VICTORIA EN INGLATERRA A TRAVÉS DEL LAÚD: RECEPCIÓN Y EJECUCIÓN DE LA MÚSICA DE TOMÁS LUIS DE VICTORIA EN EL ENTORNO DE LA COLECCIÓN DE MÚSICA DE EDWARD PASTON (1550-1630)

2012 ◽  
Vol 35 (1) ◽  
pp. 385
Author(s):  
Sequera
Keyword(s):  
Tomas Luis De Victoria

Liber magnificarum (1607)

10.31022/r173 ◽  
2020 ◽  
Author(s):  
Sebastián de Vivanco
Keyword(s):  
The Press ◽  
The Many ◽  
Tomas Luis De Victoria

The Spanish composer Sebastián de Vivanco (ca. 1551–1622) was born, like his revered contemporary Tomás Luis de Victoria, in Avila. Having secured prestigious cathedral and university posts at Salamanca, Vivanco saw through the press, between 1607 and 1614, three luxury choirbooks containing 18 Magnificats, 10 masses, and 72 motets, spread over a total of more than 900 printed pages. The first of these choirbooks, all of which were printed by the Fleming ArtusTaberniel and his wife Susana Muñoz, is a cycle of Magnificats providing polyphony for the odd- and even-numbered verses in all eight tones, plus one extra Magnificat in each of the much-used first and eighth tones. If Vivanco has been eclipsed for too long by his great contemporary and compatriot, it is in the complexity and ingenuity of the many canons to be found in these Magnificats that Vivanco outshines even Victoria.

Tomas Luis de Victoria

2020 ◽  
pp. 91-106
Author(s):  
Alexander Blachly
Keyword(s):  
Tomas Luis De Victoria

Tomas Luis de Victoria: A Guide to Research

Notes ◽  
1999 ◽  
Vol 56 (1) ◽  
pp. 131
Author(s):  
Harry Elzinga ◽  
Eugene Casjen Cramer
Keyword(s):  
Tomas Luis De Victoria
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