Injustice for Salcido: The Left Response to Police Brutality in Cold War Los Angeles

2004 ◽  
Vol 86 (2) ◽  
pp. 145-168 ◽  
Author(s):  
Don Parson
2018 ◽  
Vol 18 (1) ◽  
pp. 3-26 ◽  
Author(s):  
Layne Karafantis ◽  
Stuart W. Leslie

Los Angeles’s aerospace suburbs no longer have many aerospace companies or workers in them, but their legacy—a geographical division of labor, class, and race reflected in and reinforced by corporate planning—continues to shape the region’s suburban landscape. In the early 1960s, aerospace companies relocated their new divisions to the emerging edge cities of greater Los Angeles. Until the end of the Cold War, these “blue-sky” suburbs—white, white-collar, and with predominantly male workforces—reinterpreted the California dream for an upper-middle class who believed they had little in common with their blue-collar counterparts left behind in older working-class communities.


Author(s):  
Mark Padoongpatt

This chapter explores the blossoming of America's fascination with Thai cuisine during the Cold War. The informal postwar U.S. empire in Thailand vacillated between "hard" and "soft" power, consisting of state-sponsored dictatorships, militarization, modernization projects, and cultural diplomacy. The chapter traces how this neocolonial relationship established circuits of exchange between the two countries, making it possible for thousands of ordinary Americans (non-state actors) to go to Thailand and participate in U.S. global expansion through culinary tourism. Many, especially white women, treated Thai foodways as a window into Thai history and culture and into the psyche of the Thai people. The chapter argues that these culinary tourists constructed an idealized image of Thailand and a neocolonial Thai subject by writing "Siamese" cookbooks and teaching cooking classes to suburban homemakers back in Los Angeles, whetting Americans' appetite for an exotic Other’s cuisine.


2018 ◽  
Author(s):  
Calvin N. Ho

The relationship between homeland states and their diasporic subjects abroad has been a subject of social scientific inquiry on both sides of the Atlantic (Dufoix 2008; Smith 2003). Scholars from various disciplinary perspectives have put forth theories of why homeland states engage with emigrant or coethnic populations, and why these populations seek to engage with the government of their homeland. What is missing in the literature is a theory of how such homeland-diaspora relationships come into being and how they change over time. Understanding the development of homeland-diaspora relationships is crucial for making sense of migrant transnationalism and of state sovereignty in a globalized era. This study addresses this gap in the literature through a historical and ethnographic study of the relationship between the Republic of China (ROC) and Chinese language schools in Los Angeles. The case of the ROC and the Chinese diaspora is an illuminating case because the anomalous nature of the ROC’s political status calls into question many of the main assumptions in the existing literature. In particular, it challenges the assumption that each diaspora corresponds to a sole, legitimated homeland state. In the Chinese case, the geopolitical divisions at the end of the Chinese Civil War resulted in two states: the People’s Republic of China (PRC) on the Chinese mainland and the ROC on the island of Taiwan. While the communist PRC was not geopolitically legitimate in the West during the early part of the Cold War, widespread recognition of the PRC in the 1970s has left the ROC’s statehood claim in a liminal state. For the diaspora, this has resulted in two potential homeland states. The ROC’s de-legitimated claim to statehood has left it dependent on diaspora political support just as demographic shifts and transformations in the US social and political environment made it easier for the diaspora to support the PRC. I argue that the balance of power between the ROC diaspora bureau and the language schools have transformed since the Cold War as a result of domestic and geopolitical changes. The key factor shaping this relationship is the presence of the PRC and its changing geopolitical role since the 1980s. My explanation bridges theories of migrant transnationalism with theories of resource dependence among hierarchically linked organizations. This study contributes to the literatures on immigration, nationalism, and ethnicity, but also to broader literatures on borders and the reach of the state.


Author(s):  
Katarzyna Marciniak

Opening with a discussion of the Gao Brothers’ sculpture Miss Mao Trying to Poise Herself at the Top of Lenin’s Head, which appeared in a public space in Los Angeles in 2011, this article provides a meditation on the various post–Cold War disappearances and reappearances of statues of Lenin in Eastern Europe, a space still haunted by its communist past. The analysis is focused on the representation of several of these monumental sculptures evoking their installation, removal, and reconfiguration—in a cluster of films and public statue “performances” across the former Eastern Bloc. It also explores the different hermeneutic registers encircling the statues, registers that often mix experiences of trauma with ludic contestation. The vignettes that serve to organize the article demonstrate how these sculptures have the potential to prompt counter-memories, often becoming triggers that enable the excavation of private or communal remembrance. To clarify this process, each vignette offers an instance of revisionist storytelling, disclosing the unstable relationship between monumental sculpture and memory, and tapping into counter-histories, or histories that demand to be remembered and vindicated.


2019 ◽  
pp. 276-316
Author(s):  
W. Anthony Sheppard

This chapter explores the career of Japanese American composer and arranger Tak Shindo (1922–2002). Shindo grew up nisei in Los Angeles. Japanese American musical life is discussed with a focus on the community’s 1933 production of Sakura composed by Claude Lapham in the Hollywood Bowl. Interned at Manzanar during World War II, Shindo began musical studies through the camp’s programs. Although devoted to Latin jazz, he repeatedly served during the Cold War as a Japanese musical advisor for such Hollywood composers as Franz Waxman and Max Steiner (Sayonara, Cry for happy, and A majority of one). Several of his 1950s and 60s albums—combining elements of Japanese music with the big band style—were successful in the exotica genre. Shindo’s self-Orientalism is compared with the musical exoticism of Martin Denny. A brief discussion of subsequent Japanese American jazz follows. The chapter concludes with a profile of the composer Paul Chihara.


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