Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity

2002 ◽  
Vol 33 (2) ◽  
pp. 585
Author(s):  
Arthur J. Di Furia ◽  
Mary D. Garrard
Keyword(s):  
Artistic Identity ◽  
Artemisia Gentileschi

Artistic-professional strategies in the music sector. The case of the jazz scene in Barcelona

2020 ◽  
pp. 145-163
Author(s):  
Marta Casals Balaguer
Keyword(s):  
Research Methods ◽  
Social Dimension ◽  
Artistic Identity ◽  
Professional Musicians ◽  
Main Research ◽  
Works Of Art ◽  
The Social ◽  
The Creation

This article aims to analyse the strategies that jazz musicians in Barcelona adopt to develop their artistic careers. It focuses on studying three main areas that influ-ence the construction of their artistic-professional strategies: a) the administrative dimension, characterized mainly by management and promotion tasks; b) the artistic-creative dimension, which includes the construction of artistic identity and the creation of works of art; and c) the social dimension within the collective, which groups together strategies related to the dynamics of cooperation and col-laboration between the circle of musicians. The applied methodology came from a qualitative perspective, and the main research methods were semi-structured inter-views conducted with active professional musicians in Barcelona and from partic-ipant observation.

Stolen from the Snows: John Kinsella as Poet and as Fiction Writer

CounterText ◽  
2020 ◽  
Vol 6 (2) ◽  
pp. 232-238
Author(s):  
Nicholas Birns
Keyword(s):  
Close Reading ◽  
Artistic Identity ◽  
Close Analysis ◽  
Fiction Writer

This piece explores the fiction of John Kinsella, describing how it both complements and differs from his poetry, and how it speaks to the various aspect of his literary and artistic identity, After delineating several characteristic traits of Kinsella's fictional oeuvre, and providing a close reading of one of Kinsella's Graphology poems to give a sense of his current lyrical praxis, the balance of the essay is devoted to a close analysis of Hotel Impossible, the Kinsella novella included in this issue of CounterText. In Hotel Impossible Kinsella examines the assets and liabilities of cosmopolitanism through the metaphor of the all-inclusive hotel that envelops humanity in its breadth but also constrains through its repressive, generalising conformity. Through the peregrinations of the anti-protagonist Pilgrim, as he works out his relationships with Sister and the Watchmaker, we see how relationships interact with contemporary institutions of power. In a style at once challenging and accessible, Kinsella presents a fractured mirror of our own reality.

IN THE SEARCH OF ETHNO-ARTISTIC IDENTITY: UKRAINIAN-LITHUANIAN STUDIOS (the second meeting)

2019 ◽  
Vol 145 (1) ◽  
pp. 20-28
Author(s):  
Olena FEDORCHUK ◽  
Olena NYKORAK ◽  
Egle KUMPIKAYT ◽  
Diva MILAZHENE ◽  
Erika NENARTAVIИIŪTĖ
Keyword(s):  
Artistic Identity

Artistic Identity in the Late Middle Ages: Foreword

Gesta ◽  
2002 ◽  
Vol 41 (1) ◽  
pp. 1-2
Author(s):  
Stephen Perkinson
Keyword(s):  
Middle Ages ◽  
Artistic Identity ◽  
Late Middle Ages
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