The Empiricist Theory of Artistic Value

2000 ◽  
Vol 58 (4) ◽  
pp. 321 ◽  
Author(s):  
R. A. Sharpe
Keyword(s):  
Artistic Value ◽  
Empiricist Theory

Graphic design practice of an image for the Chinese character for "鼓 Drum"

2019 ◽  
Author(s):  
POHSUN WANG
Keyword(s):  
Design Thinking ◽  
Chinese Character ◽  
Science And Technology ◽  
Point Of View ◽  
Learning Design ◽  
Design Practice ◽  
Cultural Issues ◽  
Artistic Value ◽  
The Status ◽  
The Times

Basic shape is one of the most important components of the learning design process. Using Western design thinking to understand shape, color and composition layout and attempting to reinterpret the application of traditional calligraphy from a design point of view—whether it is the expression of form or the meaning of content—are both important aspects of design thinking. The writing patterns of traditional calligraphy and the design creation of modern experiments may have different biases. If the artistic value of "the brush and ink of the time" is compared to the science and technology of innovation as the main appeal, the expressiveness of the traditional writing mode is obviously difficult to achieve. Using science and technology as an option for design creation is a difficult way to proceed; however, technology, ideas and thinking can still be in sync with the cultural issues of an entire era. This is also the test of the times to which contemporary creations are subjected. There are infinite possibilities for development, and it is worthwhile to explore these possibilities together with artistic aspirants. On the other hand, if we follow the well-beaten path of the status quo, the creativity of traditional calligraphic art will wither, it will deviate from the larger environment of the era in which it operates, and it will inevitably be neglected and pushed out by other art categories. The design and creation process uses the traditional calligraphy characters and drums as the theme, assisted by digital tools in the creation, and finally transforms the traditional calligraphy visual form into an expression of the art of science and technology.

Locke and Malebranche

2018 ◽  
Author(s):  
Nicholas Jolley
Keyword(s):  
Epistemic Status ◽  
Theory Of Ideas ◽  
Human Understanding ◽  
Empiricist Theory

This chapter addresses the issue of whether Locke’s own empiricist theory of ideas offers, as Locke often suggested, a more intelligible way of explaining human understanding than Malebranche’s doctrine of Vision in God. Drawing on Locke’s statements about the corpuscularian hypothesis, it argues that although the empiricist theory may satisfy some criteria of intelligibility, it is forced to recognize the existence of processes that are ‘incomprehensible’; to that extent, Locke’s theory of ideas runs parallel with his mature philosophy of matter. The epistemic status of the empiricist theory of ideas is thus more problematic than it is often taken to be.

The Artistic Value of AI Pictures

2021 ◽  
Vol 63 ◽  
pp. 168-197
Author(s):  
Jun-Hee Kim
Keyword(s):  
Artistic Value

scholarly journals UNREALIZED ARCHITECTURAL PROJECTS IN LITHUANIA: HISTORICAL DEVELOPMENT / NEĮGYVENDINTI ARCHITEKTŪRINIAI PROJEKTAI LIETUVOJE: ISTORINĖ RAIDA

2012 ◽  
Vol 4 (2) ◽  
pp. 188-196 ◽  
Author(s):  
Indrė Gudelytė
Keyword(s):  
Historical Development ◽  
Soviet Period ◽  
Specific Design ◽  
Building Projects ◽  
Design Task ◽  
Artistic Value ◽  
Architectural Styles ◽  
Historical Periods

The “unrealized architectural projects” are the building projects, carried out under the specific design task and intended to be built in a particular place (site), though, for certain reasons and circumstances, have never been constructed. However, up to the present day, the topic of the “unbuilt” has been analyzed just episodically in literature and sources. The article touches upon the historical development of unrealized architectural works, as well as their artistic value and role within various historical periods of Lithuanian architecture. One of the chapters briefly reviews the relevance and development of unrealized projects during the period since Czarist Russian occupation (1795) to the restoration of Lithuanian independence (1990). Furthermore, the deeper analysis of the Soviet period (1940–1990) “dead” architecture is presented. While exploring “the unrealized”, attention has been also paid to what was actu ally built, therefore the prevailing architectural styles, tendencies and examples of the corresponding decade (in Lithuania and worldwide) have been studied. Santrauka Neįgyvendinti projektai – tai pastatų projektai, atlikti pagal konkrečią projektavimo užduotį ir skirti realizuoti konkrečioje vietoje (sklype), tačiau dėl tam tikrų priežasčių ir aplinkybių neįgavę realaus statinio pavidalo. Iki šiol ši tema literatūros šaltiniuose nagrinėta epizodiškai. Straipsnyje kalbama apie nerealizuotų darbų istorinę raidą, meninę vertę, jų vaidmenį įvairių laikotarpių Lietuvos architektūroje. Viename iš skyrių trumpai apžvelgiamas nerealizuotų projektų aktualumas ir raida nuo carinės Rusijos okupacijos (1795) iki Nepriklausomybės atgavimo metų (1990). Nuodugniau analizuojama sovietinio laikotarpio (1940–1990) vadinamoji mirusi architektūra. Tyrinėjant tai, kas nerealizuota, tenka atkreipti dėmesį ir į tai, kas buvo įgyvendinta: kokios architektūrinės srovės, mados, stiliai, tendencijos vyravo tam tikru periodu ne tik Lietuvoje, bet ir pasaulyje.

