poet

Ethan Campbell, The Gawain-Poet and Fourteenth-Century English Anti-Clerical Tradition. Research in Medieval and Early Modern Culture. Kalamazoo, MI: Medieval Institute Publications / Western Michigan University, 2018, pp. 238.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 427-429
Author(s):  
Jane Beal
Keyword(s):  
Fourteenth Century ◽  
Dual Language ◽  
Pearl Poet ◽  
Modern Culture ◽  
Sir Gawain ◽  
Link Type ◽  
Western Michigan University ◽  
Facsimile Edition ◽  
Scientific Rhetoric ◽  
Gawain Poet

In the past four years, there has been a flurry of valuable new work on the poems of the Gawain-poet (also known as the Pearl-poet), which includes new editions, translations, monographs, pedagogical studies, and online resources. Among the editions and translations are Malcolm Andrew and Ronald Waldron’s excellent facsimile edition and translation of Cotton Nero A.x (Folio Society, 2016), Simon Armitage’s verse translations of Sir Gawain and the Green Knight and Pearl (W.W. Norton, 2008 and 2016 respectively) and, I allow myself to mention, my own dual-language edition-translation of Pearl with supplementary materials for collegiate teaching (Broadview, forthcoming). Academic monographs include Piotyr Spyra’s Epistemological Perspective of the Pearl-Poet (Ashgate, 2014), Cecelia Hatt’s God and the Gawain-Poet: Theology and Genre (Boydell & Brewer, 2015), my Signifying Power of Pearl: Medieval Literary and Cultural Contexts for the Transformation of Genre (Routledge, 2017), and Lisa Horton’s Scientific Rhetoric of the Pearl-Poet (Arc Humanities Press, forthcoming). Editors Mark Bradshaw Busbee and I have published Approaches to Teaching the Middle English Pearl (MLA, 2017), which contains insightful pedagogical essays from several professors. The journal Glossator provides a complete commentary on each section of Pearl, available online (<ext-link ext-link-type="uri" xlink:href="https://glossator.org/2015/03/30/glossator-9-2015-pearl">https://glossator.org/2015/03/30/glossator-9-2015-pearl</ext-link>/), and additional resources are available at “Medieval Pearl” (<ext-link ext-link-type="uri" xlink:href="https://medievalpearl.wordpress.com">https://medievalpearl.wordpress.com</ext-link>). Now Ethan Campbell’s The Gawain-Poet and the Fourteenth-Century English Anticlerical Tradition joins the ranks, making a meaningful contribution to our understanding of the poet in his cultural milieu.

An Introduction to the Gawain Poet by John M. Bowers

Arthuriana ◽  
2013 ◽  
Vol 23 (3) ◽  
pp. 110-112
Author(s):  
Ad Putter
Keyword(s):  
Gawain Poet

On the Sources of Guillaume De Deguileville's Pèlerinage de L'Ame

PMLA ◽  
1910 ◽  
Vol 25 (2) ◽  
pp. 275-308
Author(s):  
Stanley Leman Galpin
Keyword(s):  
Direct Influence ◽  
Jean De Meun ◽  
The Subject ◽  
Guillaume De Deguileville ◽  
Book Of Daniel ◽  
Divina Commedia

The sources of the allegorical religious trilogy of the Cistercian monk and prior, Guillaume de Deguileville, have not been thoroughly investigated until comparatively recent years. In 1896, Tobler, reporting on Stürzinger's edition of the Pèlerinage de Vie Humaine, stated that Deguileville's characteristics as a poet must be compared to those of Jean de Meun and Daute, and that Deguileville's powers of description did not approach those of Dante. Gröber gives it as his opinion that Deguileville's trilogy was composed without any knowledge of the Divina Commedia, though there are analogies between the two. He cites St. Bernard, Aristotle, the Book of Daniel, the Apocalypse, Dionysius Areopagita, and ms. illustrations, as sources of certain features of Ame. J. E. Hultman, in an excellent study of the poet's life and works, brings to light the sources of a large part of the three poems. His is the first serious attempt to discover the literary antecedents of Deguileville, and is a thorough, though inevitably not an exhaustive, treatment of the subject. Farinelli points out additional analogies between Dante and Deguileville, at the same time denying the possibility of any direct influence.

THE GAWAIN -POET AND TOULOUSE

1996 ◽  
Vol 43 (3) ◽  
pp. 266-268
Author(s):  
ANDREW BREEZE
Keyword(s):  
Gawain Poet

The Gawain-poet

1983 ◽  
pp. 155-180
Author(s):  
Derek Brewer
Keyword(s):  
Gawain Poet

V: The Gawain Poet and Dante: A Conjecture

PMLA ◽  
1936 ◽  
Vol 51 (1) ◽  
pp. 31-36
Author(s):  
Gordon Hall Gerould
Keyword(s):  
Fourteenth Century ◽  
Geoffrey Chaucer ◽  
English Literature ◽  
Piers Plowman ◽  
Ample Evidence ◽  
Sir Gawain ◽  
The World ◽  
Native Speech ◽  
Gawain Poet ◽  
Made In

The end of the fourteenth century, when Geoffrey Chaucer wrote, was one of the periods of great accomplishment in English literature. Chaucer did not stand alone. Wiclif's prose, the admirable poetry that Gower composed in three languages, and the powerful satiric verse of Piers Plowman give ample evidence of this. Among the poets of the time no one except Chaucer was greater than the author of Sir Gawain and the Green Knight and The Pearl, whose name and personality are still unknown. Though a learned man of the world like Chaucer, he wrote in the dialect of northwestern England rather than of London, which must have seemed difficult to most readers even in his own time. Why he chose such an obscure dialect has never been understood. The writer of this paper calls attention to the eloquent defence of his native speech that Dante made in his Convivio, and suggests that the Gawain poet may have been inspired by it to do for his own dialect what the great Italian had done for Tuscan.

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