Folk Song Style and Culture (American Association for the Advancement of Science Publication No. 88)

Juana de Laban; Alan Lomax

doi:10.2307/428922

Folk Song Style and Culture (American Association for the Advancement of Science Publication No. 88)

Journal of Aesthetics and Art Criticism ◽

10.2307/428922 ◽

1969 ◽

Vol 28 (1) ◽

pp. 106

Author(s):

Juana de Laban ◽

Alan Lomax

Keyword(s):

American Association ◽

Folk Song ◽

Song Style

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FOLK SONG STYLE AND CULTURE, by Alan Lomax, with contributions by the Cantometrics staff and with the editorial assistance of Edwin E. Erickson, Washington, D.C., American Association for the Advancement of Science “Publication No. 88”, 1969. Pp. xx, 363, with 76 tables, 75 charts and graphs, 3 appendices, bibliography, list of sources, index.

10.21504/amj.v4i4.1697 ◽

1970 ◽

Vol 4 (4) ◽

pp. 130-131 ◽

Cited By ~ 1

Author(s):

Hewitt Pantaleoni

Keyword(s):

American Association ◽

Folk Song ◽

Song Style

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Folk Song Style and Culture. A staff report on cantometrics presented at the Washington meeting of the American Association for the Advancement of Science, Dec. 1966. Alan Lomax. With contributions by the Cantometrics Staff, Bureau of Applied Social Research, Columbia University, and with the editorial assistance of Edwin E. Erickson. AAAS, Washington, D.C., 1968. xx + 364 pp., illus. $16.75; members' cash price, $14.50. AAAS Publication No. 88

Science ◽

10.1126/science.166.3903.366 ◽

1969 ◽

Vol 166 (3903) ◽

pp. 366-367 ◽

Cited By ~ 3

Author(s):

R. Naroll

Keyword(s):

American Association ◽

Social Research ◽

Folk Song ◽

Columbia University ◽

Applied Social Research ◽

Song Style

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Folk Song Style: Notes on a Systematic Approach to the Study of Folk Song

Journal of the International Folk Music Council ◽

10.2307/834750 ◽

1956 ◽

Vol 8 ◽

pp. 48 ◽

Cited By ~ 4

Author(s):

Alan Lomax

Keyword(s):

Systematic Approach ◽

Folk Song ◽

Song Style

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Kyōshi: Japanese “Wild Poetry”

The Journal of Asian Studies ◽

10.2307/2053784 ◽

1979 ◽

Vol 38 (3) ◽

pp. 499-517 ◽

Cited By ~ 2

Author(s):

David Pollack

Keyword(s):

Nineteenth Century ◽

Daily Life ◽

Folk Song ◽

Chinese Poetry ◽

Political Factors ◽

Song Style ◽

Verse Forms

AbstractIn Japan between 1770 and 1790, the craze for witty, comic verse forms such as kyōka and senryū, infected the ancient and noble tradition of poetry written in Chinese to produce kyōshi, “wild Chinese poetry.” Written in both Edo and Kyoto by poets of the lower samurai and educated townsmen classes, kyōshi ranged from silly puns and parodies of long-petrified Chinese verse forms to serious poems that used new subjects, language, and perceptions to revive the old genre, kanshi. Of the major poets, Ōta Nampo (Shokusanjin) of Edo, well-known as a master of kyōka, was equally famous for collections of witty kyōshi, while Hatanaka Tanomo (Dōmyaku Sensii) revived the Chinese “folk song style ballad” as a vehicle for descriptions of daily life in and around Kyoto. Because kyōshi was the product of a unique conjunction of literary, social, and political factors, it was almost forgotten by the beginning of the nineteenth century.

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