scholarly journals Talking About the “Misunderstanding” in the Process of Literary Accepting

2008 ◽  
Vol 2 (2) ◽  
pp. 204
Author(s):  
Xu Junliu
Keyword(s):  
Error Correction ◽  
Literary Work ◽  
Reading Process ◽  
Main Body ◽  
Demarcation Line ◽  
Artistic Value ◽  
Original Meaning ◽  
Reading Text ◽  
Angle Of View ◽  
Fuzzy Regions

The “misunderstanding” in the process of literary accepting refers to the receiver in the reading text process with the creation main body, creation motive, the work implication, as well as between the works artistic value constitutes the situation which “the dialog” in the complex relations produces contradicts. But, in the concrete reading process, the “misunderstanding” may divide in “the error correction” and “instead harms” kind of situations. Although “the error correction” refers to reader's understanding in line with author's creation original meaning which produces contradicts, but the work itself actually has demonstrated reader’s understood connotation, thus causes this kind of the “misunderstanding” seems cuts with actual and persuasiveness. “Instead harms” refers to the reader unconscious determination to carry on the far-fetched cognition and the appraisal to the literary work, including to literary work non-artistic angle of view twisting. “The error correction” should advocate that “instead harms” should deny, this does not dispute. But, “the error correction” and “instead harms” between has certain fuzzy regions, between them the strict demarcation line, some literary work in such time, possibly has not had “the error correction” in such receiver, but in another time, possibly has the different understanding in other receivers, to “instead harms” direction transformation. The “misunderstanding” is the literature accepts the necessity, because just having the “misunderstanding”, the different sound, between the literature mutual exchanges and collides, the literature only then had prosperously, the vigorous development aspect.

scholarly journals Pengelolaan Limbah Bambu Menjadi Kerajinan Celengan Guna Meningkatkan Kreatifitas Anak-anak Dan Menambah Nilai Jual Limbah Bambu

2020 ◽  
Vol 2 (2) ◽  
Author(s):  
Resa Nurmala ◽  
Sri Yesi Mardiana ◽  
Risela Karismania
Keyword(s):  
Training Program ◽  
Community Service ◽  
Manufacturing Process ◽  
Artistic Value ◽  
Children’S Learning ◽  
Children's Learning

Abstract. This training program is implemented aimed at improving the creativity of Mekarasih children and utilizing waste used bamboo into crafts as well as learning media into a piggy bank that has artistic value and value to also have selling value.This training was held in Mekarasih Village on August 29-30, 2020. In the implementation of the piggy bank making program was attended by 7 children of Mekarasih Village, 2 students, and accompanied by a Guiding Lecturer 1 person. The methods of implementation of this training program include (1) Socialization of material delivery to participants, (2) Implementation of the practice of making used bamboo waste into a piggy bank, (3) Evaluation of activities including evaluation of the manufacturing process, and results. The result of this community service in the form of crafts from used bamboo waste into a piggy bank that has artistic value and selling value as well as for children's learning media to motivate to get used to saving early in addition to increasing the selling value of bamboo waste.

scholarly journals SEMANTICS OF POEM IN «DIV TICS OF POEM IN «DIVANI LUGATI-T-TURK»

2021 ◽  
pp. 36-45
Author(s):  
Qosimjon SODIQOV ◽  
Govhar RAHMATOVA
Keyword(s):  
World Literature ◽  
Fine Art ◽  
Oral Poetry ◽  
Verbal Art ◽  
Specific Expression ◽  
Artistic Value ◽  
Aesthetic Taste ◽  
History Of ◽  
Extensive Information ◽  
The Aesthetic

Lyric songs depict how rich is the aesthetic taste of the Turkic peoples and their special love for verbal art for a long period, and the fact that they possessed artistic resources capable of competing with the most agile peoples of their time. Moreover, these songs illustrate the artistic views of the Turks. Pure lyrical experiences, with their novelty, the richness of images, and unique pathos, have always engaged the reader. The poetry of the Turkic peoples is studied as a separate phenomenon in the history of world literature. Mahmud Kashgari’s Divani lugat at-Turk provides extensive information about the foundations of Turkish poetry and its scope. We can see the first paradigms of lyric poetry in the oral poetry of the Turkic peoples in the Divani lugat at-Turk. As a great linguist of his time and an advanced thinker – Kashgari proves each word with its specific expression or a piece of poetry. Each poem in his work is unique regarding its artistic value and semantics. We can see this, especially in these lyrical poems. Even simple episodes in lyrical songs demonstrate the ability of our ancestors to express thoughts beautifully. The lyrical passages in the Divani lugat at-Turk consist of the description of the mistress, the sad moments of the separation of beloved ones, and the poems addressed to his beloved one. The issue of fine art and its location is noteworthy in them. The devices used in them play an essential role as the initial version in the context of the literature of the Turkic peoples. The author cites some examples of such poetic art: tashbih, oxymoron, metaphor, tajnis, repetition, hyperbole (mubalaga), irsali masal, etc. These devices were actively reflected in all types of poetry of the later period. This article discusses the semantics of lyrical poems in the Divani lugat at-Turk and reveals their fine art.

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